Flammarion's Firmament
by angeliska on May 18, 2011
So, I’ve been meaning to write about this for a little while, and as tonight is particularly celestially
auspicious, I might as well. When I was a child, from the age of perhaps 2 until I was 7, I had this image –
The Flammarion engraving, blown up as a poster, and tacked to the wall that my little bed was pushed up
against. I would gaze at it every night when I fell asleep, often with my nose pressed up to the little houses
in the village, imagining the lives of the tiny, engraved people within. I wondered at the flaming wheels, the
whirling stars, and about the man who was brave enough to stick his head through a hole in the sky.
This is definitely one of the things that made me weird, and I am grateful to my parents for that. My
mama decorated my childhood bedroom. She painted the walls a deep periwinkle, which – no surprise –
is still a most calming and favorite shade for me. The curtains were a sheer white with little swiss dots,
and she hung old chandelier crystals in the windows, so at that magic hour in late afternoon, bright sun
would pour in, and I could chase the rainbows as they flitted this way and that. My furniture was white,
vintage, princess style – I still have it, and use it to this day. Another poster, of a circus family from the 1900s,
hung over my head. When I couldn’t sleep, I would sit up and trace their death-defying tumbles through the air.
I’ve been thinking a lot about how what we see as children, what we’re exposed to creates who we become.
So many offhand moments that I doubt my parents would even remember loom large in my memory. Images,
music, movies – (I’ll write more about those soon) so many of the things I saw at that age became intrinsic to me,
to my personal cosmology. This first image, though – it still holds such wonder and pleasure for me. I’d love to have
a giant print of it again. My poster was probably purchased at some headshop, and thrown out after my mother died.
“The Flammarion engraving is a wood engraving by an unknown artist, so named because its first documented appearance
is in Camille Flammarion’s 1888 book L’atmosphère: météorologie populaire (“The Atmosphere: Popular Meteorology”).
The engraving has often, but erroneously, been referred to as a woodcut. It has been used to represent a supposedly
medieval cosmology, including a flat earth bounded by a solid and opaque sky, or firmament.”
The caption that accompanies the engraving in Flammarion’s book reads
Un missionaire du moyen âge raconte qui’l avait trouvé le point où le ciel et la Terre se touchent…
(“A missionary of the Middle Ages tells that he had found the point where the sky and the Earth touch…”)
Copper plate etching by Jan Goeree of the lunar disk looming over a large telescope surrounded by a large crowd of curious onlookers.
The lunar maps bound in La Dioptrique Oculaire of Chérubin d’Orléans.
Both copper plates were engraved by Louis Coquin.
Tonight is the full moon, and I forced myself earlier to step away from my work,
to take a bath in the old clawfoot as the world through the windows blurred
into blue, scrub the day off, and stop. Stop all the clocks ticking, the phone
ringing, buzzing, beckoning, chiming. Step away from this tantalizingly handy
machine upon which I tap out these words, step away from the emails that make me
cringe, reminding me of deadlines, more deadlines. But tonight is the full moon,
and all that can wait, at least until I’ve finished writing this. One of my dearest and
longest loved friends moved back to town a while back, and brought with her a certain
purposefulness regarding honoring the seasons, equinoxes and solstices, the moon’s turnings
that somehow I’d allowed, in my solitary state, to fall by the wayside. She recently proposed
a full moon supper club – a rotating, relaxed potluck that serves as a way to honor the
fullness of la luna in whatever ways feel most natural. Coinciding with dinner, because –
hey – we all have to stop and eat dinner, right? I mean, most nights. Telling stories of our
enfant terrible adventures, drinking wine, and marveling at the patchwork potluck bounty,
I remember how simple it can be. Eating, drinking and talking with dear friends – is there
any better way spend an evening? I am shamed when I think of how rare it has become,
how many meals I have eaten with only a book for company, and how I do love that, but
sometimes, almost too much. A bad side effect of being so busy, of being involved in so
many projects, is that it makes me jealous of my solitude, too immersed in it, in my own mind.
William Blake – For Children: The Gates of Paradise, 1793
Sometimes, I find myself baring my teeth like a wild beast when the phone has rung for the
twentieth time in a morning, or at the prospect of an unexpected guest. Terrible of me to have
this reaction, to develop such a beastly aversion, but I am working on it. Working on stopping,
breathing, stepping away from the massive heap of work still left to be done, and go out into
the night – but not for any other reason than to sit still and peaceful with a small group of
sweethearts. What a joy it is, just to look into their eyes as they tell me stories, eat cake with
blackberries, laugh at my fairy godson doing circles on his tricycle ’round and ’round the table.
This, just this. The urge to simplify my life of late is becoming imperative, overwhelming.
Somehow, I’m going to find a way to streamline this unwieldy, creaky ship into something
that makes me breathe easier, gives me time to stretch my bones, and create something I
really love. I’ve been painting again, which feels good (when it’s not for a show, on a deadline!)
I miss writing letters, miss riding my bike, traveling, strolling, swimming – and it’s not exactly
that I don’t have time for those things right now, but I’ve got to stop saying yes to new projects
and tackle what’s on my plate already. And then? Read a book. Write. With a pen, on paper.
Full Moon (etching), Flora McLachlan
Go walking in the woods, with moonlight as my only illumination, my black dogs at my side.
These are my full moon wishes, the gifts imparted by that shy white circle, gravid with light,
hiding her face behind the branches. Light the candles, sweep the floor. Open the book.
Baron Münchausen: Voyage to the moon, by Doré
Moon, (relief etching) Brian Cohen
Sakura Honey
by angeliska on May 16, 2011
✸ I love these vibrant illustrations by A. Alexeieff for Russian Fairy Tales, from 1945
This bit from Eudora makes me want to track down a copy of my own:
“These Russian tales are rambunctious, full-blooded and temperamental. They are tense with action,
magical and human, and move in a kind of cyclone of speed. These tales are gorgeous.”
– Eudora Welty
✸ Really enjoying Martine Johanna lately. Beautiful work.
✸ Lori Field’s Forest Stories
I also really love these encaustic paintings. Wonderful, dreamy colors.
“Lori Field’s paintings depict a world where animals and humans live together in enchanted forests
filled with two headed skeleton kittens, Tiger goose head cows, and baby ram angels.”
“Virvon, varvon/tuoreeks, terveeks, tulevaks vuodeks/sulle vitsa/ mulle palkka”
✸ I LOVE this holiday: Virvon, varvon…
“I will wish, whisk and whack/ you health and happiness/
for this new season/ for you the branch/ for me the prize.”
✸ The wonderful Slavic folktale styled graphic work of Tin Can Forest is making me very happy.
“The deep, dark forest of our collective unconscious has never seemed more beautiful and mysterious
than in the images of Tin Can Forest. The Toronto-based team of artists Pat Shewchuk and Marek Colek
spin tales where barter-happy demons and animal spirits, drawn from Slavic folklore, walk in step with
witches and villagers. We caught up with Tin Can Forest to ask them about their work and new book
‘Baba Yaga and the Wolf’ from Koyama Press.”
✸ The Vanquishing of the Witch Baba Yaga
“The Vanquishing of the Witch Baba Yaga examines man’s interaction with the mythic woodlands of Eastern Europe,
detailing the bloody history and complex psychologies that transformed the forest from a conceptually sinister space into
a realm of precious security. Mushroom hunting provides a passageway into the history of the region and helps reveal the
roles that woodlands play in the psychology and sociology of fear, imagination, and survival.
For generations of Slavic peoples, the dark, dense woods were construed as foreboding and menacing, ruled by the witch
Baba Yaga. In the minds of many, Baba Yaga was believed to be a very real entity – to roam within her reach meant almost
certain death. How then did the people of Eastern Europe – with their culturally ingrained fear of the forest and the witch within –
come to rely so heavily on Baba Yaga’s wilderness during times of need?
Baba Yaga was vanquished by necessity when refugees of war and social unrest fled to her woods for shelter, nourishment, and
sanctuary. Drawing on fairy tales, folklore, and personal recollections, The Vanquishing of the Witch Baba Yaga examines how
the collective, social memory of Eastern Europe both shaped and shapes local relationships with the forest.”
This looks really wonderful. Watch the promo video!
✸ Eastern Europe’s Evil Granny Rules Two New Novels, “Deathless” and “Baba Yaga Laid An Egg”
I’m reading both of these right now. So, so good!
A candid shot from Devaki Knowles of me applying my lip-rouge at the most recent Vintage Vivant.
The next one’s theme is Storyville Bordello! Scandalous! Salacious! Shocking!
Another treasure from Pink Tentacle – Anatomical illustrations from Edo-period Japan
This anatomical illustration is from the book Kanshin Biyō, by Bunken Kagami.
From Joanna Ebenstein’s “Private Cabinets” Photo Series, Volume 1: Barrister’s Gallery, “Morbid Anatomy Cabinet” Exhibition
From the Home Collection of Evan Michelson, Antiques Dealer, New Jersey
My pals Dark Dark Dark were just here in Austin, and made me fall in love with them all over again.
This is one of my favorite songs of theirs. I sing it all day long, and so will you, I hope.
Tell me what you celebrate
It isn’t hard to do…
Do you love me?
Do you love that paint?
Exposing the brick
They’re crumbling a bit
Do you love the bees
Fly over our heads
Race into the woods
Make honey so sweet
Do you love me
Do you love the breeze
When you stand on the deck
Of a boat on the sea
Or when it comes through
An open window
Of a high ceiling room
On the eleventh floor
Do you love stories
Of that stream you found
You followed the path
Ferns under your feet
The trees they parted
And you stumbled upon
The coolest stream
Your skin has known…
And tell me what you celebrate
It isn’t hard to do
Do you love me
A walk on the street
Oh lavender!
The scent fills the air
Oh remember
The hand sewn quilt
We laid on it there
We laid on it there…
✸ As Above So Below
My friend Bruce Webb has an exhibition of some of his impressive
collection of fraternal order paraphernalia up at Domy Books this month.
✸ My darling dearest Dana Sherwood has a new project called All My Dresses
“Archiving twenty years of collecting vintage dresses, some have been destroyed,
some have been “borrowed”, none have been intentionally discarded.”
Thvm ✸ Rag for Arielle de Pinto from mary-catharine anderson on Vimeo.
A beautiful video featuring my friend Miss Arielle de Pinto‘s gorgeous woven chain jewelry.
✸ Look at Me, I’m Crying
A beautiful piece on crying in public in New York City. I can relate, having found myself doing just that, far too often,
on my last excursion up there. Maybe it was the insidious combination of mercury retrograde and vicious sinus infection
that made me more susceptible than usual to uncontrollably weeping on streetcorners, park benches, Duane Reade,
the backs of various taxis. It was kind of ridiculous. I remember being sandwiched on a bench between a henna-haired
bag lady and a lanky teenage boy reading an old science fiction paperback. They just shared the space with me,
and let me cry – oblivious or unbothered, but it was oddly peaceable. The Nigerian cab driver was much more
disturbed, begging me to stop my weeping, and promising to somehow help me figure out how to get from Prospect
Park South to Williamsburg in fifteen minutes. Yeah, that didn’t end up working out, but he was very nice to me.
“If you live in New York, you’re bound to end up crying in public eventually; there just aren’t enough private places.
Just the other day I saw someone doing it on West 12th Street. A tall woman in a beret, with a curtain of reddish hair,
she had tears streaming down her cheeks. She wasn’t on the phone, wasn’t accompanied by a man, or a mom or even
a dog. She wasn’t beautiful, the way a lot of people in New York are, but I couldn’t look away.”
I love this beauty from Jeremy Enecio – thank you, Mlle. Wurzeltod!
✸ Her Voice in My Head I love, love, love
this piece by Emma Forrest about Kate Bush in the Paris Review. Go read it RIGHT NOW!
Caresse P-Orridge & Sickmob – “R. U. Experienced?”
✸ Two new scientific studies reveal hallucinogens are good for your mental health
✸ Ruslana Korshunova – The Lost Girl
Why did a supermodel at the top of her game—hauntingly beautiful and only 20—kill herself in 2008?
A filmmaker describes his three-year quest for clues, and answers.
✸ The Lost Boys
“In December 1970 two teenagers disappeared from the Heights neighborhood, in Houston.
Then another and another and another. As the number of missing kids grew, no one realized
that the most prolific serial killer the country had ever seen—along with his teenage accomplices—
was living comfortably among them. Or that the mystery of what happened to so many of his
victims would haunt the city to this day.”
✸ The exceptional mourning of twins
From Mind Hacks:
“I’ve just found an amazing article that looks at how the death of twins is mourned in cultures around the world.
The journal Twin Research and Human Genetics is usually dedicated to the science of twin studies –
a key method for understanding the role of genetics and the environment on the development of human traits.
In 2002 they had a special issue that took a very different look at the subject – examining grief and mourning related to twins.
One of the articles is a stunning look at the anthropology of twin death, exploring the diverse and intriguing beliefs and practices concerning twin death.”
Articles about three heroes of mine:
✸ The Official Justin Bond
✸ The Invisible Scent – Christopher Brosius
✸ Poly Styrene (3 July 1957 – 25 April 2011) from Coilhouse
✸ the greening life from Moonshine Junkyard
These same thoughts have been buzzing around my brain, but I didn’t have a word to hold them close – until now: viriditas!
“the light green heart of the living fullness of nature.”
Thanks for this, Tam.
Le cadavre exquis boira le vin nouveau!
by angeliska on May 5, 2011
I did an interview with William Bass of Uweekly Austin about Exquisite Corpse recently,
but I thought it might be good to post our full interview here, since I was able to go a lot more
in depth about what my vision for the night is all about, where it comes from, and what I’m hoping
to make happen with it. To accompany, are some of Devaki Knowles’ wonderful photos from the last party –
the full set can be seen here: Exquisite Corpse 2
Drea + I
1.What is Exquisite Corpse all about?
Exquisite Corpse is a night for modern surrealists and old-school goths to dance, socialize and explore.
We take pleasure in creating an elegant temporary autonomous zone where ideas and flirtations can be exchanged.
The name refers to the Surrealist parlour game, (which we always play at the party) and is meant to evoke the gothic
style of dressing beautifully undead. It’s also a reference to a fascinating book by Mark Nelson and Sarah Hudson Bayliss,
which draws connections between the Surrealists and the famous Black Dahlia Murder. Film noir, ghastly crimes, bizarre art,
and a penchant for the macabre all lend themselves well to the theme.
2. What inspired you to create this event?
When I lived in New Orleans, my friends and I decided to start a monthly Dada Ball called Cabaret Revoltaire.
We saw it as a continuation of the movements begun by our disgruntled European forbears – their movement also
came about as a response to the insanity and futility of war and industrialized culture. In post-9/11 America, we
watched with horror the knee-jerk patriotism that presaged the war in Iraq, and knew we needed an outlet for our
feelings of helplessness and frustration. Cabaret Revoltaire was an experimental surrealist extravaganza, a combination
of art opening and intentionally chaotic salon featuring visual and performance art, experimental music and installation,
pranks, invisible theater, inexplicable fashion, participatory painting, and interactive hijinks of all sorts. Inspired by the Dada,
Surrealist and Situationist movements, our goals were to revive and expand on the good work of the artists and writers that
came before us, to achieve consciousness expansion, to engage collaborative art, interactive (rather than passive) social
experiments, full-contact participation and the abolition of the “audience”.
Dougie
3. What is your interest in surrealism, and what is its connection to this event?
I’ve long held a great respect and fondness for the work of the Surrealists and Symbolists.
These artists were delving deep into the human subconscious, and were determined to unearth
and express our strangest dreams, no matter how dark or nonsensical they might seem. They
understood that the most profound wisdom can come from these hidden places.
Davey + Penny
Teddy Baker & pal
David + Iana
Javi + Chia
4. What sort of experiences is Exquisite Corpse trying to engender?
Mainly, we just want people to come and have a lovely time. This event is sort of a low-key continuation
of those giant Dada parties we did back in NOLA, with a healthy helping of darkness and mystery thrown in.
I want people to feel free to participate, and be involved in creating the atmosphere. The concept is basically this:
imagine if David Lynch had a Goth night in the Black Lodge. Except that it’s at the Swan Dive, which is even more
magical, really. It’s such a special venue, and we’re so excited to be doing Exquisite Corpse there – I can’t really
imagine it working anywhere else. The music, and the whole gothic aspect was really thrown in as a mash-up,
because I’ve been wanting to do both nights for a long time, and it seemed like it might work to just toss them in together.
I’ve felt a real lack of the kind of goth/new-wave night like the kind I used to love going to back in the day. That scene kind
of died or faded away, but I feel like the time is ripe to bring it back, and play the kind of music we never really get to here
in clubs anymore. The focus is really on a specific pantheon and era of bands that created a sound that was dark, mysterious
and magical. It was before industrial music and EBM took over, with a much more aggressive, stompy, masculine vibe.
I do enjoy many aspects of that music, but there are also plenty of great nights where you can hear that stuff.
“Music for Witches” does indicate a more feminine leaning, an appreciation for mysticism, dramatics, and romance.
The music has a different tempo – it’s a slower, heavier beat. It’s sexy without being super aggro. It also creates a space
for new music that works beautifully with our theme, like witch-house and drag. Musicians like Karin Dreijer Andersson of
Fever Ray and The Knife, and the mysterious IAMAMIWHOAMI definitely have a place at Exquisite Corpse – they are
both doing really gorgeous and adventurous work. This isn’t a rigid retro night – it’s about creating a certain ambiance,
which might include a Nina Simone song played right after Einstürzende Neubauten. Our patron saint is Siouxsie Sioux –
(or I suppose she’s our queen, since she’s quite alive) a strong, unapologetic, punk sorceress.
Lau of RECSPEC
As far as performers go, I’m really opening the floor to people who want an environment to express themselves –
especially when what they’ve got to share doesn’t really fit in anywhere else. This could be dance, sound installation,
art, writing, a game – but the key is that it must be interactive. There’s no announcer, no stage, no audience. It’s more
of a happening. I love the idea of a salon (not the getting your hair-did kind!), but as a place to exchange ideas, and
even to workshop your creative process. I love performance art when it just happens unexpectedly. Announcing it tends
to kill it. It’s always better when you just catch it happening out of the corner of your eye and wonder if you might be losing
your mind, or dreaming. This is definitely the kind of space where anything might happen. At the debut, recent Austin transplant
Sassy Delure dazzled us with a dance performance that involved her portraying three very different and very strange characters in quick succession. It was truly amazing. Laurel Barickman of RECSPEC does an incredible projection installation that totally creates the tone of the night, as well as providing some pretty bizarre and exciting eye candy. Images from films like “Night of the Hunter” and Japanese cult favorite “Hausu” seemed to sync up perfectly with the set from DJ Pasht who is a powerful witch and goth club turntable veteran. Devaki Knowles of Funloving Photos sets up her photobooth, so we always end up with lots of beautiful photos of our big-haired, eye-linered guests. People dress up extravagantly for this event, and definitely take a lot of delight in digging out and donning their widow’s weeds and pointy boots. It’s fun, and we aren’t taking ourselves (or anything much) too seriously. This isn’t the kind of party where you’re going to get looked up and down for what you’re wearing, and then nobody talks to each other. Thankfully, we live in Texas – where even the goths and art-snobs are super-friendly (and fairly goofy).
Pandora + I
The best part of the last party? In the middle of the night, my very dearest darling Miss Pea
appeared, having just driven pedal to the metal all the way from New Orleans! So happymaking!
Two of Colin’s oldest and dearest friends also came (in full regalia!), so all in all,
it was a night filled with beautiful reunions of beloved friends. So very wonderful.
Some of the music we like to play, just to give you an idea:
Echo and the Bunnymen
The Glove
Gene Loves Jezebel
Love & Rockets
The Legendary Pink Dots
Bauhaus
The Creatures
Die Form
Nina Hagen
Siouxsie & The Banshees
The Cure
XMAL DEUTSCHLAND
Swans
Beach House
Bat for Lashes
The Birthday Party
Fever Ray
The Knife
Lydia Lunch
Nick Cave
Einsturzende Neubauten
COIL
Zola Jesus
L.A. Vampires
Joy Division
oOoOO
Gary Numan
Depeche Mode
Duran Duran
Tones On Tail
Indian Jewelry
Crones
Clan of Xymox
White Ring
Book of Love
Modern Witch
Strawberry Switchblade
//TENSE//
Matthew Dear
Foetus
New Order
Soft Cell
Salem
The Normal
Tuxedomoon
What? Hilarious. Obviously, the night is full of hinjinks,
and no one takes themselves too seriously. We’re not
worried about cracking our white pancake makeup!
Eastertide
by angeliska on April 23, 2011
Eastertime is almost here! I can almost taste the candyfloss melting on my tongue, and those speckled
chocolate robin’s eggs. I’m busy getting everything ready for our annual Easter Egg Hunt and Garden
Party on Sunday, and remembering what a blast we had last year. It was an insane cavalcade of
pastel frocks, sugared-up children, and eggs: devilled, dyed, candy-stuffed and confetti-filled.
Corinne + Francesca = best bunny girls ever.
Miss Valerie, resplendent in purple and extravagantly top-hatted.
Faith + I being sweet by the tinker trailer. She just had a little baby boy!
He’s too little for Easter egg hunts this year, I reckon – but next year, maybe!
Chesley + Frannie lookin’ fine as can be.
Miss Amelia, always pretty as a picture.
Dawn wearing a gorgeous embroidered collar by Chromium Dumb Belle
My fairy-godson Sascha attacks his first piñata! Kill the bunny!
Adelle-Rose gets cascaroned!
Wee widgets with parasols – Wolfie and her best friend Madeline.
Watermelon is delicious!
Isadora, Molly Karen and Elliott, trio of adorableness.
My favorite sister Penny + Mattie – Penny made the most luscious lemon-drop cake ever!
Flip and Wolfie made these beautiful art eggs – I picked the octopus and the deer to treasure always.
Colin’s mama Becky made this wonderful lambie cake, which Canon won in the cake walk.
He was so proud of it, he wanted to take it to school for show and tell!
Katinka Pinka and her bitty sweet lemondrop of a nephew!
Steve + Emily, looking dandy-fine in their Easter Sunday best.
Two beautiful Sarahs – Sarah Marie + Sarahfina
My grampa was there, in fine fettle. I wish he could be here this year.
The headphones and radio-looking-thing are actually his preferred choice
of hearing-aid. He likes it, and it works – but people always think he’s listening
to music. I had to learn the Serbian word for hearing-aid when I was there,
because everyone was curious about them. The word is: slušni aparat
My dear papa played old tyme tunes on his banjo.
Sienna serenaded us on the ukulele.
This is what happens to Maddy when she eats a pile of sugar – she becomes a lightning-footed fairy!
She ran circles around that sycamore for about half an hour, solid. Just a blur in a bright dress!
☆♥ More photos from last year can be found here:Easter 2010 set
☆♥ Miss Shanna also has some sweet ones: Easter Afternoon at Angeliska’s
☆♥ Easter in New Orleans
☆♥ Chemists Cauterize, Chill Cadbury Cremes from Neatorama
☆♥ Cadbury Egg inside chocolate cupcake
☆♥ Dressed Up For Easter – Vogue asked designers to re-imagine the Easter egg.
☆♥ Children scared shitless of the Easter Bunny thanks, Boing Boing!
And Easterness of yore:
☆♥ Magic Windows #11
☆♥ Sketchy Bunnies!
☆♥ Bunnytown
☆♥ Easter Egg Hunt!
Waves
by angeliska on April 14, 2011
O much neglected corner of the world – little quiet place where I come to lay down my findings,
hollowed-out tree trunk where I store treasure. I am embarrassed at how little I’ve been able to
find the time, the wherewithal, the peace of mind to write here. Too much has been happening
for one heart to hold, much less one little snippet of a post here. It’s been a strange and heavy time,
during which I’ve been struggling to keep up, keep my head above water, find a moment to breathe in.
In the swarm of activity following Mardi Gras and during SXSW, I returned to find my favorite person
in the world depleted and depressed – my 97 year old grandfather, Charlie, went into the hospital on
New Year’s Eve, and had been transferred to a glorified nursing home, where he withered like an
unwatered houseplant. I felt the horror and guilt of Beauty returning to the Beast’s castle to find him
fading fast, dying on the flagstones. I’d never seen my Grandpa laid so low, so unhappy and without
hope. A few days later, he started vomiting blood, and was rushed to the emergency room. I’ve never
been so terrified, so broken at the thought of losing him. It sounds absurd, I suppose – coming from me,
since I’ve lost so many dear ones already. I am used to death, in a way – and I do prepare myself for it,
perhaps more than is healthy. But not with him. How ridiculous to be totally in denial about the mortality
of someone so advanced in years, right? But I am, I have been – for a long time now, totally unwilling to
even consider the possibility of him not being here. Same with my dad, who recently went through chemo
and radiation for non-Hodgkin’s lymphoma. To have both of them so threatened at once? Beyond horrifying.
Every day, I stifled a silent scream at the thought of my Papa and Grandpa laid so low, of losing them.
Instead, I sucked in my fear and loathing of hospitals, and made my voice a bright thing, a shiny balloon
filled with hopefulness, rising towards the ceiling. I stood by my Grandpa’s bed for hours, holding his hands and giving him everything I had, praying desperately that he could recover strength to his suffering kidneys, to his legs, his lungs, his heart. Miraculously, all of our prayers were answered, and he did grow stronger, and became much happier, especially since we told him he never had to go back to that nursing home/rehabilitation center he’d been trying out. I’d lay awake at night, unable to sleep, consumed with worry, with fury, at the thought of him laying alone there. What a grave injustice that someone who has lived such a long and fascinating life should find themselves at the other end of it, in a place that affords them so little dignity. How awful, that there should be so few options for the elderly in this country – particularly since we’re living longer and longer lives. The sad thing is that the place he was in was actually one of the better ones around – he chose it after visiting the nursing home recommended by the hospital and finding it to be “a warehouse for storing people who are at the end of their lives
(his words). Nursing homes throughout America are chronically understaffed and underfunded, with food that I literally wouldn’t feed to my dogs. Seriously – mystery meat and baloney sandwiches? You can get better food in prison. In the midst of all this, poor Japan suffered her violent shiftings, and the whole world seemed on the verge of some great reckoning. My grandparents visited Japan in the 80’s, before my grandmother became too frail for travel. I remember seeing pictures of her dolled up in a kimono like a tiny, ancient geisha. They loved it there, and told me many stories about everything they saw and experienced. Grampa loved the Noh and Kabuki theater, and brought back masks for his collection. We had hoped to go back together, but he decided he wasn’t up for travel a few years back.
The entrance of a cave at Enoshima Island – Soshu Enoshima Iwaya-no dzu
ANDO HIROSHIGE – FAMOUS PLACES IN JAPAN
I still have never been there. One day, I shall. For the last few years, Grampa has given me big, beautiful editions of the collected prints of Hiroshige for my birthday. I’ve been paging through them lately, admiring the elegance of line depicting many formerly serene coastlines and villages I know are now destroyed. I’ve been thinking about the way the elderly are regarded in Japanese culture – as integral and important members of society, to be respected and honored – not shoved in old people jails and forgotten about the way we do here. Or maybe that’s been changing there too. I’ve been thinking about the tidal wave dreams I used to have, about not trying to outrun them anymore, but instead trying to face them head-on, standing with arms open: letting the waves of sorrow wash over me, letting them take what they will from me. This is hard, maybe the hardest thing I have ever done – trying to accept this inevitable loss. I can’t bear the thought of it. Can’t stomach hearing well-meaning friends telling me things that only make them feel better, like: “He’s had a long, full life…” or “Think of how lucky you are to have had that time together…” I don’t want to hear it. I want him to live forever. Is that so much to ask? When you love someone deeply, there’s never enough time.
The (very, very, very!) good news is that Charlie’s doing much better lately – we found a really wonderful assisted living facility that feels more like a home than a hospital, and he likes it there. His spirits are higher, and his overall health has improved. We have been watching movies together – most recently “The King of Masks”, an amazing film about an aged street performer who practices the change-mask opera art of bian lian. Grampa instilled a love of Chinese Opera in me early on, but I had never heard of or seen bian lian before. Between Charlie’s love of masks, and a plot about a grandfather and granddaughter’s profound love, I knew I absolutely had to find a way to share this movie with him. The first time I watched it, I found myself bawling like a child by the end. Luckily, I was able to keep it more or less together when we watched it recently. He loved it as much as I had hoped, and we have a date to watch Cocteau’s “La Passion de Jeanne D’Arc” together soon. Also on our list: “The Last Laugh”, “Casque D’or”, and “Amélie”.
(Please excuse the overwrought trailer with melodramatic voice-over.
I promise this film is worth seeing!)
I just got The Thousand Autumns of Jacob de Zoet (finally!) and am devouring it. I ordered a large print copy for Grampa to read, as I think he’ll enjoy it too. I fortuitously discovered David Mitchell on our last journey abroad – I fell horribly ill in Athens, and was confined to bed for several days with a violent stomach bug.Luckily, the hotel gift shop had a reasonable selection of reading material. I hesitated over the hot pink and metallic blue fanfare of Cloud Atlas’ paperback cover, but it was just to curious to not investigate. I have a vivid memory of being weakly tucked into a pillow fort, and being exhausted, but not being able to stop reading. I turned to Grampa then, and told him, “This guy Mitchell is really, really, really good!” Oh my, isn’t he? I love everything he’s done so far, and I can’t wait for him to write dozens more books. Hurry, hurry! Oh, and – of course, the cover illustration features a print by none other than Ando Hiroshige. Perfect, that.
Gifts from my grandfather: One Hundred Famous Views of Edo and
The Sixty-nine Stations of the Kisokaido
Books and movies are definitely my drug of choice lately. Somebody else’s lives. Blessed escape.
I’ve been running on empty for awhile, and have been struggling to repair myself, stitch my soul
back together. Fortunately, I’ve found an amazing person who’s helping me with that: Elaine Dove. She’s a healer, counselor, artist, and teacher who has working with me, and even such in a relatively short amount of time, has helped me immensely. I feel lucky to have found someone I trust to do this work with me, and to help me process through this deep pain. It’s pretty incredible to have someone tell me that I can rest as much as I need to heal, and to be told that I don’t have to let my grandfather go before I’m ready to. Sometimes I really need to be given permission to give myself what I know I need. Elaine is using the Tara Approach, an energy medicine system with its roots in Jin Shin Jyutsu, a five element based meridian system of healing and balancing the nervous system. Here’s something Elaine wrote on the subject of loss that stuck with me:
“There’s so much we long for. Loss makes us vulnerable, brings to the surface that which isn’t finished, may never be finished. It may well be a fantasy that we get to finish everything we want to during the course of a short and precious human life. At least, it seems like a fantasy to me. As someone who is given the privilege of burrowing deeply into the lives of others like a little vole with good intentions, there’s always another tunnel that opens, another rock to dig up, another tree root to burrow around. It never ends until it ends. You don’t end up coming out where you went in. Then you’re not in the same place any more. But you remember where you started. It’s an integral part of being human, to remember.”
✸ Pinetop Perkins, Delta Boogie-Woogie Master, Dies at 97 – I had the pleasure of meeting Mr. Perkins,
on several occasions. He was performing up until almost the end of his life.
I remember the sparkle that shone through the gray
haze of his cataracted eyes, and his long, elegant hands.
He was the same age as my Grampa is now when he died.
✸ Hiroshige: A Fantastical Melding of Life, Land and Sea
✸ Mass Graves the Only Option for Many Japan Tsunami Victims
✸ On The Borderland in Okinawa – I’ve been reading Mlle. OTBL’s accounts of her adventures,
and came across this beautiful poem:
Be not defeated by the rain, nor let the wind prove your better.
Succumb not to the snows of winter. Nor be bested by the heat of summer.
Be strong in body. Unfettered by desire. Not enticed to anger. Cultivate a quiet joy.
Count yourself last in everything. Put others before you.
Watch well and listen closely. Hold the learned lessons dear.
A thatch-roof house, in a meadow, nestled in a pine grove’s shade.
A handful of rice, some miso, and a few vegetables to suffice for the day.
If, to the East, a child lies sick: Go forth and nurse him to health.
If, to the West, an old lady stands exhausted: Go forth, and relieve her of burden.
If, to the South, a man lies dying: Go forth with words of courage to dispel his fear.
If, to the North, an argument or fight ensues:
Go forth and beg them stop such a waste of effort and of spirit.
In times of drought, shed tears of sympathy.
In summers cold, walk in concern and empathy.
Stand aloof of the unknowing masses:
Better dismissed as useless than flattered as a “Great Man”.
This is my goal, the person I strive to become.
—Kenji Miyazawa (1896-1933), 雨ニモマケズ (Ame ni mo makezu), trans. by David Sulz
(The poem was found posthumously in a small black notebook in one of the poet’s trunks.)
My old friend Sxip Shirey and his band, Gentlemen & Assassins, wrote this song called “Grandpa Charlie”.
I’ve decided it’s about my very own Grampa Charlie, though I reckon he may have one too.
I love his introduction: “You know, this is a song about your grandfather, your grandfather,
your grandfather – when your grandfather was young, hot, and fucking sexy as shit.”
I know Grandpa would say, “Too loud!” – which is what he said when I took him to see
Gogol Bordello in Chicago. Eugene dedicated a song to him that night. It’s our job to dance now,
dance for them, our favorite old men – our grandfathers. I think I can handle that much.
Exquisite Corpse + Charm School Vintage
by angeliska on April 7, 2011
The other night, Miss Shari Gerstenberger of Charm School Vintage and I joined forces
to style an inspiration shoot for Exquisite Corpse, and to kick off a lookbook to guide
anyone seeking ideas on what to wear. As a young gothling (eee, back in the day!)
I had no access to expensive fetish-wear, and Hot Topic didn’t exist yet – everything
I wore had to be found secondhand, dyed, destroyed or re-purposed. Our intention
with this shoot was to show that you can find everything you need with a good vintage
resource, and some creativity! There’s no need to bother with cheaply-made, mass-produced
PVC wankery that has become the uniform for many, when you can put together a much more
original look with bits and pieces from days of yore. We used a few key staples from Shari’s
bounteous closet, to round things out – so this isn’t 100% vintage, but you get the idea!
The ever-marvelous Devaki Knowles took these gorgeous pictures – the full set can be viewed
at her Flickr. Many thanks to our gorgeous models, Blakesley King, Erin Free-man, Kathlee
Cleveland, and Drea DiPrete for working it out in the alley, and on the dancefloor tonight!
She falls into frame
with a professional pout
but the polaroids ignite
upon seeing their subject
and the aperture shuts –
too much exposure…
– Red Light, Siouxsie & the Banshees
Drea:
Vintage Hola, Gaucho! hat
Vintage black mesh bodysuit
Hand-embellished black bustier with red ribbon via Lovecraft Vintage
Black AA disco shorts
Black patent leather Chloe booties
Single army surplus fingerless biker glove
Grandma Sheena’s antique slave bracelet
Charm School Vintage handmade buffalo tooth + vintage gold chain necklace
Trail of Tears
Kathlee:
Bewitching black hat
Hand-dyed vintage red lace blouse
Fuck yeah F21 peplum skirt
Charm School Vintage handmade crystal, elk hide, and gold chain necklace
Model’s own tights and uh-mazing shoes
Lace on the face
Erin:
1930’s black satin gown as turban
Scheherazade choker
Charm School Vintage handmade antler, elk hide, + gold chain necklace
Red vintage dress hemmed into Issey Miyake-inspired bustier
Starry Skies vintage skirt
Model’s own legs and shoes
Trail of Tears
Blakesley:
Red Hat Society in-training vintage chapeau
Lonely crimson glove
Wild Wing Dove vintage dress
Dirty Librarian Chains Spider Bite necklace
Lace on the face
Model’s own tights + shoes
On all models:
ass
attitude!
Clothes + Accessories: Charm School Vintage
Styling: Shari + Angeliska
Makeup: Angeliska
The gossips!
These songs kept running through my head while we were working on this,
and provided the soundtrack and musical inspiration for the shoot – Enjoy!
Red Light – Siouxsie & the Banshees
Photographic – Depeche Mode
Girls on Film – Duran Duran
Exquisite Corpse: The Phantom Photobooth
by angeliska on April 5, 2011
I can’t get enough of Devaki Knowles and her photo-magic! We just did a really fun shoot
last night, and have more projects in the works, but for now I have to share the photobooth
she did for the last Exquisite Corpse – our very first, the night of snow and strange rabbits.
Amelia with her fabulous black lobster fascinator!
Iana Wi + David Salazar = deliciousness
Sym Prole of Liberty or Death Industries
Sassy Delure
I kind of can’t handle how much I adore every single person in this photo.
Lau the black bunny – her visual projections were so amazing. I love her so.
The cuteness just doesn’t stop. GIVE ME MORE!
Exquisite Corpse: Black Rabbits
by angeliska on April 4, 2011
The next Exquisite Corpse night at the Swan Dive is quickly approaching, so amidst
the flurry of anticipation and preparations, I thought I’d better get these fantastic
photos up from the last soiree! All were taken by John Leach, tattooed lensman
extraordinaire – who captured the beauty and madness of that cold winter night
quite perfectly. More to come soon, including the photos from Devaki Knowles,
who we’re shooting with tonight in an exciting collaboration with Charm School
Vintage! Lots of inspiration in the realm of new wave haute gothic vintage to come!
Dave Gordon and I gettin’ spooky.
Johna Goldenflame, shot through the heart, golden-eyed, red-caped, resplendent.
Sassy Delure doing a very surreal and wonderful performance that
involved Tom Waits, golden keys, & three costume changes! Bravo!
The fabulous Kitty Buick gettin’ down
Miss Coco Lectric
Raven’s tres leches birthday cake – we celebrated her with surprises, hot ladies, cake and serenades!
Miz R + Kate X Messer
Beau
Cevins McCullah, scary rabbit man!
It was such a magical evening – I can’t wait for the next one!
Mardi Gras Madness
by angeliska on March 4, 2011
We’re in a mad flurry of sequin sewing, trim-gluing and puppet-building leading up to Fat Tuesday,
so I had better share this rundown of pictures from last year’s big day now, before I get buried up
to my neck in sparkles and frippery! I can only pray that we are blessed with such weatherly perfection
this year, and that we manage to turn ourselves out so resplendently! We ended up missing out on all
the Lundi Gras festivities (travesty!) in order to complete our ensembles – but I have to say that I think
our sacrifice was well worth it. I was very proud of what we created! Colin made his amazing mushroom
costume in ONE NIGHT. When the going gets weird, the weird go pro! Hope we can pull it off again,
and have time to ramble properly instead of glueing and sewing until the wee hours. Make it work!
I was a Black Forest Cake!
Cake hat and stray curls at the end of a gorgeous Mardi Gras day.
Pandora was a Dutch still-life painting of the spoils of the hunt. I love the little monkey on her shoulder!
Dana as Diana and Francesca the scarlet sorceress.
Can you even handle Colin’s Amanita muscaria magic? I cannot. He is too amazing.
One night, y’all. Cardboard, glue and fabric. The man is a genius. Perfect toadstool man!
Nina Carolina was a goatherder girl, with a herd of goats that we actually coolers on wheels!
These magic goats were filled with treats! Sandwiches, fancy lemonade, cookies and beer!
Alisan was Fortuna with her wheel, and Frannie was a dainty werewolf.
Epic stained glass ballerina!
Dr. Bob!
Colin and the Russian Duke and Duchess. They were so gorgeous!
Mark and Dana
Bella Francesca
Jackie Mang down by the river.
Raven was a gorgeous golden dragon!
Alisan
Thomas Little, tigerboy.
Miss Angie was a perfect Russian doll – so lovely she is.
It was hard to not take one million pictures of Colin in his costume.
I kind of wish he would wear it all the time. It really suits him.
Ellery
Drewzilla!
✸ Mardi Gras 2011 – The parades, the routes, the krewes and all the news leading up to Fat Tuesday.
✸ Oh Baby : New Orleans Baby Doll Tradition Thrives
✸ Police shut down a community Mardi Gras costume sale that’s been happening annually for about 20 years. For real, y’all?
NOPD doesn’t have anything better to do than hassle people selling handmade costumes for carnival? So fucked up and absurd.
Our friends Scary Toesies tried to have a lovely little garden party the other night, and perform their puppetshow, Mummy Dust
for everybody, but the cops came and not only nixed the show (which was really rather sedate and not all that noisy) and then
forced everybody to leave the premises. Apparently this is happening a lot to venues and parties in the Bywater. I remember when
I couldn’t even get the police to come when people were being robbed at gunpoint in front of my house. Now if you call on a noise
complaint, they come in force.
✸ Somehow, I never posted pictures from Mardi Gras 2009! How silly!
So, until I get around to a redux, here they are for your perusal!
Mardi Gras 2009
One day I’ll do a full retrospective of my costumes over the years, and
get real organized! Yeah! One of these days!
✸ Mardi Gras, My Love
✸ Parades
✸ Parades II.
✸ Seawitches, Stormsirens, and Horned Beasts
✸ MARDI GRAS APRÈS L’ORAGE
Krewe of Eris – Lux et Voluptas
by angeliska on March 1, 2011
Last year, the annual Krewe of Eris Parade fell on Valentine’s Day, making for a mighty romantic
and randy procession. The official theme was Lux et Voluptas, or Light & Pleasure – but I think most
of us couldn’t help getting a little crazy with the love + hearts. I mean, when else do you get to parade
for such an occasion? Our mini-krewe within a krewe took the maxim All’s Fair in Love and War as our
inspiration and Love is a Battlefield as our anthem. We wore armor and battle-gear in shades of blood-red,
white and incarnadine, brassy helmets and bows with glittered heart-tipped arrows. Zing! Our beautiful
procession wended its way through the French Quarter, and had nearly reached the terminus, when an
evil wind blew up and brought a nasty torrential downpour with it! Having never actually had rain on my
parade, I can say that it was a stone cold bummer, especially because it made the post-parade festivities
rather more difficult. Not only that, but we had a whole box of juicy ribs we’d hoped to gnaw on later, but
in the flurry to find shelter, they got left in our float, which was also abandoned somewhere along the road.
I’ve got my fingers crossed that we have no such inclement weather for this year’s fiesta! Knock wood!
There are no rules! The Strauses + Mlle. Alisan tearing it up on Royal St.
Eris and her golden apple of discord.
Lining up the troops for battle
Guarding the float, and preparing for war.
The seadragon puppet was unbelievably lovely and ethereal.
Francesca was a very sassy cupid!
All kinds of naughtiness and deviltry took place in the streets and gutters!
Right before the rain, reveling with the ladies!
A wee cupid riding on the float – beware! His darts are tipped in heady poison!
krewe of eris 2010 (1) from k.b. on Vimeo.
krewe of eris 2010 (2) from k.b. on Vimeo.
krewe of eris 2010 (3) from k.b. on Vimeo.
These videos from my beloved Oola give the best idea of what the parade is like (on a bar break!)
You can see some of our cupcake krewe from 2009 at the beginning of the video.
Krewe of Eris 2009 – The Feast of the Appetites!
Krewe of Eris 2008 – Release The Swarm