Spookhouse Honey

by angeliska on October 28, 2010

I’ll be in New Orleans for Halloween and Day of the Dead,
so here’s a little more honey to keep you busy until I get back!
Hope you all have a beautiful Witches’ New Year!
Wolfman
Jack Mord from The Thanatos Archive found this gem in a box of photos
he picked up at a garage sale. Best score ever? It’s pretty amazing.

NOW THIS IS GOTHIC
This is the best tumblr ever made. It has magic powers.
Makes me wanna buy a can of hairspray and go to town!


✷ This article on Witch House from Pitchfork has some nice tracks:
Ghosts in the Machine
and sort of related, is this great article from Zed Equals Zee
on bands like GL▲SS †33†H, ℑ⊇◊⊆ℜ and ///▲▲▲\\\
going intentionally under the radar with their ungoogle-able monikers:
How to disappear (almost) completely
Morbid Anatomy
Is another one of my favorite sources for the macabre and marvelous,
run by the lovely Joanna Ebenstein, your go-to girl if you want to know
more about death, burial, murder, memento mori et cetera! Hooray!
Omar Doom’s Halloween Mix 2010 is making me pretty happy.
Human Hearts Found in California Cemetery
A Worker Found Half Buried Jars Containing Human Hearts with Photos Attached
Package with cow tongue puts kink in morning trains
Sacrifice to Ogun Slows Down Austin MetroRail
Package with cow tongue puts kink in morning trains
Dissolving your earthly remains will protect the Earth
Aquamation Station!
It’s Calling For Me Through The Trees…
Dear Chadling at Mon Petit Fantome never ceases to delight and inspire.
I am in love with these photos here took of his fog-laden bayou backyard.
His gorgeous new silhouettes are to die for as well! He’s a demon with those scissors!
Illustrations by Harry Clarke for a 1925 edition of Goethe’s Faust
from A Journey Round My Skull
and his brilliant illustrations for
Edgar Allan Poe’s Tales of Mystery and Imagination
(via John Coulthart, with thanks)
Dance, Witch. – from the Pineal Eye
“Mary Wigman’s 1914 Hexentanz (Witch Dance) might rival The Exoricist’s
spider walk scene in terms of creepiness, but the German Expressionist dancer
is usually cited for influencing creatures like Murnau’s Count Orlok in Nosferatu.”

Where Troubles Melt Like Lemon Drops
Organza and taffeta and tulle, oh my!
Photographer Tim Walker takes haute couture
(and more) to a wonderfully wicked place.

I want to live in this fashion spread forever.
The Ghost – By Elizabeth Gilbert
This article is ten years old, but totally worth revisiting. I have a weird connection
with Hank Williams, and Hank III because of that, but I won’t go into it just now.
✷ I adore After Dark In The Playing Fields, a fantastic blog from
On The Borderland & Ghoul Next Door.
Here are some goodies I’ve enjoyed from them lately:
Shrieks From Above and Other Improbable Difficulties.
Beautiful and curious gravestone iconography:
All Must Submit to the King of Terrors, But That Is No Reason to Look So Grave
Part I.
Part II.
Ghoul Next Door’s A Chilling Chosen Few:
12 Cinematic favourites for Haunting Halloween viewing
Liane from Enhabiten wrote about black bouses, a while back –
the comments about Duane the Dentist’s black houses in Olympia are pretty funny,
if taken with several grains of salt. A bunch of my friends have lived in those black
houses. I think it’s a great project. Unfortunately painting your house black in our
southern climate is pretty untenable. Maybe the interior walls instead?
Miss Anna Dorfman aka. Doorsixteen
makes black walls with black trim awfully enticing.

The Watcher in the Woods! Holy moly. I watched this recently, thinking I had
never seen it – but I realized halfway through that actually I saw part of it when
I was little, and it totally haunted me for years. The scene in the funhouse made
it all come back to me, and the pungent memory I’ve carried for so long of the
ruined abbey, the mysterious wind, the calling ghost. The alternative ending
is completely out of control, also – do watch it! Your mind will be destroyed.

The J.B. Blunk Residency

by angeliska on October 26, 2010

pink flowers
Back in September, when I was visiting San Francisco, I had the opportunity to experience
a very magical place, high up in the green hills of Inverness: The J.B. Blunk Residency, which
is sort of a secluded zen fairy cabin-haven for craftsfolk and artists, and all sorts of interesting
people. We had the luck to be there for a delightful evening barbeque, and a tour of the house
and grounds from J.B. Blunk’s lovely and charming daughter, Miss Mariah Nielsen.
She is deer-like and top-knotted, and has that “effortlessly elegant” thing down pat in sandals
and a abstract print silk shift. She grew up there, wild and rambling among the pines and white
breakers of Inverness, in that magical house filled with good reading, and the coziest nooks.
She has made it her mission to preserve her father’s legacy, and honor his wish to share his
home with artists, so that it might serve as muse. Just visiting there flooded me with inspiration,
so I imagine a two-month residency would be an incredible opportunity to make new work,
undisturbed by noise or distraction. Any of you artists who have or are pursuing an MA or MFA,
might want to look into applying – it’s a magical place, that engenders magical work.
J.B. Blunk Residency
“The J.B. Blunk Residency offers a home, studio and outdoor clearings for work.
The home and studio, built by J.B. Blunk in 1959, with salvaged materials, suggest
a certain lifestyle that is independent, sustainable and closely connected to the landscape.
Because of J.B.’s profound connection to the surrounding environment the hope
is that the residency program will foster work inspired by the site.”

Bishop Pine Nature Preserve in Inverness, California
The view of Bishop Pine Nature Preserve in Inverness, California.
This is what you see from the bedroom window. Can you imagine
waking up to that every morning? It is just unbelievably perfect.
Sculpture by J.B. Blunk
J.B. (James Blain) Blunk, 1926 – 2002
“I began making wood sculpture in 1962.
I knew how to use a chain saw and it was
one of those things. One day you just start.”

J.B. Blunk
Detail of sculpture by J.B. Blunk
“Since he had no training in joinery and owned few tools, Blunk carved his furniture from oversized
pieces of redwood and cypress with a chainsaw, finishing them with an angular grinder and chisel.
His interest in texturing the wood, rather than polishing it to a high sheen, may have had it’s roots
in the rough, complex stoneware surfaces typical of the Bizen ware Blunk made in Japan.”

– Glenn Adamson
J.B. Blunk Residency
There are stone collections and cairns everywhere you look. Rocks with power, natural sculptures.
Sculpture by J.B. Blunk
“It is hard to know where to place Blunk as a craftsman. Though he has achieved his primary success
as a woodworker, he has also created an extensive body of work in clay, carved stone and cast bronze
and has even made jewelry and weavings. Furthermore, he tends to blur the categories of furniture and
non-functional sculpture as if they weren’t there.”

– Glenn Adamson
Sculpture by J.B. Blunk
The light pulls are all these clever little sculptures that you tug on to turn on or off. Form and function,
and art as everyday useful objects. He infused his aesthetic and sense of humor into everything around him.
J.B. Blunk Residency
It’s there in the bathroom sink, in every aspect of the architecture of his home. Seamless, and somehow – holy.
Sculpture by J.B. Blunk
It’s that tongue-in-cheek playfulness that peeks out at you from shadowy corners. Woodcarving is rough – an earth art,
and it’s no surprise that you see raw sexuality there. It reminds me of African carvings, sacred renditions of genitalia,
our origin points. Also, of the fun Shinto emblems of giant phalluses and other parts – those aspects of life that are
everyday, but mysterious. It’s a good juxtaposition to find next to the somber zen stillness, those earthy curved forms.
Mark & Mariah
Mark Dion and Mariah, contemplating the view.
Mariah + Dana
Mariah, Dana and a blue ghost.
Naked Ladies
Everywhere on the sides of the road up there, you see these slim pink lilies called “Naked Ladies”.
house elf
A house-elf sea-goblin hanging around in the workshop.
Rilke
J.B. Blunk exhibition at Blum + Poe
Fecal Face – N&P: Girl Who Lives on Heaven Hill
Full set of my photos are up on Flickr here: J.B. Blunk Residency

Mädchen Honey

by angeliska on October 22, 2010

Souvenirs du passé (1930)
Souvenirs du passé (1930) by John W. Russell – from artinconnu
✶ My new favorite blog: Art Inconnu – what a wonderful source of inspiration! There is so much here
that I’ve never seen before, and my eyes just drink it in. It’s crazy how much brilliant work just falls by the wayside.
“Collected here are works by artists who are forgotten, under appreciated, or little known to the mainstream.
There is incredible quality to be found out there beyond the big name artists in the big shows, whether it is
one exceptional painting, one area of an artists oeuvre, or an entire career worth re-examining. The focus
here is primarily painting by 19th and 20th century artists but everything is fair game.”

✶ On that note, here’s a fabulous archive of Magic Lantern slides,
one of the many things I try not to collect, but cannot help acquiring.
✶ R.I.P. Ari Up! (17 January 1962 – 20 October 2010)
From CoilhouseAri Up (Goodbye, True Warrior)
These etsy treasury lists curated by Miss BloodMilk are to die for!
So, so many good treats there! I want every bit of it.
✶ If I weren’t already planning to be in New Orleans for Day of The Dead and Halloween,
I’d be going to RECSPEC’s killer Lost Boys themed party: Get Lost.
I’d dress as Star and Sax Man’s bastard love-child maybe, and bring chinese take-out.
Processed Meats Declared Too Dangerous for Human Consumption
I have to say that I really adore bacon, salami and yes – hot dogs! I am usually really careful about
always getting nitrite and nitrate free versions of those, but after reading this, I am even more freaked
by the idea of processed meat products. We’ve been eating mostly bison from Thunder Heart Bison,
whose motto is: Texas Grass-Fed – Raised With Respect. They are the only bison ranch in the United
States to meet the stringent requirements of the Animal Welfare Institute. They are wonderful.
Fish: the forgotten victims on our plate
“There is no humane slaughter requirement for the staggering number of wild fish caught and killed at sea”
Both of these articles are very sad and sobering, because while I really love eating animal and fish protein,
(my body really loves it too) I know how horrible the industries are for the earth. Heartbreaking.
Red Light Properties, by Dan Goldman is “a tropical-horror series about a Miami-based realty office
specializing in placing foreclosure victims into “previously-haunted homes”, and it is thoroughly enjoyable
and absorbing. Thanks to Tor, you can read it all online!
Louise Brooks’ private journals to be revealed
I cannot wait for this! Louise was such an incredibly intelligent woman,
and a fantastic writer. I’ve read her autobiography, and several biographies,
and highly recommend delving into her fascinating world to anyone who loves
flappers, dancers, and sad, strong, sexy women. She is the ultimate icon.
✶ Yes, so I succumbed a little while ago to finally watching Mad Men, and of
course I’m now totally hooked. I love the writing, the characters, the details.
They really get it right. I’m tearing through the third season now, and then
what will I do? This great piece is quite a bit ahead of me, but makes me
very curious to see what’s ahead for Miss B. Yes, television sucks, and
I’m still glad that I don’t have one (I’m patient!), but if it gets people really
talking, and writing, and thinking – well, I’m glad. I think the period dramas
are especially good, both for my anachronistic tendencies, and because
they illustrate events and aspects of our history that many might otherwise overlook.
Yep. Also it gives my mind something to do while I stick tiny labels onto obscure objects.
No-One’s Ever On Your Side: Betty Draper Francis Still Needs Your Love
✶ Sometimes, I have to stop and just goggle in wonder at how
amazing Kate Bush is. I remember in middle school my friend
Colleen made me a mix tape of her favorite Kate Bush songs,
and it kind of changed my life. She could also do a really rad
impression of Running Up That Hill that I always tried to get
her to do on the bus. Where are you, Colleen? I hope you’re well!

I’ve pulled down my lace and the chintz.
Oh, do you know you have the face of a genius?
I’ll send your love to Zeus.
Oh, by the time you read this,
I’ll be well in touch.

The song is based on an old folk song called “The Ballad Of Lizzie Wan”:
“The heroine is pregnant with her brother’s child. Her brother murders her.
He tries to pass off the blood as some animal he had killed — his grayhound,
his falcon, his horse — but in the end must admit that he murdered her.
He sets sail in a ship, never to return.”


Two of my favorite things (Kate’s Never Be Mine and Malick’s Days of Heaven)
put together to great effect. If you’ve never seen Days of Heaven, you must. I adore
Terrence Malick, and this film is just so gorgeous. Also, Linda Manz (the mom from
Gummo!) is in it as a young girl, and she’s amazing. Hop to it, kittens!

Magic Windows #18

by angeliska on October 18, 2010

boudoir rose
A perfect lady. White hair and red roses please me more than I can say.
late for a very important date
This is a real thing that exists somewhere, this rabbit. He’s almost four feet tall.
Can you handle it? Real rabbit fur, and composition. I wish he was mine.
gaga rubythroat
Oh Gaga. This shoot from Vanity Fair a month or two ago had some really good
moments. Mainly this one, which I apparently liked enough to take a detail shot
on my phone camera. Good for note-taking, that. I really can’t get over how much
this reminds me of Katie-Jane Garside, Daisy Chainsaw era. Am I wrong? No!
black magic woman
My jewelry teacher plays this in the studio fairly often. I love the album cover.
Early Fleetwood Mac is really straight up Brit-hippie blues, and it’s good to listen
to while you hammer tiny bits of silver. I love the image of a Black Magic woman,
which has more to do with sort of a 70’s glam witchling who shops at Biba, dabbles
in the occult and wears dark glitter nail polish than any actual nefarious rituals or
bad shit. I remember getting dressed for a party one Halloween, and flipping the
the Santana LP over and over. This is what happens when your parents protect
you from mainstream rock music of the era in which you grew up. They were more
into Kitty Wells and Jimmie Rodgers at the time, or Sandy Denny and whatnot.
My mother would probably be horrified by my forays into that verboten world,
but I like it all. There’s something about coming to music fresh. So much of my
favorite music has definitely been influenced by what my parents listened to,
which was always extremely eclectic – and I’m so grateful for that. But that also
means that when I listen to something like Led Zeppelin now, I’m hearing it free
of context. It’s completely new to me. I was talking to some of my friends who were
home-schooled lately, or friends who grew up without television about their first
experiences of mainstream tropes. It’s fascinating, that feeling of exploring things
that many might find very basic givens of our pop-culture saturated planet. Odd.
mugler
Snapped these from the fabulous Thierry Mugler book at the library. Time to renew
my library card so I can pore over this! Absurd that I let it lapse for so long, really.
I don’t need to own every single book, right? I can give them back. Right. Also,
this is really my idea of what fashion should be. I wish I looked like this every day.
It’s so Gustave Moreau! Symbolist couture. More chimeras please! I tire of minimalism.
mugler detail
Look at these scales! Such detail. Genius! I’d kill to see it in person. (Or wear it!)
red lips, beetle wings
Red lips, beetle wings, favorite scarf. As close as I come to a uniform?
we grew this
We grew this enormous pomegranate! It’s not quite ripe yet – I can’t wait to devour it.

Carnival of Saints + Souls

by angeliska on October 5, 2010

I’ve been making art again, lately – all for gallery shows, and with that
comes the pressure, the deadlines, that actually gets me motivated to
create something. I miss having time just to sketch, or doodle, or make
art that isn’t destined for a gift, or for a show, but it’s a start – this whip!
I like making things with a purpose. I suppose I’m very pragmatic that
way, but it feels good to have a goal. My mind needs that line to get the
flow going, I suppose. When it’s flowing, it feels so right. Here’s to more
of that, eh? My next project is a piece for The Multispecies Salon 3: SWARM
show this November, also in New Orleans
. I’m almost done with that one!
Saints Nita + Zita
I made two pieces for the Carnival of Saints + Souls, an exhibit
of doll-art and photography curated by my dear friend Miss Christy
Kane
. It was held at Poet’s Gallery on Magazine St. in New Orleans.
I was delighted to show pieces with the following fine ladies:
Jennybird Alcantara
Loopy Boopy
Dame Darcy
Sheri DeBow
Christy Kane
Pandora Gastelum
Miss Oblivious
Liz McGrath
Molly McGuire
Angela Raney
Darla Teagarden
Lateefah Wright
Saints Nita + Zita
I knew I wanted to do a piece honoring Nita + Zita as patron twin-saints
of New Orleans, and of dancers, costumers and immigrants. I knew at
once that I had to turn them into paper dolls, and luckily the piece came
together basically as I had imagined it, with much help from my sweetheart
in the carpentry department (though I did get very handy with the puzzle
saw and sandpaper!) The main trick was trying to paint it in their distinctive
folk-art style, without worrying that it might just look like I didn’t know how
to paint. That’s the hard thing about making art specifically for shows: the
embedded audience, with their imagined opinions. Unfortunately, I have
a bit of a tree-falls-in-the-woods complex, and most things I’m interested
in doing involve some sort of audience. It’s just the way I’m wired, I reckon,
but I don’t do many projects just for my own pleasure. It’s all about the
interactive experience for me – case in point, this Gazette! So, on that
note – thank you for being here, for experiencing this with me, for reading,
for looking. I think about you more than you might know, and I don’t think
that’s a bad thing. Back to Nita + Zita, though: you can take their little outfits
off the tiny hangers and dress them! My inner seven year old was thrilled.
St. Apollonia
My second piece was a bit more cathartic, as I’ve been experiencing
some pretty intense dental trauma this year. Maybe I’ll write about it
at some point, but for now I’ll just create patron saints to help me through
it. Reading about Saint Apollonia on Lady Lavona’s Cabinet of Curiosities
made me think of it – I knew immediately that I needed to create an icon
to house the pain and distress of having super-involved dental work done,
and to perhaps, through the act of making, offer some succor. I think she did.
St. Apollonia
“Saint Apollonia was one of a group of virgin martyrs who suffered in
Alexandria during a local uprising against the Christians prior to the
persecution of Decius. According to legend, her torture included
having all of her teeth violently pulled out or shattered. For this reason,
she is popularly regarded as the patroness of dentistry and those suffering
from toothache or other dental problems.”

from Wikipedia
St. Apollonia
I was so happy to find that I already had everything I needed to make her come
to life already in my possession: marbles, a broken porcelain doll, hanks of human
hair, red thread, teeth molds and color model teeth to make her halo/crown, and then
the perfect fragment of old lace to make her skirt from. Love it when things come together
like that, don’t you? It also feels good to take old things and pull them into new forms.

I so, so wish I could’ve attended the opening party! Alas, it was the same night as Tranarchy!
Miss Angie Raney made this incredible spread of delectables – aren’t they incredible? Want!

(Photo by Christy Kane)
Oh! I almost forgot to mention, but I had the pleasure of interviewing Miss Melora Creager
for Coilhouse recently! Christy Kane took some beautiful portraits to accompany the piece.
So, between travel, art-making, Tranarchy and a dozen other projects, I’ve had my hands quite
full! Hoping for a bit of a lull at some point, so that I might catch my breath, and even recount
more of my San Franciscan adventures, but we shall see what the cards hold for my autumn!
Melora Creager: Sweet Sister Temperance

Total Tranarchy!

by angeliska on October 5, 2010

Well, my darlings – I must say that I could not be more pleased with Tranarchy’s
inaugural outing! The energy all night was truly lovely, and it made me so happy
to see so many people excited about dressing up, dancing, the cool weather,
and each other. We had a big line-up of marvelously fun performances, several
of which were debuts! I was so proud to see such an amazing and diverse
community of beautiful freaks get together and make this thing happen.
We got a lovely write-up from sweet Jimmie D in The Austin Chronicle’s
Gay Place Blog that made my heart sing: Tranarchists Unite and Take Over
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No matter what I do, I can’t seem to quit my thing with hot pink and silver.
I think it’s my inner seven year old that needs to express some kind of
Jem fantasy
. My inner drag queen just needs to glue a whole lotta stuff
to my face. It’s odd how right it always feels – how implausibly comfortable.
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This fella makes me so happy! Isn’t his outfit stellar?
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Anthony Fuller was ever so elegant blue and stunned us all with a
very moving rendition of Bronski Beat’s Smalltown Boy, which he
dedicated to all the boys that took their lives this month after being
bullied to the point of despair. Wanna do something to help?
Check this out: Dan Savage’s “It Gets Better” Movement
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One of my very favorite people in the world: Aaron Flynn!
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Beautiful Tranarchy Go-go dancer, Lernard Grigsby
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Two of my dear ladies, Miss Raven (who performs as Mizarre) + Al!
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Tomcat Grimalkin + Rima Hyena
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Miz Chlamydia Burns + the queen Coco Coquette herself, Allyson Garro
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Jimmie D and the fringe-bearded wonders of Kings + Things
dazzled us with their version of “All I Care About” from Chicago.
How I love a good fan dance!
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The troupe also did an adorable version of Leslie and the Ly’s “Craft Talk”
that had everyone dancing, cackling and covered in glitter and yarn!
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2 Left Feet is my new favorite dance explosion! They ejaculate feathers.
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Sym Prole as Merci Killingspree, paint-huffing advocate for elegant ladies everywhere.
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DJ Chicken Kiev + DJ Chainsaw Hamwell kept the dance-floor packed all night long!
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Mizarre’s performance completely blew me away. I’ve never seen such an
effective and arresting half-man/half-woman act. It was simultaneously
arousing and very disturbing. She makes a very frightening partial man!
The song she performed to was Big Black’s “Bad Penny” – it was perfect.
My full set of photos from Tranarchy on flickr!
Austin360’s Tranarchy Gallery
♡ Devaki Knowles has the best photobooths in the land, shooting
on both digital and beautiful vintage polaroids. Love her:
Fun Loving Photos
Can’t wait for the next one!

Tranarchy + Pearls Over Shanghai

by angeliska on October 2, 2010

tranz2.jpg
tranz1.jpg
Our latest party is nigh…
TRANARCHY!
October 2nd – 10pm until.. ?
at The ND (The Independent)
501 Brushy & East 5th
A night of dancing and performances from
drag kings, queens and everything in between!
featuring performances by:
Kings n’ Things
Miz Chlamydia Burns
Sym Prole debuting
as Merci Killingspree
Mizarre
2 Left Feet
Anthony F.
DJ Chicken Kiev
DJ Chainsaw Hammell
Will Glitterbeast & The Tranarchy Gogo Dancers!
Transformation Station from Coco Coquette
Photobooth from Fun Lovin’ Photos!
Projections by RECSPEC
$7 – Dressed to transgress!
$10 – Bored us to death…
Looking for inspiration? Look no further than the
latest incarnation of Pearls Over Shanghai!

I had the opportunity to see it while I was in
San Francisco recently, and it was such a
joy. Marvelous cast, wonderful costumes
and music – I loved every second of it.
If you get a chance, the run has been
extended through December 19th,
so go! I really cannot implore you enough,
and if this doesn’t convince you, I don’t know
what will. Really now, see here:
“Pearls Over Shanghai,” an original musical by Link Martin and
Richard “Scrumbly” Koldewyn, is the centerpiece of our second
annual Theatre of the Ridiculous Revival, and marks the 40th
anniversary of the formation of The Cockettes, a gender-bending
theatrical troupe who not only originated this show, but also exerted
a profound influence on the culture of our times, from the phenomenon
of midnight movies to glitter rock stars and their outrageous fashions.
Based loosely on John Colton’s scandalous 1926 Broadway play
“The Shanghai Gesture” (later transformed into a deliriously decadent
art deco film noir by Josef von Sternberg in 1941), “Pearls Over Shanghai”
is a comic mock-operetta about white slavery and miscegenation set in the
colorful world of 1937 Shanghai, China. Link Martin parts the bamboo curtain,
his politics swept aside by his love of the mystery and intrigue of the Orient.
Placing his story at the crossroads of good and evil, his exotic “old sin town”
is filled with singing sailors, witty whores, foolish immortals, handmaidens
and henchmen, all taking their places in streets teeming with a mix of
foreign aristocrats, opium addicts, and gangland slave-trade czars.

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We had the very good fortune of stumbling upon original Cockettes
member, the legendary Rumi Missabu having a smoke and preparing
for her role as Madame Gin-Sling. What a treat! Rumi is an utter delight
– very gracious and charming, with golden talons and mighty bosoms.
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The light was slowly leaching into duskiness, but I managed to get in
a few good ones. The full set is here: Cockettes – Pearls Over Shanghai
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Ah, Lili Frustrata! Played by (I believe) Eric Wertz, who utterly
captivated me with the song “Apples and Wontons” So divine.
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Lili’s paramour was played by a dear and long-lost friend from
New Orleans, Flynn DeMarco, who also plays a mean ukulele!
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Beautiful Jean, who kindly rescued my favorite earring from the asphalt.
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Shanghai hookers! Love their macquillage! Fringe beards for life!
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Truly not to be missed, folks. An adorable little
old gay grampa whispered to me after the show,
“I was there for the the original Cockettes performance
of this show, and well – I thought this was even better!”
It’s true, I guess I was expecting everyone to be on acid
and ad-libbing their lines and falling off the stage (like it
used to be!) We thought it would be loads of fun, but not
necessarily good, you know? Well! They showed us, no?
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If you’re still craving more, here’s a passel of videos to get you going:

If you still haven’t seen the Cockettes documentary, please get that sorted
out immediately! It’s very illuminating. The trailer is a bit skippy, alas.

A video of make-up stills from various performances. These are a bit old,
(the make-up’s actually far better now), but good for inspiration!

Oh, Hibiscus – resplendent in Les Ghouls!

An enjoyable snippet.

Sur la Plage

by angeliska on September 15, 2010

It’s quite amazing what a week or so away from your everyday life can do for
one’s perspective. I always return from my travels newly inspired, and oddly
even more in love with home, and the city I live in. I’ve always been the kind
of vagabond that likes knowing I have a bed, and a town and friends and
animals of my own to comeback to. Home-base. Headquarters. The idea
of not having that is extremely alarming to someone like me. Maybe if I had
a caravan, or a snail-shell on my back. Perhaps then. So, I’m back from my
trip to the Bay, with scads of pictures (and even some from my last adventure
there that I really ought to finally share!) but let’s start here, at the seaside:
Dana sur le plage
My dearest darling Dana, walking along the strand – elegant as ever.
La mer
I hadn’t seen the ocean in a long time. Too long. I love the Pacific.
It’s so grand and ferocious! Far too chilly for swimming, but I took
off my shoes and stockings and walked into the surf, and climbed
up rocky cliffs. It felt good to breathe in clean brine and negative ions
swirling in the surf. Soft sand under my feet, and warm sun on my back.
Starfish
I think this might be the first time I’d ever seen starfish in their
natural habitat. I wouldn’t mind being a starfish, or an anemone.
How I would love to see some anemones! I want to go to the
tidepools in Salt Point National Park
next time, and St. Orres also!
geese
When I walked past these, they all moved as if to grab me with
their little beaky pincers. I was reminded of the old belief that
this is where geese come from. You know, from barnacles:
“In the days before it was realised that birds migrate, it was thought that
Barnacle Geese, Branta leucopsis, developed from this crustacean,
since they were never seen to nest in temperate Europe, hence the
scientific and English names. The confusion was prompted by the
similarities in colour and shape. Because they were often found on
driftwood, it was assumed that the barnacles were attached to branches
before they fell in the water. The Welsh monk, Giraldus Cambrensis,
claimed to have seen goose barnacles in the process of turning into
barnacle geese in the twelfth century.”

– from Wikipedia
Starfish
I really wanted to touch it! It looks so squishy. I did not, as that
would be very rude indeed. Restraint is key, when dealing with
aquatic denizens. They are very easily offended, or so I’ve heard.
Angeliska, Dana, Courtney
We are sirens that beckon you toward our rocky lagoon.
So marvelous to see my lovely ladies, Miss Dana + Miss Courtney.
Later that day, we are oysters at my favorite spot, the Marshall Store,
and then trekked up into the hills to a magical house seemingly made
by Japanese woodcarver elves. More on that tomorrow, though…
mermaid
Courtney Pocketmouse in her natural environment.
She is part selkie, or didn’t you know? I wonder where
she keeps her sealskin hat hidden? Shh! Don’t tell!

Dead Birds

by angeliska on September 3, 2010

Dead Birds
(Can you believe I found this travel case just like this?
Did it belong to an ornithologist collecting specimens?
A hunter? Well, now it’s mine, and it holds stationary.)

Dead birds, dead fish, dead dolphins, dead people.
This is what I’ve been having bad dreams about,
the heavy weight pressing down on my chest for
almost half a year now. It’s been about five months
since Deepwater Horizon blew, and now this one.
How many more will falter under some fatal error,
and further poison the Gulf with crude? Man, I’ve
been quiet about it for a little while now because
no way around it – this is just beyond depressing,
beyond heartbreaking. The cover-ups and media
blackouts designed to keep our eyes trained on
a bright horizon festooned with dazzling drivel,
the shambling of celebrity trainwrecks infinitely
more intriguing than a bunch of oily birds, or sad
fishermen, or ruined beaches. But all this time,
I’ve been silently doing what I always do when
I don’t know what else to do: I sift information.
I collect snippets, I read everything I can, I
make long lists. I obsess, because if I don’t,
the deep sorrow at what we are doing to this
earth starts to make me feel like I want to lay
down and never get up. Instead, I keep my eyes
open. I look and look until I can’t anymore, and
then I try and go find some beauty in this world.
I look at that instead, I share it here – but it’s not
enough. I have to share these things, and I hope
that you’ll look too. This is what’s happening, my
friends. Everyday it gets closer, so if you reckon
it’s just not part of your immediate reality – well,
just wait. At some point, it will be. Maybe when we
all have to wear masks or respirators just to go
outside? Maybe then. Maybe not. Anyway, this
is all the stuff I’ve been reading since April –
some of it hopefully you’ve seen already,
but if not, take some time to go through even
a little of the links below. If you get through
them all, you deserve a major treat – maybe
a banana split! Seriously. I know it’s overload,
but I have to share all this stuff. It’s all out there,
but it’s so easy just to go to the next thing. Isn’t it?
The Gulf’s Other Time Bombs
The spider web of gas pipelines lurking under the Gulf.
New Photos and Flyover of Mariner Platform
“Pilot Schumaker has been documenting the aftermath
of the BP Deepwater Horizon Macondo wellhead explosion
since May. Reached this evening for comment, Schumaker said,
Along the way, as we arrived at blue water, we saw three distinct
large pods (20-30 individuals) of gold-colored rays, and a large school
(25-30 individuals) of bottlenose dolphins near them. All of these were
in a region with moderate amounts of fairly healthy-looking sargassum.

But Schumaker also said that the Gulf did not look healthy as she flew to the platform.
Prior to reaching blue water, the first 50 miles off shore are a very strange
thick milky green with some strange black streaks spread throughout, with no
healthy sargassum and no signs of life. Where there is still blue water, and there
are many such places, there typically are bottlenose dolphins and good sargassum.
The rays were a welcome sight for sure, though, as I have not seen those within
75 miles of shore for nearly two months now.

All the more reason that media should not abandon the Gulf of Mexico just yet.”
With Neighbors Unaware, Toxic Spill at a BP Plant
ProPublica: BP Texas Refinery Had Huge Toxic Release Just Before Gulf Blowout
Gulf Seafood Gets Chemically Tested for Oil, Not Dispersant
Mycoremediation and Its Applications to Oil Spills
Gulf Oil Plume Is Not Breaking Down Fast, Research Says
The BP oil disaster “that never materialised”
BP Spill: Catastrophe, Sure. Disaster? Nah.
“Given the size and far-reaching devastation of the Deepwater Horizon oil spill,
you may have assumed that it qualifies as a federal disaster.
Though you’d have been wrong, you wouldn’t have been alone.”
— By Mac McClelland
“Since May, Catholic Charities of New Orleans has been delivering more than
$100,000 worth of emergency grocery and bill assistance; last week, the organization
announced that it’s out of money. “Right now we have people standing in food lines,”
says Costanza. ‘If this were a federal disaster, we’d get disaster food stamps. We’d
get disaster case management. Disaster mental health. Disaster unemployment.’
The Stafford Act would also activate an interagency task force that includes the
American Red Cross, which so far, Costanza says, ‘didn’t raise a dime.
Neither did the Salvation Army.’
The fate of the fishermen rendered unemployed by the 1989 Exxon Valdez spill
suggests the devastation that can occur in the absence of federal aid. Victims
were ultimately able to extract $1.1 billion in compensation from the company,
but only after 19 years of litigation. ‘A lot of them are dead, or bankrupt, or divorced,’
says Brian O’Neill, the lawyer who tried the case. ‘The impact of the spill on both the
natural environment and their abilities to make a living resulted in huge social disruption
in the fishing communities. There were increased rates of alcoholism, domestic violence.
Whatever social services existed were unable to handle it. Some communities didn’t survive
or are half the size they were in 1988. Whatever assistance BP is giving these people now,
that will taper off drastically when this is off the front page.'”

The BP Cover-Up
— By Julia Whitty
“No one is ready for it. Not the Minerals Management Service, catering submissively
to BP’s laughable Gulf oil-spill ‘plan,’ a document featuring wildly inaccurate wildlife
assessments (including walruses and other species nonexistent in the Gulf)
and an on-call expert who’s been dead for years.”


Kindra Arnesen speaks out
This woman is my new hero. Please listen to what she has to say.
You Are Not Authorized to See These Pictures of the Oil Spill, Citizen … Do Not Look!
Spill Photogs Could Face Felony Charges Under New Coast Guard Directive
“In a blog post over the weekend, journalist Georgianne Nienaber argued
that this new regulation effectively prevents photographers from getting near
affected areas. ‘If the Coast Guard has its way, all media, not just independent
writers and photographers… will be fined $40,000 and receive Class D felony
convictions for providing the truth about oiled birds and dolphins, in addition to
broken, filthy, unmanned boom material that is trapping oil in the marshlands
and estuaries. One to five years in prison is a definite possibility for ‘willful violation’
of the latest Coast Guard directive that flies in the face of the First Amendment.
And, I guarantee you that writers and photographers will continue to try our best
to use cameras and words to explain to those who have not been there exactly
what is happening on our Gulf Shores. If we don’t continue to try, Americans will
no longer see the images and read the words that have been a voice for the
voiceless fishermen and women, coastal residents of the Delta, and the battered wildlife.”

Georgianne Nienaber
Haiti relief worker, investigative journalist,
author of Gorilla Dreams: The Legacy of Dian Fossey
(and my other new hero)
Trouble Down Below
Much of the spill’s damage will play out in the ocean’s deepest layers.
Are We Losing Interest in the Oil Spill?
BP board game foreshadows Gulf disaster
Visual Guides to Sustainable Seafood
The week in seafood: shortages and high prices put customers and restaurants on alert
Organic Produce Cheatsheet from My Paper Crane
(Might as well include this too! It’s quite useful.)

Top New Orleans chef sues BP over seafood losses
“Susan Spicer, one of New Orleans’ most prominent and highly regarded chefs,
has sued BP Plc for damages to restaurants that have lost normal seafood supplies
because of the Gulf of Mexico oil spill. ‘I just hope that my motivations will not be misinterpreted,’
she said from her restaurant Bayona in her first interview since the suit was filed Friday.
‘It’s more about solidarity in this region than about getting my piece of the pie.
I can’t say I expect to see a dollar out of this thing. I am just angry.’”

BP’s Next Disaster
Six Things To Do About the BP Gulf Disaster
Nigeria’s agony dwarfs the Gulf oil spill. The US and Europe ignore it
“The Deepwater Horizon disaster caused headlines
around the world, yet the people who live in the Niger delta
have had to live with environmental catastrophes for decades”

John Vidal
“Williams Mkpa, a community leader in Ibeno: ‘Oil companies do not value our life;
they want us to all die. In the past two years, we have experienced 10 oil spills and
fishermen can no longer sustain their families. It is not tolerable.'”

Why Are Indian Farmers Committing Suicide?
by Vandana Shiva
“The factors that have caused 200,000 suicides in India are rooted
in the policies of trade liberalization and corporate globalization which
ensnare farmers in a spiral of indebtedness, generating despair.”

It’s all connected. We are all connected.
“It is no surprise that as the sea turns black in the gulf with no end in sight
in the midst of the biggest ecological disaster in US history, CocoRosie are
the only ones to hit the zeitgeist with an album filled with psychic omniscience,
entitled “Grey Oceans.” And yet it seems to be the album the indie US press
doesn’t want to talk about. Bianca and Sierra Casady paints pictures of lost
children across a broken land, feral, elemental spirits who roam the dreamscapes
of our world, naming perpetrators, painting their memories, recovering and reclaiming power.
They are unafraid to manifest their vision that the application of magical creativity could be a
balm for aching souls in a struggling world.”

– Antony Hegarty from Op-Ed: An Artists’
Dialogue On CocoRosie’s Grey Oceans

Something to heal your heart after all of that sadness:

CocoRosie – Lemonade
Maybe the best music video ever made.
“Journeying inward, into the forest-dark ember, led by crystal light,
the voicing of whales and ancient souls passed, we embarked;
slipping with muddy foothold, on a destination-less ride through
darkened waters filled with starry-eyed daughters. We have had
many guides, some dead ones, some alive, some sisters with names
pronounceable, others, just an inkling, the last heat of summer, seeping
up, out of the evening sunned soil in september. We close our eyes,
to hear the decoration, a burnt out corn field, a sad place to remember,
the story of a heartless crow, his countless cackles haunting, his mission,
misogyny. We dual waves, heavy laden with salt, of foisted female identity,
underlying, trinity is crying, she mourns so sweetly. Heavy on our hearts,
the weight of time; the earth who lost her balance
and fell into the snowy depths of industrial mucus.”

– CocoRosie

Storms – 5 Years

by angeliska on August 30, 2010

I wrote this a couple of weeks ago, but it seemed right to share it tonight:
I’ve been thinking about the rain. Another thunderstorm, and as I relish it, my poor old blind dog
is cowering at every rumble of thunder. He’s pacing, and has to be as close as possible to me
at all times. I pat him and reassure him, but he won’t really calm down until after the storm has
passed. I know how he feels. Back when I lived in New Orleans, rain meant something else to
me. Drought was something unthinkable in that city. Like clockwork, those muggy, tropical summer
afternoons would be punctuated halfway through by epic downpours. Those storms would somehow
always catch me on my bike, in the middle of the French Quarter, late for work again. The rain would
come at you sideways, and there was nothing you could do, except try and take cover under one of
the wide balconies or awnings, pulling the wooden shutters close around you to make a fort.
You were just going to get wet, no matter what, so you might as well take cover in a dim bar
with all the hapless tourists in plastic ponchos. Their cheap umbrellas would litter the banquette
outside – wrecked frames, inverted tulips in black and plaid, flipped inside out by huge gusts of wind.
Hurricane Katrina - Chandelier
(Photo by Mary-Jane Maybury )
I lived for about five years in a crumbling mansion on the corner of Bourbon and Esplanade.
It was the grandest place I’d ever lived in, and I was more than willing to put up with the fact
that it was literally falling apart because it was so incredibly beautiful as well as insanely cheap.
The apartment I had on the top floor was sprawling, ornate with double balconies and a crystal
chandelier in the bedroom. For a time, we slept on a futon mattress on the floor directly beneath
it, and would stare up for hours, transfixed by the cracks that radiated out from it like a glass wedding
cake on a crazed porcelain platter. I always laughed, saying that it wouldn’t be such a bad way to go –
done in by falling chandelier. After half the plaster in the other room came down over the guest bed,
narrowly missing my elderly cat, we decided to move the bed out of the way.
10Picture
(Photo by Mary-Jane Maybury )
There were leaks in every room. Over the Italian marble fireplaces, in the kitchen, the parlor –
and most annoyingly, right over the toilet paper holder. I was so stubbornly in denial about the leaks,
that I insisted on keeping my things right where they belonged – as if the leaks would get the picture,
and one day seal up and move along. I kept an altar on the marble mantle, with all my most important
treasures – knowing full well that they’d just get soaked there. Roll after soggy roll of toilet-paper was
sacrificed to my inability to think of a better place to keep it. I’d have fits of anxiety whenever it started
to rain while I was traveling. I’d want to rush back home immediately and move all the important stuff
out of the way of all the indoor waterfalls. One night while I was in New York, it started to storm hard,
setting my heart to racing before I even knew why. I was already reaching for my phone to call home
and remind them to check on the leaks when it hit me that it might not be raining in New Orleans.
Hurricane Katrina - RedSofa
(Photo by Mary-Jane Maybury )
When the hurricanes got worse, storms changed for me. Growing up in Texas, I’d always loved a big,
bombastic thunderstorm. I loved the smell of it – heady metal, asphalt and ozone. I loved how fast the
sky could darken, the big sheets of water drenching the parched earth. Some branches might come down,
and you had to watch out for lightning, but that was it. The practice of boarding up windows and evacuating
before a storm was something new, and it wasn’t long before the onset of each new tropical depression or
incipient hurricane was enough to send me into a ripe panic. It was this that eventually chased me out of
New Orleans – the fear of packing, running, battening down the hatches from June to October. It was too
much. The last straw came with a tropical storm that hit New Orleans about a month before Katrina.
No one was making much a of a big deal about it – I caught some murmurings in Matassa’s grocery
store, but nobody was really stocking up. The old man at the front counter reminded me to bring my
stuff in off the balcony, and I wish I’d listened to him. Later that night the wind picked up, and started
tossing my potted plants around like missiles. Earlier that afternoon everyone was just calling Cindy
a tropical storm, but by the time she’d hit us she was classified as a category 1 hurricane. I wasn’t
expecting her strength, not at all. The cast-iron light fixtures that hung from chains on the covered
gallery were whipping around like medieval maces, all the glass smashed out. The big solid oaks
were tossing their limbs, suddenly horribly fluid, and seeming to be more water than wood.
My sweetheart at the time was out there somewhere, in the storm – on his way to come see me,
but it had been hours and I couldn’t imagine him out on his bike in that weather. Or worse, I could –
and did, horrified by images of him being brained by flying branches or debris, laying face-down
somewhere as the gutters filled up with mud. The power went out, and I didn’t even own a flashlight,
nor did I have any candles at the ready. I sat cowering in the dark, watching the storm and trying to
make call friends, but the lines were down. I didn’t have a television, didn’t play the radio, and I hadn’t
yet learned to become an addict of meteorology and storm-tracker websites. I felt so alone, and more
afraid of the weather than I had ever been before – the unexpected power of it, the sucker-punch.
Some hollering from down below rousted me from my brooding, and who but my sweet lover, clad
head to toe in yellow rain-gear, was calling up to me and struggling to lock his bike up in stinging gale.
I couldn’t fathom it, how he had made it to me, or that he had even tried – but man, was I grateful to see
him warm and safe and holed up under blankets in the dark, making me laugh. We made jokes about
the awful sounds coming from the roof. It sounded like it was about to blow off any minute, and little did
we know – it actually was. A month later, when Katrina hit, that’s exactly what happened. The big pieces
of copper that had been tacked down over the patchy roof of our nearly 200 year old house had just peeled
off and flown down the street. Our neighbors across the way stayed through it all, and said they watched the
pieces fly from their front window. I suppose some part of me knew it then, after Cindy, because as that next
morning dawned all calm and bright, I knew I had to go. Out of the blue, I decided I needed to get back to my
hometown. I couldn’t live with the constant threat of annihilation of my home, and all that I held dear. I made
the decision to leave New Orleans after the next Mardi Gras. My grandfather and I went on a trip to Serbia,
Greece and Spain for the whole next month, and two days after my arrival back home – Katrina hit.
I evacuated with my unpacked bags of dirty traveling clothes, my mother’s violin, a box of photos
and my laptop. I went back a month later to salvage what I could from the wreckage, and moved to
Austin, Texas – the place where I was born and raised. I fell deeply in love with an dear friend, quite
unexpectedly – and we bought a house together, and planted an orchard of fruit trees, and a big garden.
I pay attention to the weather now like an old-timer, and I only feel anxiety when it doesn’t rain. The long
summer droughts here can be vicious, and I wish I didn’t know what it is to pray for even a drop. Standing
in the doorway this afternoon, watching the garden get soaked I was thinking about how good it is for us
further west to catch the outlying bands from the big storms in the Gulf, and feeling simultaneously guilty.
I’d never wish for a hurricane, especially now that the effects of a major storm could be so far beyond
catastrophic. How many fervent wishes and spells and prayers did I add to the well of voices chanting
the deluge away from us in Crescent City? Now I follow the ancient charms to bring water, fill the resevoirs.
Drop a stone, watch the ripples – this is living that adage directly, feeling the ripple dump right down on you,
wondering if it’s soiled with oil and Corexit. The Mississippi river changes between its head and its tail –
it sheds it’s skin like a snake halfway down, becomes thicker and clogged with poison. You can dip your
toe in it in Minnesota, but I can guarantee it’s not the same river you’d be crazy to touch in New Orleans.
When I lived there, I remember feeling awful for being so glad when a hurricane would hit Alabama
or Florida instead of Louisiana. I’m thinking about blessings and curses,
about living in such exciting times, and I’m thinking about the rain.
Rain Girl
(Photo by Richelle Forsey)
“Last week i was in New Orleans and happened to spot the only ‘surviving’ Banksy in the city.
‘Rain Girl’ – ‘Apparently there was some kind of storm here a few years ago’, is the only one of
Banksy’s New Orleans pieces saved from Fred Radtkes’ aka the Gray Ghost paint roller.
It’s on the side of the Drop-In Center at 1428 Rampart St. and under a sheet of plexi-glass.
It is one of a dozen or so he created on/for/around the 3rd anniversary of Hurricane Katrina.
If the home/building owners had a chance, they could have made a fortune from the Banksy
pieces (apparently they increased the property values by 75, 000 – 200,000 USD), instead a
moron with too much time on his hands covered them up. In October of 2008, said moron,
Fred Radtke finally went too far with his gray touch and defaced a comissioned mural on
the wall of 2930 Burgundy St. owned by Southern Waterproofing. According to the locals
he was fined and ordered to pay for the re-painting of the mural.
He should have been banned from purchasing paint.”

Richelle Forsey
✸ From Democracy Now: all their coverage on Hurricane Katrina over the past five years.
William Gibson on “New Orleans: The City They Couldn’t Disneyland”
Katrina “Survivors” versus “Internally Displaced Persons” More Than Mere Semantics
(Thanks to Clayton Cubitt for this one.)
Sticking a Happy Face on Katrina
— By Mac McClelland, who is my newest hero. She saw Obama speak in New Orleans
for the Katrina Anniversary the other day, and had this to say:
“Obama: ‘No need to dwell on what you all experienced during Katrina.’
Beg to differ, Mr. President. Lest the govt let that happen again.”
Post-Katrina, Graffiti Said It All
Traces Of Katrina: New Orleans Suicide Rate Still Up
Finally unpacking boxes, feeling at home: A guest column by Louis Maistros
“But recovery? The word feels good in my ear, the sound of it nearly redeeming —
but it doesn’t entirely ring true. What happened to us in the summer of 2005 isn’t
something you recover from. It’s something that you stand up to if you’re able,
and it’s something you may conspire to defy if you choose — but you never really
recover from it. In the beginning we dreamed of being whole again and so marched
blindly in the direction of that dream, never really knowing how the story would resolve,
or even if it could resolve. We’re still on that road and still can’t say for sure where it will
take us, but we have to believe it’ll be someplace better.
The Katrina experience was a rude thing that dared to define each of us without our
permission. It changed who we are, informed who we’ll be, and altered our perception
of where we came from. Pre-Katrina life has become a thing of nostalgia, like Elvis Presley
and sock hops, not quite real anymore but ever-precious in our hearts. Many years from now
our grandchildren will ask us in wide-eyed wonder about it all — and we’ll tell. And then we’ll
go on about our recovery even as the wetness of our eyes contradicts the words on our lips.”

Louis Maistros
The Garden District, Saturday
(Photo by Tony Allen-Mills)
If you’ve still got it in you, here’s some collected writings
about my experiences with Hurricane Katrina,
in reverse chronological order. Dig in:
Hurricane Katrina: Four Years Later
New Orleans in August
One Year
Lower Ninth Aftermath
MARDI GRAS APRÈS L’ORAGE
AFTERMATH: REVELATIONS
JUST WHEN YOU THINK IT CAN’T GET ANY WORSE
Calamity
The Triumph of Death
What can you do?
Katrina