11.11.12. – INSTEAD
by angeliska on November 11, 2012
11.11.11 – ELEVEN ELEVEN ELEVEN – A WISH.
One year ago, today, we went to Marfa instead of getting married. My love and I. We went out there, to the big sky and dry desert to try to heal, to connect, to repair our bond. We had an amazing time, a beautiful journey. I thought that something about being under those bright stars, huddling together out in the cold wind, seeing so much beauty, exploring it all – I believed it was a magical spell that would bind us closer. I had so much hope for us, then. Despite everything that was going so wrong, I honestly never, not even for an instant, imagined that a year from now we’d be split apart. We had been together for seven years. Seven years that went by so swiftly, so (for the most part) very sweetly. All over now in a flash – poof! It still seems like a bad dream, an alternate reality from the twilight zone – a possibility that I’d never even really considered: that we would not survive this intact, that we would not be spending the rest of our lives together, happily ever after. Contemplating this current bizarro-world reality is like looking at my life through a broken funhouse mirror – skewed and strange and seemingly impossible. I’ve been waiting for the day when I can fully accept it, fully understand that the person I pledged my heart, my life and my future to has walked away from me, from all that I held in my open arms. That he chose something else.
I made a wish, a true wish, with my whole heart.
It was not granted.
We, who were supposed to be joined so completely on this day, are sundered, separate, alone. How could this be? My mind still doesn’t have the ability to comprehend it. What is this – this loss? Empty spaces echoing out where something used to be: a warm hand, the most familiar face, a body stretched out warm beside me all night long. What is this emptiness? I walk around all day, going through the motions, choking on that void, that hollowness that builds up in my chest until I feel as though I might crumple in on myself, fall apart. I don’t have answers. I don’t have much – a sinewy shred of survival instinct that keeps my head up, keeps me walking. I have love, still – for myself, for my good friends and family, for my animals, my plants. Oh, and I have memories. Memories that seem fresh as yesterday, memories that stop me in my tracks and make me want to fall to my knees: the way he used to look at me – so in love. I miss that. I miss it all, so much. I have these little snippets, a handful of cast-off snapshots from a vacation that was meant to be a happy recollection one day – we’d tell stories when we were old about how we went there and were saved, how we remembered how much we loved each other, how we found in each other the best company, the eternal companion.
But that’s not what happened, in the end.
Like Sugar says, “Acceptance is a small, quiet room.” I visit this room every day, several times a day. I repeat those words to myself like a mantra when my brain boggles, when my mind feels like it will break, trying to understand what the hell happened to my life, to our love. I go to that empty room and I sit with it, this thing that has happened. Sugar says, “Acceptance asks only that you embrace what’s true.” Not that you like it, or want it, or ever wished for it – but that you sit with it, stare at it directly, acknowledge that it exists. This has been very difficult for me. I read the words I wrote one year ago, today. I look at the pictures of us, and I just can’t fit it all together. It’s like a puzzle with too many pieces gone missing. It doesn’t make a picture anymore. I meant every word I wrote, I meant them with everything in me, everything that is me. How could that wish not be granted? Every time my mind goes, “What!? How…? Why?” I have to lead it by the hand back to that small, quiet room. My mind and I, we have to sit in time-out a lot, sitting with this ugly thing, this huge sense of loss. Somedays, I feel like an Alzheimer’s patient who has to be reminded every day that their spouse is gone, is not there with them anymore. My hands reach for him in our bed in the mornings before I’m completely awake. I still save articles that I think he would enjoy reading. I have to stop myself from buying him presents when I see something I know he would like. We’re not there yet – we’re really not anywhere. I have no idea how to enter that particular transition. It’s not something I ever wanted, or imagined I would have to do – to disconnect myself from someone who had become part of my heart. It seems so unnatural – an alien concept, a shard embedded deep in my palm. It’s one I cannot seem to unclutch. I am trying, though – to let it go. It is so, so hard. I don’t know how to do this.
Maybe it’s not necessary to know right now. I have to trust that the knowing, the understanding might come later. Maybe it’s only necessary, for the moment, to endure it. A very dear, very wise friend of mine told me something else I try to remember on a daily basis, from a text she sent me in the middle of the night, in one of my more desperately unhappy moments – she wrote:
“Keep your head down. This is not the time for analysis or big picture thinking. This is the part where you eat good food, exercise, read, watch movies, hug your pets, buy a new dress, cut your hair, put hours and days behind you and before you know it, you get stronger and far enough from ground zero to see the big picture. But for now, you’re in the thick of it, so keep your head down. Time is your best friend – but most definitely not your only one.”
I can’t tell you how many times I’ve lain awake in the dark, scrolling back through my texts to find that one and reread it, remember it. It’s among some of the best advice I’ve been given, and I’ve been trying to follow it to the letter.
In the meantime, I mend holes in my clothes, I glue together broken teacups, I fix wonky table legs – as if these small repairs could somehow symbolically add it, to help me heal the broken parts of me. I walk around most days feeling like one of those gory cartoons where the cat has a giant shotgun-blasted hole through their torso that everyone can see through. When people ask me how I am, I get confused, because I forget that they can’t see it. I’ve come to really hate answering that question, even though I know it’s always well-meant. I want to answer honestly, and then I don’t want to. Don’t want to lay my tragedy on anyone. I usually go for something noncommittal like, “I’m happy to be here!” or, “I’m happy to see you!” Those things are true, and speak to what’s happening in that exact moment. Right? Ugh.
Recently, I discovered that though some reprehensible technological loop-hole, I’d (hopefully only temporarily?) lost years and years worth of photographs from my archives. So, so many years worth of memories. Gone, just like that. I’m praying for a solution/miracle that might allow me to recover them soon, but right now, they are out there floating in nothingness. All the photos I took on our trip to Marfa, our pre-emptive honeymoon for a wedding that never happened – all vanished. Like it never happened. Another hole, a lacuna – a space where we were, and now, are not. All I have to show we were ever there are these pithy instagrams, cheery snapshots that don’t really tell a story. We went here, we saw this, it was pretty, it was funny, we laughed. We held hands. We wandered down empty streets in ghost towns at sunset, drinking scotch out of fine cut-glass tumblers, like real outlaws. We drove on rough dirt roads in the black of night into the mountains in search of hot springs. We nearly set fire to our hotel room. We held each other. We whispered secrets. We missed our train because we were hunting for rocks. We enjoyed each other completely. Each day and night we spent in West Texas was truly a magical adventure, and I will always treasure the time we spent there. Maybe next year, I’ll be able to tell these stories. Right now, they’re lost to me, in so many ways.
Here are some of the things we saw:















I’ll spend this year’s 11.11 high up on a hill, alone. Instead. Instead of walking down an aisle in a white dress with tears of joy streaming down my face as I prepare to marry the man I love. This year, too, there is no magical cave filled with all the people we love and cherish most gathered around us. There is no majestic valley where we will dance and celebrate into the night. Those things live in a box, a hope chest filled with cobwebs and dust collecting on a veil and wax orange blossoms slowly disintegrating. Instead, there is this howling sound. Instead, here is me and my heart. Still here, still beating, but not joined. Instead, I came out to the place where I come from, the land that has always welcomed me as its child, despite being harsh and forbidding for most but the hardiest of creatures. My plan is to camp by myself out at Enchanted Rock – to do healing rituals for myself, to listen to the wind blow, to embrace this newfound solitude I never asked for or desired. Despite my resistance, I have found that there are aspects of it that I have come to treasure. This past year has been repeatedly forcing me to face all my worst fears head-on, and one by one, I have been meeting them on the road. They leer and jabber and spit at me and I walk through them, dissolve them, pierce and pin them with sharp swords. I sit with them, too.
Offer tea. Breathe deep. Let them go.
O DEATH
by angeliska on November 2, 2012
I am so grateful to be experiencing Day of the Dead in New Orleans again this year – to be able to engage in the ritual of the yearly procession to honor our beloved dead, and to remind ourselves that life is fleeting, and precious. My altar sits at home, sadly in need of dusting and tending – there’s been so much death and loss this year, that at a certain point, I find myself abandoning my rituals when I need them most. Grief becomes suffocating, all-consuming, and I forget that I’ve found ways to walk through it, remembered the old ways – traditions that once were in place for ages, now lost to many. I’ve had a lot of death in my life, ever since I was a little child. I’ve lost so many friends and relatives – to disease, suicide, murder, accidents – so many untimely ends to the brightest stars, harshly snuffed out. I’ve been left standing, so many times, staring at the sky, looking for lights that used to be there. At a certain point, I realized that in this life, a big part of the work I hope to be able to do will deal with death: with helping people process it, with the rituals of burial and mourning, and of grieving. I feel I must eventually do this work, somehow – for myself, and hopefully, to help others. I hate living in a society where the process of dying and mourning has been whitewashed, sanitized, made safe and tidy. The modern business of death, is just that: a business – and it is intended to be bland, brief and entirely devoid of soul. At least most “traditional” funerals I’ve been to have felt like that, anyway. Once the funeral is done and the corpse is buried, everyone is expected to put on a brave face and send out sympathy cards or maybe a casserole and that’s the end of it. We don’t dress in mourning: wearing black or ripping your clothing signifies nothing at all anymore. We have no real way to publicly show that we are grieving – and really, no one wants to know. Sometimes I meet people who tell me that they’ve never really lost anyone close to them. There are moments when I think of them as lucky, and moments when I pity them – eventually, they will experience what it is to have someone they loved, someone very close to them, evenutually die, and they won’t have any idea what to do when that happens. We are so woefully unequipped, as a society, to be able to process death in healthy ways, and I would like to try, in whatever ways I can, to help change that. I’m not sure completely yet how this work will take shape, but I know that writing about it is a part of that, talking about it, and being there for those I care about who are going through it. I’m also learning more about green burials and home funerals, and I will be writing more on this subject soon, and sharing some of what I’ve discovered, very soon.

My little altar for the dead at home.
They say death is hardest for those who are left behind, and I agree with that for the most part – but I want to share a piece of writing that has stayed with me for a year, by Sara Douglass, a writer of science fiction who died of cancer this year. From what I’ve seen, the process of dying, for those who know it’s coming, it’s not easy or gentle. It’s terrifying, and it’s really fucking lonely. I have several friends who work in hospices, and in my mind, they are the bravest, kindest people – to willingly go into that darkness, to hold the hands and smooth the brows of this who are facing their final journey into whatever lays beyond the veil. I hope you will take some time to read what she wrote. It’s important. Eventually someone you love will die. Eventually, we all will. There’s no hiding from it, no pretending it won’t happen – or that when it does it will be graceful. If anyone you love is ever sick and dying, don’t shy away from them. Don’t be too busy to go see them, to spend time with them before they go. Don’t be afraid to touch them, or drown them in well-meaning but ultimately empty platitudes. They don’t always need to to say the right thing, or to bring flowers – but they do need to see you, they need not to be left alone, abandoned. I say this as much to myself as to anyone else. I think of how swiftly we can wink out of existence, how fleeting all this world is, and I feel a panic – to clutch every single person I have ever loved, close, close, to tell them how much I adore and appreciate them. You can never say it enough, never show it enough – and there will never, ever be enough time.
Originally from blog “Notes from Nonsuch”
The Silence of the Dying
By Sara Douglass
Many years ago I did an hour long interview on Adelaide radio (with Jeremy Cordeaux, I think, but my memory may be wrong). The interview was supposed to promote one of my recent publications, but for some reason we quickly strayed onto the subject of death and dying, and there we stayed for the entire hour. I proposed that as a society we have lost all ability to die well. Unlike pre-industrial western society, modern western society is ill at ease with death, we are not taught how to die, and very few people are comfortable around death or the dying. There is a great silence about the subject, and a great silence imposed on the dying. During the programme a Catholic priest called in to agree with the premise (the first and last time a Catholic priest and I have ever agreed on anything) that modern society cannot deal with death. We just have no idea. We are terrified of it. We ignore it and we ignore the dying.
Today I’d like to take that conversation a little further, discuss modern discomfort with death, and discuss the silence that modern western society imposes on the dying. Recently I’ve had it hammered home on a couple of occasions how much the dying are supposed to keep silent, that ‘dying well’ in today’s society means keeping your mouth firmly closed and, preferably, behind closed doors.
Never shall a complaint pass your lips. How many times have we all heard that praise sung of the dying and recently departed, “They never complained”?
Death in pre-industrial society was a raucous and social event. There was much hair-tearing, shrieking and breast beating, and that was just among the onlookers. Who can forget the peripatetic late-medieval Margery Kempe who shrieked and wailed so exuberantly she was in demand at all the death beds she happened across? Suffering, if not quite celebrated, was at least something to which everyone could relate, and with which everyone was at ease. People were comfortable with death and with the dying. Death was not shunted away out of sight. Grief was not subdued. Emotions were not repressed. If someone was in pain or feeling a bit grim or was frightened, they were allowed to express those feelings. Unless they died suddenly, most people died amid familiar company and in their own homes amid familiar surroundings. Children were trained in the art and craft of dying well from an early age (by being present at community death beds). Death and dying was familiar, and its journey’s milestones well marked and recognizable. People prepared from an early age to die, they were always prepared, for none knew when death would strike.
Not any more. Now we ignore death. We shunt it away. Children are protected from it (and adults wish they could be protected from it). The dying are often not allowed to express what they are really feeling, but are expected (by many pressures) to be positive, bright and cheerful as ‘this will make them feel better’ (actually, it doesn’t make the dying feel better at all, it just makes them feel worse, but it does make their dying more bearable for those who have to be with them).
When it comes to death and dying, we impose a dreadful silence on the dying lest they discomfort the living too greatly.
I have done no study as to when the change took place, but it must have been about or just before the Industrial Revolution — perhaps with the mass movement into the cities and the subsequent destruction of traditional communities and community ties, perhaps with the rise of the modern medical profession who demanded to control every aspect of illness, perhaps with the loosening grip of religion on people’s lives during the Enlightenment.
Certainly by the nineteenth century silence and restraint had overtaken the dying. The Victorian ideal was of the dying suffering sweetly and stoically and silently (we’ve all read the novels, we’ve all seen the paintings). Those who didn’t die sweetly and stoically and silently but who bayed their distress to the moon generally ended badly by dropping their candle on their flammable nightgown, and then expiring nastily in the subsequent conflagration which took out the east tower of whatever gothic mansion they inhabited. The lingering commotion and the smouldering ruins always disturbed everyone’s breakfast the next morning. There was much tsk tsk tsk-ing over the marmalade.
By the mid-nineteenth century, if not earlier, the lesson was clearly implanted in our society’s collective subconscious.
Death should be silent. Confined. Stoic.
Sweet, stoic and silent was the way to go. (Again I remind you that a sweet, stoic and silent death is still praised innumerable times in today’s society; by the time we have reached early adulthood we have all heard it many, many times over.) The one exception is the terminally ill child. Terminally ill children are uncritizable saints. The terminally ill adult is simply tedious (particularly if they try to express their fears).
All this silence and stoicism scares the hell out of me.
In that radio interview many years ago I spoke as a historian. Today I speak as one among the dying. Two years ago I was diagnosed with cancer. Six months ago it came back. It is going to kill me at some stage. Now everyone wants a date, an expected life span, an answer to the ‘how long have you got?’ question. I don’t know. I’m sorry to be inconvenient. I am not in danger of imminent demise, but I will not live very long. So now I discuss this entire ‘how we treat the dying’with uncomfortable personal experience.
Now, with death lurking somewhere in the house, I have begun to notice death all about me. I resent every celebrity who ‘has lost their long battle with cancer’. Oh God, what a cliché. Can no one think of anything better? It isn’t anything so noble as a ‘battle’ gallantly lost, I am afraid. It is just a brutal, frustrating, grinding, painful, demoralizing, terrifying deterioration that is generally accomplished amid great isolation.
Let me discuss chronic illness for a moment. As a society we don’t tolerate it very well. Our collective attention span for someone who is ill lasts about two weeks. After that they’re on their own. From my own experience and talking to others with bad cancer or chronic illness, I’ve noticed a terrible trend. After a while, and only a relatively short while, people grow bored with you not getting any better and just drift off. Phone calls stop. Visits stop. Emails stop. People drop you off their Facebook news feed. Eyes glaze when you say you are still not feeling well. Who needs perpetual bad news?
This is an all too often common experience. I described once it to a psychologist, thinking myself very witty, as having all the lights in the house turned off one by one until you were in one dark room all alone; she said everyone described it like that. People withdraw, emotionally and physically. You suddenly find a great and cold space about you where once there was support. For me there has been a single person who has made the effort to keep in daily contact with me, to see how I am, how I am feeling, and listen uncomplainingly to my whining. She has been my lifeline. She also suffers from terrible cancer and its aftermath, and has endured the same distancing of her friends.
The end result is, of course, that the sick simply stop telling people how bad they feel. They repress all their physical and emotional pain, because they’ve got the message loud and clear.
People also don’t know how to help the sick and dying. I remember a year or so ago, on a popular Australian forum, there was a huge thread generated on how to help a member who was undergoing massive and life-changing surgery that would incapacitate her for months. People asked what they could do. I suggested that if one among them, or many taking it in turns, could promise this woman two hours of their time every week or fortnight for the next few months then that would help tremendously. In this two hours they could clean, run errands, hang out the washing, whatever. And they had to do all this while not once complaining about how busy their own lives were, or how bad their back was, or how many problems they had to cope with in life. Just two hours a fortnight, with no emotional-guilt strings attached. Whatever she wanted or needed. Freely given. Bliss for the incapacitated or chronically ill.
But that was too difficult. Instead the poor woman was buried under a mountain of soft toys, dressing gowns, bath salts and bombs, daintily embroidered hankies, a forest’s worth of Hallmark cards, chocolates and flowers and exhortations that everyone was ‘thinking of her’. None of which helped her in any way, of course, but all of which assuaged the guilt of the gift-givers who mostly promptly forgot her and her daily horrific struggle through life. Modern attention spans for the chronically ill are horribly short, probably because chronic or terminal illness in today’s society is horribly tedious. Tedious, because we are all so uncomfortable with it.
Instead, too often, it is up to the sick and the dying to comfort the well and the un-dying.
Just take a moment to think about this, take a moment to see if you have ever experienced it yourself. The dying — sweet, stoic, silent — comforting those who are to be left behind. I know I experienced it when first I was diagnosed with cancer. I found myself in the completely unreal situation of having, over and over, to comfort people when I told them I had cancer. In the end I just stopped telling people, because almost invariably I was placed into the bizarre situation of comforting the well by saying everything would be all right (which, of course, it won’t, but that’s what people needed to hear to make them comfortable about me again).
The dying have been indoctrinated from a very young age into this sweet, stoic and silent state. They earn praise for always being ‘positive’ and ‘bright’ and ‘never complaining’. Perhaps they are bright and positive and uncomplaining, but I am certain they lay in their beds with their fear and anger and grief and pain and frustration completely repressed while modern expectation forces them, the dying, to comfort the living.
I am sick of this tawdry game. I am sick to death of comforting people when all I want is to be comforted. I am sick of being abandoned by people for months on end only to be told eventually that ‘I knew they were thinking of me, right?’ I am sick of being exhorted to be silent and sweet and stoic. I know I face a long and lonely death and no, I don’t think I should just accept that.
I don’t think I should keep silent about it.
I have witnessed many people die. As a child I watched my mother die a terrible death from the same cancer that is going to kill me. As a registered nurse for seventeen years I have seen scores of people die. I have watched the dying keep cheerful and reassuring while their family were there (forced by modern expectation of how people should die), only to break down and scream their terror when the family have gone. The one thing they all said, desperately, was “Don’t let me die alone.” But mostly they did die alone, doors closed on them by staff who were too frantically busy to sit with them, and relatives who have gone home and not thought to sit with their parent or sibling. People do die alone, and often not even with the slight comfort of a stranger nurse holding their hand. If you put your relative into a hospital or a hospice or a nursing home, then their chances of dying alone and uncomforted increase tremendously. I want to die at home, but I am realistic enough to know that my chances of that are almost nil as impersonal ‘carers’ force me into a system that will remove me from any comfort I might have gained by dying in familiar, loved and comforting surroundings.
My mother, who died of the same cancer which will kill me, kept mostly stoic through three years of tremendous suffering. But I do remember one time, close to her death, when my father and I went to visit her in hospital. She was close to breaking point that evening. She wept, she complained, she expressed her fears in vivid, terrifying words. I recall how uncomfortable I was, and how relieved I was when she dried her tears and once more became cheerful and comforting herself. I was twelve at the time, and maybe I should feel no guilt about it, but I do now, for I know all too well how she felt, and how much she needed comforting far more than me.
She died in her cold impersonal hospital room in the early hours of the morning, likely not even with the comfort of a stranger nurse with her, certainly with none of her family there.
The great irony is that now I face the same death, from the same cancer.
That is the death that awaits many of us, me likely a little sooner than you, but in the great scheme of things that’s neither here nor there. Not everyone dies alone, but many do.
Not everyone suffers alone, but most do it to some extent.
It is the way we have set up the modern art of death.
I am tired of the discomfort that surrounds the chronically and terminally ill. I am tired of the abandonment. I am tired of having to lie to people about how I am feeling just so I keep them around. I am tired of having to feel a failure when I need to confess to the doctor or nurse that the pain is too great and I need something stronger.
I am tired of being made to feel guilty when I want to express my fear and anguish and grief.
I am tired of keeping silent.
******************
Thank you for reading this far, and being my companion this far. I promise to be more stoic in future. But just for one day I needed to break that silence.
May 22nd, 2010
Sara Douglass was born June 2, 1957. She died on September 27, 2011.
Here are some of my favorite old songs about death. I especially love this first one:
Shirley & Dolly Collins – Death & The Lady
Oh Death – Dock Boggs
Ralph Stanley – Oh Death
On Death, without Exaggeration
It can’t take a joke,
find a star, make a bridge.
It knows nothing about weaving, mining, farming,
building ships, or baking cakes.
In our planning for tomorrow,
it has the final word,
which is always beside the point.
It can’t even get the things done
that are part of its trade:
dig a grave,
make a coffin,
clean up after itself.
Preoccupied with killing,
it does the job awkwardly,
without system or skill.
As though each of us were its first kill.
Oh, it has its triumphs,
but look at its countless defeats,
missed blows,
and repeat attempts!
Sometimes it isn’t strong enough
to swat a fly from the air.
Many are the caterpillars
that have outcrawled it.
All those bulbs, pods,
tentacles, fins, tracheae,
nuptial plumage, and winter fur
show that it has fallen behind
with its halfhearted work.
Ill will won’t help
and even our lending a hand with wars and coups d’etat
is so far not enough.
Hearts beat inside eggs.
Babies’ skeletons grow.
Seeds, hard at work, sprout their first tiny pair of leaves
and sometimes even tall trees fall away.
Whoever claims that it’s omnipotent
is himself living proof
that it’s not.
There’s no life
that couldn’t be immortal
if only for a moment.
Death
always arrives by that very moment too late.
In vain it tugs at the knob
of the invisible door.
As far as you’ve come
can’t be undone.
– Wislawa Szymborska
3 different interpretations of the hymn “Idumea” (written by Charles Wesley, 1793), from the album “Black ships ate the sky” – Current 93:
1) Clodagh Simonds
2) Bonnie Prince Billy (Will Oldham)
3) Shirley Collins
And am I born to die?
To lay this body down?
And as my trembling spirits fly
Into a world unknown
A land of deeper shade
Unpierced by human thought
The dreary region of the dead
Where all things are forgot
Soon as from earth I go
What will become of me?
Eternal happiness or woe
Must then my fortune be
Waked by the trumpet’s sound
I from my grave shall rise
And see the Judge with glory crowned
And see the flaming skies
Patrick Wolf – Idumea
Current 93 feat. Antony Hagerty – Idumea
Idumea / Current 93 & Marc Almond
Skin and Bones
Good Bye, Son – from Letters of Note
Holbein’s Dance of Death
Strawberige: Theme: Mourning
Further reading from November 2nds of yore:
✂ LAS CATRINAS
✂ Day of the Dead in New Orleans
✂ Cempasúchil por los Muertos
✂ Día de los Muertos – R.I.P. Studs Terkel
✂ Santissima Muerte!
LITTLE BLACK APPLES FROM HURRICANE STREET
by angeliska on October 31, 2012
Witch witch, where do you fly?
Under the clouds and over the sky.
Witch, witch, what do you eat?
Little black apples from Hurricane Street.
Witch, witch, what do you drink?
Vinegar and good red ink.
Witch, witch, where do you sleep?
Up in the clouds where the pillows are cheap.
It’s been surreal and magical to be back in the warm embrace of New Orleans – and especially strange to have everything feel so calm and peaceful here (despite the full moon, Halloween holiday, and all associated deviltry) when up north, New York has been so recently beleaguered by a hurricane. Everything feels sort of backwards, and this time, I’m very grateful to be on the tranquil side of things, though a deep sense of foreboding about the frequency and intensity of future storms makes me very concerned for everyone I know (and those I don’t) who live along the coasts. We haven’t seen the end of this shit, and it seems like it might be too late to turn back.

☾ Publishers destroy Scary Stories to Tell in the Dark’s amazing artwork – I know this has been going around for awhile, but I always think of these stories at this time of year. The illustrations were what made even some of the less scary stories truly terrifying. It boggles the mind to think that anyone would ever dream of even trying to touch that. Last night, we celebrated the Mudlark Public Theatre’s 4th anniversary with their annual Halloween Cabaret Grotesque. The Mudlark Puppeteers performed a chilling rendition of one of my favorite stories from the collection, The Sinner Drum. It was terrifying and beautiful, as you might imagine!
☾ Wikipedia Entries to Read in the Dark

☾ A beautiful full moon post from artist Kelly Louise Judd: Hunter’s Moon
☾ Inside the lost island of New York: Eerie pictures of the abandoned leper colony just 350 yards from the Bronx

☾ The Vampire Beetle Bedpost Confessions
☾ A peek into Haunted Air – Anonymous Halloween photographs from c.1875–1955
“The photographs in Haunted Air provide an extraordinary glimpse into the traditions of this macabre festival from ages past, and form an important document of photographic history. These are the pictures of the dead: family portraits, mementos of the treasured, now unrecognizable, and others. The roots of Halloween lie in the ancient pre–Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls’ Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging “soul cakes” in exchange for prayers, and fires burned to keep malevolent phantoms at bay. From Europe, the haunted tradition would quickly take root and flourish in the fertile soil of the New World. Feeding hungrily on fresh lore, consuming half–remembered tales of its own shadowy origins and rituals, Halloween was reborn in America. The pumpkin supplanted the carved turnip; costumes grew ever stranger, and celebrants both rural and urban seized gleefully on the festival’s intoxicating, lawless spirit. For one wild night, the dead stared into the faces of the living, and the living, ghoulishly masked and clad in tattered backwoods baroque, stared back.”


☾ Sabbat Wine, Flying Ointment & Enthogens
☾ Make your Own Sabbat Wine and Flying Ointment
Here’s an interesting selection of videos featuring flying brujas and mysterious levitation:

I made an 8tracks mix to listen to while I get dressed up! It’s dedicated to all my witchy sistren celebrating Samhain this season:
Magic from Halloweens of yore:
✪ I dressed as Vali Myers (one of my very favorite witches, ever) for Halloween last year…
✪ QUEENS OF HALLOWEEN
✪ New Orleans Hallowe’en
✪ Spookhouse Honey
✪ The Witches’ New Year
✪ Ha-ha-halloweenie
✪ ECTOPLASMIC HONEY
✪ WITCHNESS
WRITER – SOOTHSAYER – SILVERSMITH – WITCH
by angeliska on October 26, 2012
Words and images are the real tools of magic-making, stronger than wands or cups or candles. They hold a deep and ancient power to create or alter our realities. From shadows and handprints on the cave wall to whispered incantations, even with no altar or physical tools, a witch or shaman (or anyone, really) can effect powerful changes. This is why the way that you see yourself and present yourself to the world is so very important: even an everyday object like a business card can hold and transmit that power. I thought about this a lot when I realized it was time to buckle down and make real grown-up style business cards. For the past couple of years, I’ve been satisfied using moo cards – they fit nicely in the vintage cigarette case I like to carry, and I liked how each one was different, unique. But for all their individual uniqueness, they were also becoming very recognizable – I wasn’t the only person anymore with cute, little bitty moo cards, dammit! In a handful shaken out of my purse at the end of a night, there wasn’t much to distinguish my card from anyone else’s. Not that presenting your business card needs necessarily to resemble an arcane ritual out of American Psycho – especially considering how in this day and age, they are perhaps in danger of becoming somewhat unnecessary. And yet, there’s something nice and seamless about just handing someone your card – especially if you have a name that’s kind of difficult to spell or interpret in a noisy nightclub. I enjoy the ritual of it, the harkening back to Victorian calling cards or cartes de visite, left on a silver tray and presently by a butler (oh, if only…) I like the idea of someone coming across the little paper rectangle emblazoned with the images and words I have chosen to convey a sense of who I am, and maybe remembering our paths crossing, however briefly.
I believe that what you say or think about yourself, you bring into being, quite literally: meaning, you are the only one that has the power to invent yourself, or reinvent yourself. The image that you present to the world at large is who you are – or it can become so, all rooted in those deep, initial perceptions. When someone says, “Oh, I’m so clumsy” or even “I’m so broke!”, they make that reality truer, by enforcing it with their words. I think of the years when the question, “So, what do you do?” would make me so uncomfortable. I hated admitting that I worked in a shop, or that I waitressed at a sushi restaurant, or sold cigars. I didn’t realize that I was being too literal – I thought I wasn’t allowed to say I was a writer or an artist unless I made money doing those things, unless I was recognized and successful. But whether or not I have books published (oh, but I will!), or even if no one ever read a word I wrote, I would still be a writer. I write. It’s what I do. There’s something about owning that word, though, that makes it more real. It’s a covenant entered between me and the world at large that says that this is what I do, what I’m supposed to do. I’d do it even if I never admitted it to a soul, but in defining myself as such, I say – “there, now! Now you MUST!” I don’t (thank the moon and stars!) have a day-job anymore – my time is solely devoted to reading tarot, making jewelry, oh and – selling antiques and curiosities out of a booth at Uncommon Objects, of course! I decided not to put that on the cards, or mention the events I do, or the custom costumery and maquillage, because after a certain point, I think it just gets a little ridiculous to have to describe yourself with so many occupations, even if you do them all. I don’t ever really want to have to narrow down, but having some clear focus does make it simpler to get a grip on what you really want to be known and remembered for. In thinking hard about how you define yourself publicly, in giving yourself space to redefine as needed, you push yourself, and allow yourself to grow into what you want to be. I thought about that a lot when I was working with the amazing Lau of Recspec to come up with just the right design for my new cards – and as usual, she did an incredible job. Having a professional designer who intuitively knows not only what you’re looking to convey aesthetically, but also has the skills to execute that design impeccably is such a gift. I am so lucky to know this woman! I recommend her very highly if you’re looking to revamp your business cards/website/logo/personal branding/et cetera! She’s a wizard.

I am indescribably happy with the way these turned out: witchy and sleek and lovely!

A detail: I took the photograph of one of my boudoir doll heads on an ancient peacock feather fan years ago – knew I was saving it for something extra good…

Moon moth cuffs in process – featured with a garnet moon and star pendant made as gift for my mother by her friend Vernon Reed. I never take it off (except when it was being repaired, here.)
Defining myself as a silversmith was another big step for me: I’ve been making hand fabricated sterling silver jewelry for about three years now (oh gosh, maybe more?) Ridiculously, I have made most pieces as gifts, and eagerly given them to loved ones without always getting decent photos first, so after all this time, I don’t have much to show. Also, my process is pretty laborious, especially since I decided to tackle absurdly ambitious projects for the first few years. Oh, and – I’m super slow and easily distracted! So, whenever I do actually finish a piece, it’s kind of a miracle. I decided this year to focus less on crazy love-objects, and more on jewelry that I could make with an eye towards actually selling.

I was so thrilled when I sold my first major piece of jewelry recently, to a lovely and very creative lady, Miss Adrienne Ehler. I met Adrienne a while back when she came to have her cards read, and we’ve stayed in touch since then. She had expressed interest when I posted that the moon moth cuff bracelets were for sale, and has been saving up to buy one ever since. I am incredibly honored and excited that she fell so in love with this piece. I wear mine every single day, and I had hoped that its twin would eventually find its home. Imagine my delight when she contacted me and told me that she wanted to buy it! I love the permanence of working in silver, and the idea that if (heaven forfend) you ever lost one of the pieces, it might be buried for thousands of years under layers of soil and sediment – only to be discovered and marveled at by archaeologists of the future!

I love adding secret details like these roller-pressed leaves to bezel backs – little details that are normally only seen by the wearer. Why leave something plain when it could be beautiful and meaningful?

These elfin priestess rings are part of a collection I’m putting together featuring lots of celestial drusy, tube set tanzanites and sapphires and copper moons. I like making jewelry that looks mystical and ancient. Also, each piece is completely individual and made entirely by hand – even the pieces I do multiples of. Nothing is cast, or mass produced – which I have nothing against, but it explains why what I make is so special, and why it will always cost more than a lot of other jewelry out there.

Prices available upon request!

This sterling silver and porcelain cuff was made for my sweet sister Mlle. Dana Sherwood – the china piece was one of many cut into cabochons by my Grampy for my mama back when she was alive and making jewelry. She didn’t live long enough to use them all, so I’ve learned how – to honor her legacy as a jeweler. This little collection of broken plates, collected and saved by my mother, lovingly shaped into ovals and circles by my grandfather is the main reason I make jewelry today. I knew that out of all the legacies she left to me, this one called to me with a voice I couldn’t bear to ignore. Those beautiful pieces didn’t want to stay tucked away in a box forever! Hopefully one day, I’ll be able to do right by her violin and guitar as well.

This is how we do it: the delightful Miss Stilwell and I giving haute priestess realness at the Rothko Chapel. I was invited to perform the wedding ceremony for two of our dear friends, Will and Allison.
Ah yes, and the witchery and soothsaying! Two more important words to embrace and uphold: namely by working in service to my community by teaching, reading tarot and performing liminal ceremonies like weddings, baby blessings, and funerals or memorials. So far, it’s only been weddings, but the others are equally important and sacred. I believe strongly that these moments of honoring and crossing over thresholds are best celebrated by someone who truly cares to make the effort for the experience to be both solemn and joyful, magical and heartfelt. Friends keep asking me, and I’m honored every time I get to help make their special day into a memorable ritual.

I’m so excited to be resuming teaching tarot and witchery class to my two young students, Rowan & Pearl! I embellished these composition books with gold stars and sparkles for them to write their magical study notes in. They are the cutest little witches ever.

Lau is also working on my Sister Temperance site (what’s up there now is only really a pretty placeholder!), so I’ll soon have a place to devote to my writings on the tarot, and to offering long distance readings for folks who don’t live in Austin. I’m so freaking excited about this, I can barely stand it! I love doing this work more than anything else I’ve ever done. I missed it for years after I left New Orleans – for some reason, for the longest time, I never believed could make a go of it here, but I am being proven wrong!

Once I have a place to put all my tarot musings together, I’ll tell you why I chose Temperance to be my muse and guide in this work! It has always been my most favorite card, out of all the Major Arcana.

This great old vintage Temperance poster that hangs in my tarot trailer gives only the scantiest of hints…

If you are in Austin, do come visit me for a reading – I make appointments between 2pm and 10pm most days.
Otherwise, keep your eyes peeled for online readings, more jewels for sale, and other witchery!
Magic Windows #26
by angeliska on October 5, 2012
I think it’s high time to resume making Magic Windows posts again as well, don’t you? Magic Windows is a peek into my world and adventures, via the tiny eye of the camera on my telephone. Earlier this week, I went on a little day trip with my darling Miss Amelia Foxtrot to procure two gorgeous new phonographs for her new business, The Austin Phonograph Company. Amelia DJs antique 78s on her vintage phonographs at events like weddings and the like – it’s really wonderful to see and hear. A dealer in this equipment was set up out at Marburger Farm, one of the many markets for antique dealers that pop up in the fields of rural Round Top, Texas twice a year. I always love to go comb for deals, and this time I did come away with bags full of treasures to fill my booth at Uncommon Objects. Even if you’re not an antique dealer, just going out to the country and taking in the country fair atmosphere, and the energy that suffuses these odd temporary junk villages is so much fun. Dealers in curiosities come from all over the country, and set up in barns and tents – many of them create elaborate and beautiful displays of their merchandise, and you can be guaranteed to see every kind of taxidermied animal, vintage clothing from every era, and all sorts of amazing and bizarre treasures. Of course, much of it is meant for serious collectors and designers with serious money, but you can find bargains if you know how to hunt. Even if you don’t buy a thing, it’s a lot of fun to wander and gape at marvelous things you often don’t see outside of showrooms or museums, especially in the middle of a pasture that normally only hosts cow-patties and old twisty oaks.
Check out Amelia’s account of our adventure, as well as more about her phonographic/photographic endeavors:
Uncouth Documents
Phonograph Portraits, or, how I climbed into a bell

MOIN VITE / PLUS VITE – this old French beauty actually resonates not through a speaker or a horn, but through a violin, which is ingeniously attached. I didn’t get a good picture of that, alas – so you’ll just have to take my word for it.

We got to hear the Angel’s Serenade, played on this fabulous contraption. It was heavenly.

Beastly angels in a very peculiar Sunday School mural.
This reminded me of one of my favorite lines from Rainer Maria Rilke’s Duino Elegies, The First Elegy:
“Wer, wenn ich schriee, hörte mich denn aus der Engel Ordnungen?
und gesetzt selbst, es nähme einer mich plötzlich ans Herz:
ich verginge von seinem stärkeren Dasein.
Denn das Schöne ist nichts als des Schrecklichen Anfang, den wir noch grade ertragen,
und wir bewundern es so, weil es gelassen verschmäht, uns zu zerstören.
Ein jeder Engel ist schrecklich.”
“Who, if I cried out, would hear me among the angels’ hierarchies?
and even if one of them pressed me suddenly against his heart:
I would be consumed in that overwhelming existence.
For beauty is nothing but the beginning of terror, which we are still just able to endure,
and we are so awed because it serenely disdains to annihilate us.
Every angel is terrifying.”

Aren’t these carousel faces sweet?

Animal festival masks from Sonnenberg, Germany – circa 1880. These are worn for Fasching, which Germany’s carnival season – their own answer to Mardi Gras. It starts on the 11th day of November at exactly 11minutes after 11am and ends at the stroke of midnight on Shroud Tuesday – often referred to as Fat Tuesday (the Tuesday before Ash Wednesday).

Crazy giant clown mug – made by Elsmore + Forster. E + F were manufacturers of earthenware at Tunstall – c.1853 – 71.

Bunny nipples! This jar is available for sale at my booth at Uncommon.
It was hard to give up, but I have a feeling someone out there needs it more than me.

Remember Me. Oh, I will – but I’m finally letting this one go. I’ve held on to this photo of a handsome man in a hat and glasses for so long now. Who did he give this to? Who was he beseeching to remember him? I was happy to pretend to be her for awhile, but it’s time to pass him on. Hopefully the person who’s meant to remember him will find him in the shop and take him home and gaze at him every night. I’m reading How Should a Person Be? by Sheila Heti right now, and yesterday this line jumped out at me:
“It has long been known to me that certain objects want you as much as you want them. These are the ones that become important, the objects you hold most dear. The others fade from your life entirely. You wanted them, but they did not want you in return.”
Who Needs Who
by angeliska on September 30, 2012
You could read every word I wrote
Follow the trail back to when I was young
You could read every word I wrote
In some attempt to understand what has begun, but it’s beyond me
– It’s a Secret
I listened to Dark Dark Dark’s new album for the first time on the subway in New York, last month. Well, actually – that’s a lie. Last summer, a friend let me have a secret listen on headphones to some of the unrecorded tracks. I sat on my bed and played them over and over. I didn’t yet know exactly how, but I knew those songs would be important to me – I knew somehow that I would need them, later. It was painful handing them over, knowing I wouldn’t get to hear them again for at least another year. I had been hooked on their second album Wild Go all that year, and listened to it and the Bright Bright Bright EP constantly. I pre-ordered Who Needs Who as soon as I got the notification from Supply and Demand, and waited patiently for the day I’d get to sit with those songs again. It couldn’t have come at a more perfect time, really. Certain albums have a way of doing that sometimes – becoming constant companions through hardships, heartbreaks, or happier times. I sat on the train that afternoon, my shoulders rocking against the strangers jammed in next to me, and let the music unfurl into my ears. I knew immediately that these ten songs would be a succor, a balm to my brokenness, a thumb to suck in the dark. Every lyric, every note fit in, felt like poignant illustrators of exactly where my heart has been. Though I know that these songs were written from their own place of loss and love, it’s easy to feel like they could be written for mine. But that’s the magic of good songwriting, of a perfect break-up album, really – and as far as break-up albums go, this one is as honest and kind as it gets. There’s not a lot of bitterness or recrimination here – no real anger at what went down, but instead, a wistfulness, some regret, and a lot of longing. It’s not really a sad album, though – it’s just true, and the simple beauty of it makes my breath catch in my chest at times. It’s raw and forlorn and solemn and then it does a little dance despite it all. It’s this that I am most grateful for – to hear songs that speak to my sore and battered heart, but that don’t pander to its bruises, don’t let it be a victim. Better to have loved and lost, and even better to do so, and still find a way to dance – even if it’s just a waltz with a rag mop or a slow tap dance in an empty room. I sat on the train and listened to those songs, tears streaming down my face, lost in the music. Walter’s trumpet soars over the piano keys, over these aching lyrics, transcendent. Marshall’s banjo thrums in my belly, his clarinet curls around my wrist like smoke, tugging at me. The swaying of the train shakes my body in time with the drumbeat. Gruff old men seemed more tender somehow, harried mothers with strollers shoving past, their children’s faces suffused with wonder or petulance – all the sweaty, frustrated commuters, underground in the city in late August – they all seemed to be floating underwater, suddenly serene, all unknowingly part of my secret heartbreak world.
This song is my heart stripped bare, naked and shivering in a room that we used to share:
Tell Me
I want to live in the time when you cherished me
Oh to go back to the place when your hands moved over me
Nona’s voice is one of my favorite voices. It is pure and real, strong and unaffected. There is so much honesty there – and a willingness to be vulnerable that I admire and respect. I cry nearly every time I listen to Who Needs Who – which is all the time, lately. If I have a song playing in my head at any time for the last few weeks, it can usually be guaranteed that it’s one of these ten. Even more special is knowing that this music was made by people I care enormously about, some dear friends. It’s always amazing to watch a band’s evolution over the years, but even more so when you know them, when you get to see them consistently here and there. They are still as scrappy and lovable as when you might expect to see them busking on a street corner or playing by the light of a burning trash barrel in an abandoned warehouse, but now they get to tour Europe, and caress and destroy people’s hearts all over the place. I love that so much.
Who Needs Who
All I have: the memory of trust
I try to keep it close
And all I have: the memory of trust
I swallow it whole
And from the mouth of you
A constant coo:
Who needs who?
This title track has been one of the songs that simultaneously soothes and taunts me – a question that I can’t answer. When I try, the answer seems to change daily, to reverse itself, always transforming. It reminds me of something someone said to me recently – I turn it over and over like a smooth stone under my tongue. I’ve been reconsidering the idea of need, the thought the we truly need anything or anyone. The pressure that word puts on us. Needs, wants, desires. Also: before I read the lyric sheet, I had interpreted “and from the mouth of you – a constant coo” as “a constant coup”, – an unexpected blow or strike. Imagine my surprise at the far gentler revelation. Or is it, really?
“Who needs you? With no one sayin’ I do, I do…”
– Without You
Oh all all of the words you said
They flutter around me like leaves in the wind
And oh all all of the words we shared
Are fireflies lighting the night for me
And oh all all of the times we had
I keep them with all my best memories
“Tell Me” is the first single from “Who Needs Who”, the new album from Dark Dark Dark, released October 2nd in the US on Supply & Demand/Revolver, October 1st in the UK/EU on Melodic.
For more info and to order, go to: http://brightbrightbright.com
If you’re not convinced yet, you can stream Who Needs Who over at Stereogum
Track by Track: Nona Marie Invie talks about the stories and inspiration behind each of the tracks on Who Needs Who.
Also in constant rotation for me lately, a side project of Nona’s: Anonymous Choir Sings Leonard Cohen

Photograph by Tod Seelie
Who Needs Who is officially released on October 2nd in the US on Supply & Demand/Revolver, October 1st in the UK/EU on Melodic. The US tour begins the day after – please go see them play, wherever you are. I’ll be at the show on the 19th in Houston, because I’ve got a wedding there on the 20th. Don’t miss them when they play your town! They are marvelous live, and also total sweethearts that you will fall in love with.
DARK DARK DARK FALL 2012 TOUR DATES
Wednesday, October 3rd – Minneapolis, MN – Cedar Cultural Center
Saturday, October 6th – Chicago, IL – Schubas
Monday, October 8th – Hudson, NY – Helsinki Hudson
Tuesday, October 9th – Boston, MA – Great Scott
Wednesday, October 10th – Providence, RI – The Met
Thursday, October 11th – Northampton, MA – Iron Horse
Friday, October 12th – Brooklyn, NY – The Knitting Factory
Saturday, October 13th – New York, NY – Le Poisson Rouge
Sunday, October 14th – Baltimore, MD – Metro Gallery
Monday, October 15th – Washington, DC – DC9
Tuesday, October 16th – Durham, NC – The Pinhook
Wednesday, October 17th – Atlanta, GA – The 529
Thursday, October 18th – New Orleans, LA – Cafe Istanbul
Friday, October 19th – Houston, TX – Fitzgerald’s
Saturday, October 20th – Austin, TX – Holy Mountain
Sunday, October 21st – Denton, TX – Dan’s Silverleaf
Wednesday, October 24th – Santa Fe, NM – Sol Santa Fe
Friday, October 26th – Denver, CO – Hi-Dive
Saturday, October 27th – Salt Lake City, UT – Kilby Court
Sunday, October 28th – Boise, ID – Visual Arts Collective
Monday, October 29th – Seattle, WA – The Crocodile Cafe
Tuesday, October 30th – Portland, OR – Wonder Ballroom
Thursday, November 1st – Santa Rosa, CA – Arlene Francis Center
Friday, November 2nd – Oakland, CA – The New Parish
Saturday, November 3rd – San Francisco, CA – Bottom Of The Hill
Monday, November 5th – Los Angeles, CA – The Echoplex
Tuesday, November 6th – San Diego, CA – Luce Loft
More bits about Dark Dark Dark from Gazette posts of yore:
☛ SAKURA HONEY
☛ PEARBLOSSOM HONEY
☛ FRIENDLY PEOPLE HONEY
☛ EXQUISITE CORPSE – CINCO DE MAYO
Autumn Heralds
by angeliska on September 24, 2012
The Oxblood Lilies are telling me it’s fall now – the autumnal equinox has crossed over us with candles lit, and the scent of burning cinnamon bark. I mean to have a Mabon feast for the Witches’ Thanksgiving, but it will have to wait until I am more sorted out, and until it’s cool enough here for a proper bonfire. This year I sit on the porch with my mug in the mornings and talk to my animals. It is strange to mark this turning on my own, to have no stalwart sweetheart to remark upon the red blooms to. Very strange indeed. Everything is different now, everything is irrevocably changed, but still the lilies spring up like clockwork in the fall. I keep having dreams and visions of blood and massacre, of creatures I love torn apart, red splashes on the earth, pieces of them strewn among the scarlet lilies. Terrible dreams. I am seeking to change where my mind goes – to realign my neural pathways and train my thoughts to follow better roads. It’s hard work. I’m glad this long, brutal summer is fading, but I fear another icy winter in this drafty old house. I’m stretching my arms up to the sky to beseech the weather wraiths for a long, golden autumn – full of fruit and all kinds of abundance.
My friend Del sent this to me recently:
“The first of the day lilies in my yard came up last night, and bloomed this morning. They are called ox-blood lilies. The appear overnight, as if by magic. They are not the ethereal white rain lilies I love, but full lipped and thick hipped blooms. A brown, August empty barren yard becomes rich with red blossom. They cannot be purchased in any store. They come up that first day of fall, when the light changes so subtly that most never notice. It means; comes cool weather; here comes sleep for the tepid green world, and grey wind sends us all indoors to keep warm and make love. I love this red magic plant surprise. I always send pictures of them to good hearts, for a good year to come, and a good year spent.”

Rhodophiala bifida are heirloom bulbs, also called Hurricane Lilies, School House Lilies, or Fall Amaryllis can only be purchased through The Southern Bulb Company:
“Sometimes called the School House lily, these hardy plants frequently make appearances in older neighborhoods of Central Texas. Oxblood lily flower bulbs bloom with a vivid display of several entrancing flowers in the Fall. They are historic and, until now, are almost impossible to buy.”

O, Autumn heralds.

Crimson harbingers of cooler weather.

The garden is bloody with them.

Shrimp Scampi loves them too.

Split pomegranate, silver. It fell too soon from the tree. It’s soon harvest-time, though.
I’ve found poetry to be a great consolation and comfort again – not in the maudlin, clutching way I hunted pertinent phrases and passages down in my youth, but almost as prayers, paeans, mantras. Like this one:
The time will come
when,
with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread.
Give back your heart
to itself,
to the stranger who has loved you
all your life, whom you ignored
for another,
who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
– Love After Love
Derek Walcott
(thanks to Coyopa for this!)

Beauty berry – goblin fruit. They look so delicious, but I think they are not for humans to feast on, alas.
Sisters, I prescribe you a daily reading of this poem in Spanish and English to yourself as you stand naked before a mirror.
I have also prescribed this same remedy to myself.
I have named you queen.
There are taller than you, taller.
There are purer than you, purer.
There are lovelier than you, lovelier.
But you are the queen.
When you go through the streets
No one recognizes you.
No one sees your crystal crown, no one looks
At the carpet of red gold
That you tread as you pass,
The nonexistent carpet.
And when you appear
All the rivers sound
In my body, bells
Shake the sky,
And a hymn fills the world.
Only you and I,
Only you and I, my love,
Listen to me.
————————————
Yo te he nombrado reina.
Hay más altas que tú, más altas.
Hay más puras que tú, más puras.
Hay más bellas que tú, hay más bellas.
Pero tú eres la reina.
Cuando vas por las calles
nadie te reconoce.
Nadie ve tu corona de cristal,
nadie mira
la alfombra de oro rojo
que pisas donde pasas,
la alfombra que no existe.
Y cuando asomas
suenan todos los ríos
en mi cuerpo,
sacuden
el cielo las campanas,
y un himno llena el mundo.
Sólo tú y yo,
sólo tú y yo,
amor mío,
lo escuchamos.
– La Reina / The Queen
by Pablo Neruda

The rain lilies have been blooming constantly – a good omen for this autumn. They make me feel as if, contrary to how things feel right now, that I could find a way to believe in or hope for that last line to be true. I really do want to think so.
How should I not be glad to contemplate
the clouds clearing beyond the dormer window
and a high tide reflected on the ceiling?
There will be dying, there will be dying,
but there is no need to go into that.
The poems flow from the hand unbidden
and the hidden source is the watchful heart.
The sun rises in spite of everything
and the far cities are beautiful and bright.
I lie here in a riot of sunlight
watching the day break and the clouds flying.
Everything is going to be all right.
Everything is Going to Be All Right
– Derek Mahon
Here’s are some songs by Emmanuelle Parrenin that tell me the same:
Ce Matin À Frèmontel (Maison Rose, 1977)
Thibault Et L’arbre D’or
More from days of yore:
FOLDEROL, FALL AND ALL
EQUINOX SONG
Sea Nettle Honey
by angeliska on September 19, 2012
I had the strange realization that it’s been a little over a year now since I did a HONEY post – so long, in fact, that any new readers may not even know what I’m on about here… So, yes – like a little bee, I flit through the arbor of the internets, collecting tidbits of tantalizing information, and the collected pollen of my trawlings end up being sifted into loosely themed posts here. Images, articles, music and snippets of words, that together adhere to a certain tone, and are collated by interest rather than chronology. My sense of time is variable and fluid at best, and thus news items very well be old hat or out-of-date, but intriguing all the same. HONEY posts serve as more than an aggregation of random links, or just my own elaborate filing system for links and bee-log bits that I want to remember, but also – hopefully – as an aid in the pollination of your own curiosity. I try to always accredit everything where it’s due, except in cases where provenance has proven undeterminable. If you recognize a mysterious photograph, and know where it came from, I am always grateful to be informed!

A beautiful still from Karen Elson’s video THE TRUTH IS IN THE DIRT
“Love, love, the clouds went up to the tower of the sky like triumphant washerwomen,.. and it all glowed in blue, all like a single star, the sea, the ship, the day were all exiled together.
Come see the cherries of the water in the weather, the round key to the universe, which is so quick: come touch the fire of this momentary blue, before its petals wither. There’s nothing here but light, quantities,clusters, space opened by the graces of the wind till it gives up the final secret of the foam
Among so many blues-heavenly blues, sunken blues – our eyes are a little confused: our eyes are a little confused: they can hardly divine the powers of the air, the keys to the secrets in the sea.”
– Pablo Neruda

sea horses and ghost house.
☾ I’ve been spending some time meditating on this piece by the amazing Michelle Mirsky – she is one of the bravest people I’ve had the honor of meeting, and I have a feeling I’ll be learning a lot from her this year. Here’s an excerpt:
“I found, one day in my virtual travels, the story of a woman buried for 2500 years high in the frozen mountains of Siberia. Near the end of the 20th Century, archaeologists uncovered her mummified remains. She was 25 years old when she died and heavily tattooed with inks of black and red in the shape of animals and mystical symbols. She’d been buried with a retinue of horses and warrior guards in full regalia. It’s unclear if she was of the noble class—an actual princess—or if she might have been an especially important storyteller: a woman of magic. The idea that those two stations might be of interchangeable importance seemed right to me, and it resonated. I’m neither royal nor magic, but I am a storyteller, tattooed and fierce. I don’t know yet what they’ll say about me, only that I won’t know how it ends. And I know the story won’t be written on my Facebook wall.”
– The Vessel

Girl on the strand

Slim crescent, my sigil: a silver scythe.
Zola Jesus – “Vessel” taken from ‘Conatus’ on Souterrain Transmissions. Directed by Jacqueline Castel.

Snail heart.

Damien Hirst – Requiem, White Roses, and Butterflies

Thinking about what home is. Being home, being your own home. Home is where my heart is. I am home, I am my own home.
☾ Let’s go here soon: Margate Shell Grotto
“The story goes that in 1835 Mr James Newlove lowered his young son Joshua into a hole in the ground that had appeared during the digging of a duck pond. Joshua emerged describing tunnels covered with shells. He had discovered the Shell Grotto, its walls decorated with strange symbols mosaiced in millions of shells. Is it an ancient pagan temple? A meeting place for some secret cult? Nobody can explain who built this amazing place, or why, but since its accidental discovery visitors from all over the world have been intrigued by the beautiful mosaic and the unsolved mystery.”
☾ Left to a Room – this piece by Shamala Gallagher has also been haunting me of late. So good, so true.
“It is hard to sit alone in a room and write poetry because it is an evocation of the more literal scenario: your self in the room with you, where everything she does to hide her terror from the world is transparent and gleaming and failed.
In poetry you are always in the bedroom with yourself at dusk, where you cannot bear to look and you cannot bear to turn away.
It gets so the only time of day you can enjoy is dusk, and it is best when it is long summer dusk and the windows are smeared with rain and green. I cannot bear to sit in a room with myself; I am always longing for another. In the moment of poetry the other you long for is yourself, for all her particulars which are ravenously embarrassing. It is the kind of embarrassment that would break over you as a child walking home in the dark outside a room with lit windows.”
This frog is sitting alone, on a bench, like a person. I’ve watched this video over and over. I never get tired of wondering what that frog’s thinking.
☾ This fantastic article by Nadya Lev over at Coilhouse has been sparking lots of great dialogue about being a person of color in a notoriously pallid subculture: “I am so goth, I was born black.” –

Photograph by Dean Morley
☾ Butterflies boast ultrablack wings – Insects use optical trick to get the blackest black out of dark pigments.
☾ TAXIDERMIED INSECTS SO BEAUTIFUL
IT’S DISGUSTING – By Marina Galperina
I fell in love with Claire Morgan’s work awhile back – especially her crow falling through strawberries piece. She’s brilliant.

☾ African fruit ‘brightest’ thing in nature but does not use pigment to create its extraordinary colour – If I was a fruit, I would most definitely be a marble-berry (Pollia condensata).
☾ The Secret Life of a Society Maven
This piece came out a while back, but I find myself thinking of it often. A fascinating life.
☾ Acid and Gold: The Modern Alchemy of Artificial Gemstones
☾ I can tell I’m going to have spend some time with this one, too – really wonderful writing from Coyopa – Nettle-Eater
“‘I thought you were a wise man,’ she said. I had been practising for wisdom all my life, in secret moments of grandeur inside my skull, and knew less of it now than I had ever. I told her she was elf-shot and that there were skeletons where there should have been only gold light. I gave her the name of a plant that might help. If wisdom has something of saying the right thing at the right time, I am more foolish than the robin, the blackbird or the shrike. She raised her eyebrow at the word ‘elf’ and laughed at ‘skeletons.’ As she left, I told the skeletons to leave her. They shrugged and laughed and tapped cigar-ash on the riverbank. Whether they left or not, I’ll not ever know. I suspect she was one who will be elf-shot again – she had that way of misery about her, sadness stalking her and never faced fully in the underworld of learning.”
☾ Echo Lake – Wild Peace
Drowned in Sound is streaming the new album from Echo Lake, and has a track by track guide to the album by the band. Beautiful dreaminess. A perfect soundtrack for early fall.
Travel Light
by angeliska on September 3, 2012
As someone that has traveled extensively from a fairly young age, I find it a bit absurd that I have long struggled with the art of proper packing. I learned the hard way, pretty early on, that whatever I took with me on a trip was what I’d have to lug around myself, and that I have a terrible tendency to also find (and acquire) all sorts of treasures on my travels. You’d think that trekking around Asia (Hong Kong, Macau, Thailand and Bali) as a teenager, and touring Europe every summer for a few years with my octogenarian grandfather would have taught me these lessons. Alas, no. Instead, there were frantic searches for baggage carts whilst wrestling with my Grampa’s portable wheelchair and trying to not look like such obvious pickpocket bait in crowded Italian train-stations. There was the time I took a three piece set of blue and white vintage Samsonite luggage to Amsterdam, only to realize that there was no way for me to carry it all myself up the stairs at Centraal Station amidst swarms of keen-eyed junkies, nor did that surplus of baggage carry anything at all practical or warm for a freezing spring in the Netherlands. I think I had packed mostly velvet dresses, elaborate corsetry, art supplies and books. I had just graduated from high school, so I suppose I get a pass for being ridiculous. I always overpack (often grotesquely), and generally wear very little of what I actually bring. I never end up having much time to make art, write long letters, or read the stack of books I insist on filling my bags with. Someone once told me, “The less you bring, the happier you’ll be – and after all, if you forget something, it just gives you an excuse to go shopping!” These words are truth. I’ve tried to make a rule of not taking anything that needs mending, is uncomfortable, or anything I haven’t worn in a long time. I have a block about packing correctly for the temperatures of wherever I’m going, though – just assuming that if it’s blazing hot in Austin or New Orleans, it couldn’t possibly be otherwise anywhere else. My brain doesn’t understand cold weather very well, and I’ve only recently managed to figure out proper layering. Summer means hot weather, period – at least in my mind, it does. Imagine my shock at finessing myself shivering while I hunted for sweaters and scarves in Denmark in July!
As I’ve always aspired to live the life of a jet-setting world traveler, mastering pro-packing is a skill I’ve been trying to improve at for years – and though I definitely have made enormous progress with my technique, I feel that during this recent month long cross-country adventure, I really managed to get closer to nailing it. One of the obvious first steps is finding good luggage. I never bothered to do this, ever, really – because although I have good taste, I’ve always generally been rather poor. Any good luggage out there that I’d actually want is usually vastly out of my price range, so I usually settle for some Chinatown dreck, or other people’s hand-me-downs. My main issue with spending money on anything that I intend to have and use for a long time is that I want some assurance of the quality, the work that went into it, and the spirit behind it. That’s why before I left on my journey, I decided to buy a full set of my friend Christopher Franks’ beautiful handmade bags.
There’s something very powerful and amazing about using something everyday that was made by someone you know and care about. I met Chris right after I moved back to Austin from New Orleans, post-Katrina. I was pretty broken and raw, and feeling like a stranger in my own hometown. I happened fortuitously upon the inception of what would become one of Austin’s longest running and most beloved monthly dance parties, The Second Sunday Sock-Hop, back when it used to be held at the Longbranch Inn. They’d shake baby powder on the floor, and people really would kick off their shoes and slip and slide around to the old soul records. I met Chris mid-boogie, finding myself suddenly shaking a tail-feather with this skinny elfin guy with a giant beard and even bigger smile. Normally, I’m not big on dancing with people, especially fellows to whom I am not yet acquainted – but I had so much fun getting’ down with this man that looked like a human dandelion! When the song died down, he introduced himself, and was super friendly and had awesome energy. From that night on, I would always run into Chris on the dance-floor, or selling his leather and cactus jewelry on the street, and whenever I did – he’d always put a smile on my face. He truly is one of those magic people who light up a room when they walk in, silly as that may sound. He is very genuine, and genuinely happy. I sort of regard him as a touchstone – someone I could count on being a source of positive, unabashed good vibes whenever I found myself adrift in an unfamiliar sea of disaffected, too-cool-for-school hipsters at a party or show. It’s hard to explain, but I always feel a sense of relief, kind of an instant relaxing in my chest around Mr. Franks – which I think calls back to a time when I felt super awkward and dislocated after quitting smoking (hello, return of adolescent social anxiety!) and finding Austin very transformed by money and youth culture.

My travel bag essentials: backpack, hip-pouch & purse all handmade by Austin’s own Chris Franks of X-ray Love.
I discovered that Chris was making bags when I was immediately drawn to an extremely alluring rucksack calling down to me from a high shelf at Charm School Vintage. I think I carried that sucker around for half an hour, hugging it to my chest and trying to figure out how I could budget in making it mine. A few months later, I saw one of the hip pouches from the same line, (being modeled on the maker’s own narrow frame) and knew I could wait no longer! I had to have all three bags to take on my adventures: the backpack for my laptop and books, the purse for everyday use, and the hip-pouch for shows, parties and Dollywood! It just wasn’t even a question after I really thought about it – these are practical items that I knew I’d get a ton of use out of, made by the hands of someone I respect and adore, and made damn well. All X-ray Love bags come with a lifetime warranty, which I think is fantastic, because I tend to be pretty rough on my stuff! I was excited to put these babies to the test during a month of cross- country travel and see how we got along… To sum it up: I couldn’t be happier. The print seems to go with anything, and I feel happy carrying them no matter how fancy or slummy the occasion. This has always been an issue for me when buying purses: I just want a solid, well-made attractive bag that suits me no matter where I end up. The ink-stained canvas army bags I used to carry were slightly embarrassing in a nice restaurant, and some expensive leather designer purse covered in dangling tassels and what-not just felt idiotic when hanging out at an abandoned train-yard or dive bar. I’m not paying hundreds (or ugh, thousands!) or dollars for something that could end up getting set down in a puddle of beer, or that flashes a neon “ROB ME” sign like a beacon in the night. I tend to have exploding pens, weird pockets of leftovers folded in tin-foil (yes, I’m that lady), and handfuls of flowers, seeds, leaves and who knows what else stuffed into my purse at any given time. It’s gotta be utilitarian enough to handle my nonsense, but attractive enough to look right with whatever nonsense I’m wearing. I have to admit – I was slightly apprehensive about the smaller size of the purse. It’s not tiny by any means, but given that I tend to haul around a bottomless abyss that would put Mary Poppins to shame, I wondered if I could really cram everything I might need into such a comparatively petite package. I’d always played around with the idea of forcing myself to carry a smaller bag, and thus limiting the amount of random stuff I tote it around all day. The reality is: if I can’t fit it into this purse, I probably don’t really need it. Wallet, keys, a compact, a pen, a little journal, my phone, and only an essential selection of cosmetics. This is the least stuff I’ve ever carried with me on a daily basis, and I have to admit it’s very liberating. I used to joke that if I didn’t carry a giant purse as an anchor, that I’d probably just float off into the stratosphere. But I’m finding myself more grounded than that lately, and I don’t need a bunch of useless weight to keep my feet planted firmly on the earth.

Mr. Franks is all about the beautiful details, and about not only developing an independent and hands-on approach to every aspect of creation and production, but also generously sharing information about his techniques and process, including his method for making waxed canvas – How To Wax Canvas. His story about that process is pretty fantastic:
“I had about two yards of brown waxed canvas that I found at the Blue Hanger in Austin. It’s glorious fabric. If you’ve never felt it, write me and I’ll send you a swatch. This is the fabric that a cowboy’s duster is made out of, the fabric which sailors slicked themselves in against raging gales, and the evolution of a fabric found to excellently sail-worthy for keeping sails dry, yet holding wind better than the dry, yet untreated, fabric of sails alone. And I’ll tell you this: it’s damn hard to come-by! Only one main company makes it in the U.S.A., and maybe 3 internationally. The American company Fairfield Textile has been making it since 1838, but keeps their recipe and method a closely-guarded family secret. Well “heck to that,” I say!
When I got close to running out of my small quantity of waxed canvas (enough to make about 41/2 backpacks) I knew it was time to figure out a way to make it, or a way to get it. Well, if you know me, you know I’m more of a “way to make it” kinda person. To be fair, I researched the ways to “get it,” and found the offerings to be expensive and secretive in the ways of MSDS’ and ingredients and recipe, and didn’t like any of that. I knew from research that waxed canvas was simple enough to be created by the addition of oil (as it was in the early days), and only as complicated as the addition of waxes to improve the mixture. What’s the trick, then? If it’s so simple, then why is it so expensive and rare? I’ll tell you why: application and impregnation.”
X-Ray Love also offers a Lifetime Warranty on all bags, which I think is really wonderful – and a true testament to the honestly and open spirit Chris puts into his products. Oh, and – snakes really like them, too.

The amazing gold cross fabric is designed by Terrie Mangat, and comes in black, vibrant red, aqua, and a beautiful cobalt. They are all so gorgeous, it was really hard to choose, but of course black makes the most sense for me… Terrie lives in lives in El Prado, New Mexico near Taos, and Chris stumbled upon her beautiful fabrics in a local shop there. Here’s his story about finding the source of this special material:
“I had just arrived in Taos, New Mexico, just got my first wholesale account in Salida, Colorado, and had just made a trip to deliver those first 5 wholesale backpacks to the store in Colorado. When I returned to Taos, everything was moving and changing: Me, the friends I was living with, the mountains and the energy. It was all intensifying, literally steeping and steepening with elevation. My friends moved to a beautiful but aging adobe in the Mountains in San Cristobal, and I found a tipi at the base of the mountains in Arroyo Seco. It was in this Tipi that I started producing my line of backpacks as most people know them.
I wanted to find the “it” fabric that would accent my line in just the right way: something cosmic, yet earthy, spiritual, yet abstract and astral. I began to search as I set up shop in my tipi. Exploring different fabric shops in Taos and Santa Fe was really fun, as there are plenty of interesting textiles one doesn’t see in many shops outside of New Mexico. There were many great southwest prints of course, ikats, and woven fabrics. I visited most of them at least twice, and kept returning to the crosses and zig zag prints by Terrie Mangat. They are actually part of the same collection! These two styles of prints had the kind of balance and personality I was looking for, and I chose several different color motifs of these prints to make my first line of bags. I made up 5 backpacks and 5 hip pouches out of some different color motifs of these prints, took them to the Renegade Market at the Gorge Bridge outside of Taos, and had a great response on the first day out!”

Travel essentials. One month on the road. My attempts at streamlining:
The gold glittery Austin National Bank Bag holds half of my toiletries.
The kitty crescent moon pouch holds headphones, five cobalt blue dice (for dix-mille!), spare change, and nail clippers.
The blackcurrant pastille tin holds jewelry and hairpins.
A packet of Carta D’Armenia from Santa Maria Novella is for burning in musty hotel rooms and stanky cars.
I brought my trusty travel Canon S90 along, but have been neglecting it terribly in favor of my phone camera, and the addictive interaction provided by instagram. For shame, eh?

The word toiletries always cracks me up. TOILET TREES!
I also love travel sized unguents – irresistibly itty bitty bottles and tubes!
This is the stuff I use every day when I’m on the road:
Marvis Jasmin Mint toothpaste – best toothpaste ever. It’s made for fairy princesses.
Coconut Sunstick
Weleda Skinfood
Almond Dr. Bronner’s
Coconut Deodorant powder and Aromaco deodorant (in the tea-tin) from LUSH –
this is been the winning combo for me, armpit-wise. Best smelling, and very effective!
L’Artisan L’Eau D’Ambre
The shiny beetle-green travel clutch bag is from ASOS, and I’m extremely fond of it.

So, this is me traveling light – please note: these bags are way huger in reality.
One is a London Fog rollie given to me by Mlle. Verhext on my last trip to San Francisco (the handle broke right after she got it, so they sent her a new one! I fixed her old one with cinnamon dental floss – good as new!) This, and the American Apparel carry-all hold all my clothes. It’s kind of awkward, but mostly works until I can figure out something better. The carry-all slings on top of the rollie, and is precarious, but I can manage. Backpack and purse slung over my shoulders, and I’m on my way, sans baggage cart.

One more travel essential: this hieroglyphic print tote that folds into a little pocket pouch. I use this thing constantly, & am always asked where I got it – at the Met gift shop! I think you can get ’em online there too. Totally ndispensable (if you’re a bag lady like me).

I got my boots shined at the Denver Airport a while back by a very nice gentleman.
I never had my shoes professionally shined, and given how much I wear them, and how travel-worn they get, it’s good to give them some love from time to time. Plus, it was a really pleasant way to kill some time during a layover. I always travel in these cowboy boots – they easily slip on and off, and they’re among the most comfortable shoes I own. I just can’t stomach wearing insane heels to travel in. I know that some like to travel in the utmost style, and I respect them for it, though I also find it kind of baffling. I generally am wrapped in several layers of soft black or grey jersey, because planes are always freezing, and leggings so I can fold myself into a coach-sized pretzel in my seat without being too vulgar. A friend of mine commented that my travel essentials are like “if Cayce Pollard had a bag of glitter…” I kind of wish that were true – though Cayce would shudder at any of this stuff being labled, and no doubt would intolerant of sparkle of any kind.

On that note, my final travel essential: the perfect book. I finally got to dig into Distrust That Particular Flavor by William Gibson, and it’s been the perfect companion on long train rides and dreary flights. What do you always travel with? Got any good travel/packing tips for me? I’m still figuring this out, and would love to get even better at it. Lay your road-wisdom on me, wanderers.
August Gifts
by angeliska on August 20, 2012
I found this little bird on the ground in my yard, at the end of a particularly hard day. I cradled him in my hand and brought him inside. He looks like I’ve been feeling, lately. I’m so thankful for all the distractions and wonders of travel, and for being surrounded by excellent friends on these adventures – but when I draw back to look at my heart and what’s going on inside it, this is what I see. A hollow dried husk of something that once fluttered and flew, a tiny broken thing that once sang sweetly. I can’t imagine not feeling this way right now, though friends assure me that one day I’ll heal from this, that my heart will beat and sing again. It’s hard to believe them. I came across these words today, and they stuck with me:
“There is no greater power than the acceptance of loss.”

If I can find a way to stand this, to bear this feeling in my chest that howls and sobs that everything is falling apart, that I’m losing everything – if I can manage to be in that place of loss and fear and let it crash over me like a tidal wave, then maybe I can believe that. I may be intact, and I may find that power in letting go completely, but this will change me, in ways I cannot yet predict. I will not be the same woman. I will be a different kind of bird entirely.

Before I began this journey, I was blessed by the opportunity to join with a small gathering of some of my favorite ladies for an impromptu full moon Lammas ceremony. We cast and released the threshings & new seeds into the fire, bathed naked in moonlit clear water under tall trees. Were purified by sisters, sage & song, tears and tales. Circles of hands and dancing in spirals. I went to sleep late with my hair smelling of woodsmoke & silver. My animal brain kept thinking something was burning all through the next day. I tried to let so much go in that fire. I’m still trying.

We have two full moons this August – a blue moon on August 31st. I hope to be by the ocean for it.
During the Lammas circle, I threw the things I wished to let of into the fire: I released my sorrow into the air, my tears turning to steam as they ran down my face. I asked the universe to help me with these losses, and to teach me how to bring more beauty and abundance back into my life. I asked for a bit of a break, and I asked for some kindness. The next day the postman brought me a parcel containing the sweetest and most thoughtful gifts ever – from a very kind and magical lady named Karen. To have such sweetness bestowed on me, (and especially from someone I haven’t yet had the pleasure of meeting!) touched my heart more than I can properly express. I opened each colorful and lovingly wrapped little cadeau with trembling fingers and a sense of wonder and joy. It was truly one of the most marvelous parcels I have ever received – the care that went into choosing and preparing each little treasure was incredible. I was blown away by how perfectly each thing suited my taste – as if chosen by a friend who had known me for years! I felt completely humbled by such a random act of kindness. Want to see what was inside? You know you do:

Magic flower teas just entrance me: I can’t wait to have a tea party & watch these beauties bloom! I love their names so much: Moon Glow, Princess Flower, Wishing Star, Morning Dance, Blooming Richness, & Color Blazing!

Such incredible bounty from a kind heart: dragonfruit tea mints, cedarwood & mandarin balm, quince + apple honeyginger jam, stripety socks, liquorice persimmon & cactus pastilles, a hand carved juniper wood salt spoon, copper & silver rubber duckies, octopus eucalyptus + mint + anise soap, peacock tissues for tiny tears, Vulcan bat matches, a Nancy Drew journal, a wonderful fairytale book, an amazing mix cd, a red glass heart and little monkeys!

I really, really, really love unwrapping little gifts. I mean, I’m sure most people do – but I just get totally overwhelmed with excitement like a little kid at Christmas… I think there’s such magic in a thoughtful gift, such surprise.

I love giving presents just as much – and get just as excited by choosing, wrapping and giving the perfect little thing as I do in receiving. I adore birthdays – but most especially I love no particular reason gifts (mostly because I get too excited and have a hard time waiting and saving a present for a holiday. I also tend to lose them in my house…)

Karen, if you’re reading this – thank you again! Your wonderful gifts have brought me so much happiness.

August – from Dame Darcy’s excellent calendar. I’m grateful that this insane summer is nearly done. The New Moon in Leo is teaching me some things, too. Strange to think that my journey began on August 6th, and won’t end until September 6th. I don’t know what exactly I’ll be coming home to, or who I’ll be then, but at least the days will be getting shorter, the nights cooler. Turnings and turnings.

