Magic Windows #25
by angeliska on September 21, 2011

All dolled up in mermaiden pearls for Enchantment Under the Sea, Dances of Vice’s 4th Anniversary Celebration.
It was my very first time to attend Dances of Vice, though I’d been wanting to go for years!
Shien (the mastermind behind the magic) is such a perfect hostess, and puts so much thought
and love into creating these incredible events. If you live in New York, you had better go!

I love this sketch Adriano Moraes did of Jeff Wengrofsky and I that night.
I remember feeling so perfectly and completely happy while standing there near the doorway, being sketched.
I could see all the guests coming down the grand stairway at Morningside Castle, all in their finest frocks and
sharpest suits. Something about people-watching with permission to be silent and still in the mad throng of that
beautiful party, all while being watched and taken in so intently by an artist making the magical transference
between eye and hand, hand and pencil, pencil and paper. The moment was captured in more ways than one.

Portrait within a portrait.

I had an amazing meeting of the minds with Gerald Busby, a brilliant composer and truly wonderful man
who lives in the Chelsea Hotel. You’ll be hearing more about him from me soon – he’s amazing.

Gerald instructed me to go up to the top floor and walk down the stairs. So glad I did.
It was such a gift to be able to wander the halls of this grand old dame who gave
shelter and succor to so many artists and heroes of mine. I could feel their shades
dancing in the halls, their footsteps echoing. I made a wish that the Chelsea will
continue, will not be robbed of her spirit – though she is being mercilessly robbed
of her art and her tenants. What spirits will be left when they are all gone?

“TO THE PURE, ALL THINGS ARE PURE”
I took a wrong turn looking for Gerald’s apartment
(I should’ve just followed the music!), but I’m glad I
did, because I happened upon room #528 and its
perfect message. It reminds me of being in Rome
with my Grandfather. We were in Madrid, on one
of the last days of what would be our last trip together.
We had gone to the Ermita San Antonio de la Florida
to see Goya’s Sistine Chapel and final resting place,
and I remember both of us were so, so happy that day.
We gazed up at the gorgeous domed cupola depicting
the miracle of Saint Anthony, and all the angels and fat
cherubim gamboling below and just drank in all that beauty,
that light. I asked him then, “How did we get to be so lucky?”
and he replied, “Because our hearts are pure.”

A detail of some as of yet unstolen art from the Chelsea Hotel.
Not sure who the artist is. Fill me in if you know…

From a mural at Petite Abeille, where I had a delightful
post-earthquake brunch with some of my favorite fancies.

Goat girl phone doodle.

I loved this gargoyle/green man who ornaments an apartment on the prettiest street in Crown Heights.

Subway serenader. He also played erhu.

This is Lola. She is one of my favorite people.

This is one of her toys, which she let me play with.

This is ostensibly the pleasant goat. But where is the big big wolf?

I finally found the intersection of Waverly Place and Waverly Place,
stumbling up it alone, by chance, late on my way to dinner one muggy
night. It would have been better if it had been snowing, and silent – like
in Veronica, but at least it exists. People had told me that it didn’t. It does!

The nothing is coming – unicorns unite!

Morning, glories.
Double Rainbow Honey
by angeliska on September 14, 2011

♥ Lisa Bettany shot this amazing photo of a Double Rainbow Over Manhattan after a recent storm in NYC.
In order to counter some of the disaster-fraught gloom looming ’round these parts of late,
I’ve ordered up a double helping of moonbeams and rainbows, liberally sprinkled with
some of my favorite faces to help dispel the lingering funk. Plus, I haven’t even had a
moment to warble with joy about how wondrous my recent NY visit was – unlike my
last visit there (which was not the rosiest or easiest excursion ever, alas) it seemed that
this journey was blessed from the start by some lucky star. Despite a few really insane
travel misadventures, everything came together swimmingly, and I got to spend time
with so many dear friends who I had not seen in far too long! Speaking of…

I got to visit with Gala, whose sweet face I had missed so much!
It was so, so good to spend some time with her – I wish I could
be back in NY celebrating her birthday RIGHT NOW! It’s today!
(Well, yesterday probably, by the time I get this posted…)
Many happy returns of the day, sugarbomb!

We made an eye-dazzling superhero duo in our retina-scalding get-ups.
I covet that delicious neon coral lace skirt from ASOS, fervently!
♥ Also, muchas felicidades to her and her bridegroom: MK + GD Forever!
– this makes me soooo happy! I can’t wait to meet the lucky fellow!

We lunched with Miss Mer at Veselka on fuschia borscht & pierogies,
followed by crack pie from Momofuku, which sent us all into diabetic
comas immediately. That stuff is hardcore, y’all! There’s a reason it’s called CRACK PIE!

Me + Mer = giant ♥

I had an incident with the gorgeous almost-Yves-Klein-blue dress Tamera sent me,
getting into a taxi. My abundantly callipygous posterior split the dang thing from
here to Saskatchewan! Luckily, the ladies accompanied me to Trash + Vaudeville
for some emergency superhero underpants in metallic teal to protect my uh, modesty.

Another marvelous woman born on September 13th – Miss Molly Crabapple,
who never ceases to amaze me with her work. She just completed her Week In
Hell, during which she locked herself in a hotel room with white papered walls
that she managed to completely cover in her drawings. My motto lately has been
“Where your comfort zone ends, life begins”, and Molly really put that to the test
with this project, testing her endurance beyond its limits, beyond reason – just to see
what could happen, what could be created. The lady’s a huge inspiration to me,
and to so many artists out there. I don’t think I’ve ever encountered anyone with
such intense FOCUS. She’s admirable, formidable, wonderful, and incredibly lovable.
♥ Here Is Everything I Learned in New York City
by Sarah Hepola
Cabbies Are the Greatest People on Earth, at Least for Fifteen Minutes
Thank you to Gala Darling for pointing me towards this article!

Rainbow saris, source unknown (let me know if you know the provenance for this
and the other mystery images here – I had no luck looking on Tin Eye, alas.)
Please, please, please take a moment to watch this incredible interview with my friend Altercation.
She just blows me away, y’all – and always has. We both moved to New Orleans the same year,
and I remember seeing her singing mournful murder ballads in a chiffon robe with her breasts exposed
and a beehive wig, from a tiny wrought-iron balcony on the side of the old Winter Palace. I remember
the first time I saw her shake her ass, and stood there, jaw dropped – hypnotized by that rolling motion.
I didn’t know an ass could move like that! I was there with her and Rusty and Freedia and Nobby for that
first bounce show in New York in 2009. Who knew then where all this would go? I’m so glad that she teaches
this dance to people, and that she asks people to think about it, to talk about it. She’s fucking brilliant. I love her so much.

Rainbow clouds, source unknown
Lio – Banana Split
“Ça me déplairait pas que tu m’embrasses
NA NA NA – Mais faut saisir ta chance avant qu’elle passe
NA NA NA – Si tu cherches un truc pour briser la glace
BANANA BANANA BANANA
C’est le dessert
Que sert
L’abominable homme des neiges
A l’abominable enfant teenage
Un amour de dessert
BANANA NA NA NA NA BANANA SPLIT
Les cerises confites sont des lipsticks
NA NA NA – Qui laissent des marques rouges sur l’antarctique
NA NA NA – Et pour le faire fondre une tactique
BANANA BANANA BANANA
Baisers givrés sur les montagnes blanches
NA NA NA – On dirait que les choses se déclenchent
NA NA NA – La chantilly s’écroule en avalanche
BANANA BANANA BANANA”

Photo by Clayton Cubitt

Photo by Clayton Cubitt – In-camera Dichromat Homage, Dorotheenstadt Cemetery, Berlin, 2007
♥ My friend Jennymarie Jemison has been working on this web series about life in the offices of a sex toy factory:
The Flesh Life – You Know You Want to See This
♥ Sex on the brain: What turns women on, mapped out
♥ I’m feeling this article by Susannah Breslin on Unemployment/Self-employment.
As terrifying as it can be to step on the limb of only doing what you love, and trying to sustain yourself
on what you make doing that, I have to say I don’t know if I could ever see myself going back to a “job-job”.
I’m pretty determined to make this work – go big or go broke, man. Just hopefully not both!
I prefer Hunter S. Thompson’s maxim: “When the going gets weird, the weird go pro.”
♥ Austin’s Planned Parenthood Loses State Funding – What fucking dark age are we living in, y’all?

One of Alphonse Mucha’s exquisite stained glass windows in Prague’s St. Vitus Cathedral.
♥ Spellcaster and Earth Angel…Angeliska Polacheck a sweet interview with me from the lovely Celeste Quesada
♥ A beautiful article from The Paris Review about Frida’s Corsets by Leslie Jamison
“Sadness is green as well. Also leaves and the nation of Germany. She has an entire vocabulary of color. Brown is mole and leaves becoming earth. Bright yellow is for the undergarments of ghosts.”
♥ I had the pleasure of meeting Miss Katelan Foisy during my visit to New York – I’ve been watching her hand-painted
tarot deck blossom card by card, and was so excited to see her latest work, featuring Baby Dee as The High Priestess

Babies can’t eat kimchee! That’s the look on my face when I smell kimchee!
Hate the stuff. Korean food is my favorite, though! Just not that part…
Handmade Portraits: YOKOO
♥ I love her. Thank you to JL Schnabel for sharing this.
“There is only the slightest chance that you might cross Yokoo’s path in the streets of Atlanta, Georgia.
Holed up with the quiet company of old movies, she knits about 15 hours a day. Running a one-woman knitwear enterprise from home,
Yokoo is an artist, a perfectionist and a “total control” worker. She enjoys being a part of the entire process: thinking, designing, sketching,
picking up the material, creating, photographing, promoting, trading and sending. She still gets butterflies every time she packages up a new order.

Kalash women. One of my favorite photographs. Still not sure who took it.
♥ 5 Views of East Side Show Room from the delightful Miss Tolly
One of my Austin favorite restaurants, written about lovingly by one of my favorite Austin blogger ladies.
She also came to Vintage Vivant recently, and wrote this sweet piece about her hijinks:
Meet me at the speakeasy, buy me some giggle water
♥ Why Lying Broken in a Pile on Your Bedroom Floor is a Good Idea – Akhilandeshvari, The Goddess of never not broken – by Julie (JC) Peters
There’s No Place Like Here: Brazenhead Books from Etsy on Vimeo.
♥ I meant to make a pilgrimage here, but there was no time! The Secret Bookstore – Brazenhead Books
♥ I want to visit all of these one day, too:
10 Unconventional Bookstores For Your Browsing Pleasure
Dreams of Fire
by angeliska on September 6, 2011
More than 60 fires have erupted all around my city. Over 500 homes have been consumed by flames.
Recently, I dreamt of fires erupting in my ancestral home, the home that my great-grandmother,
and my grandparents lived in. My mother died there. My aunt and uncle live there now. I watched
in horror and shock as the fire erupted, the rafters, the walls all draped in sheets of flame. I put them
out with my hands & a rug. I had never dreamt of fire like that – always water. Floods, tidal waves.
I noticed the second fire burning behind me while looking at myself in the mirror of my grandfather’s
armoire. I put out both fires. Calling 911 was ineffective, I couldn’t manage to dial it correctly for some
reason. I was forced to deal with it on my own, and somehow managed to stave off total destruction.
The rafters afterwards were blackened, but the house was more or less intact. Still standing.
I was searching for the symbolism in this, thinking the fire represented repressed passion.
Maybe so, but now it’s hard not to see it so much more literally. That little stone house in
Lone Grove houses all my memories, all my most beloved ghosts. Llano County has been
dry as a bone for a long time now. I’m praying the fires will stay away from there. From here.

I know people who’ve been evacuated now, and some who’ve lost their houses, lost everything they had.
I’m trying to help organize to get them what they need, so if anyone is interested in making donations, let
me know. The volunteer line isn’t accepting any more help fighting the fires (which makes no sense, because
none of the blazes seem anywhere close to being contained.) However, there’s still lots to be done. If you live
in Texas, and have the ability to foster or adopt a cat or dog, I can tell you that the shelters are stuffed full,
and desperately need help. If you are able to donate to the Red Cross of Central Texas, please do.
How You Can Help Fire Victims: Donation Locations & What To Donate
+ more: Help for fire victims

(Photo by Lizzie Chen for KUT News.)
As the Bastrop wildfire continues to spread, hundreds of families are seeking help from Red Cross
and other shelters in the region. This family from Bastrop was at a local shelter around 1 a.m.

I had a moment about an hour ago, where the thing I had been trying to block out all week
was suddenly staring me down with a gaze as black and pitiless as a shark’s or a dog who’s
had all the love beaten out of it. I’ve found myself kneeling on the edge of that abyss not a few
times in my life, but usually I have more preparation when finding myself faced with that long,
dark tunnel, the double barreled shotgun that is utter loss. The total, final, irrevocable taking
away of all that you love, loved. Usually there’s time, usually I’ve known it was on the way – my
face having time to adjust into that ugly silent scream, that endless echoing rictus of NO.
An hour ago, it came upon me in a different way – sidling up along side of me, a dark shape,
a phantom creeping at my peripheral vision. My mind’s been batting it away gamely, all through
this beautiful, strangely cool singing afternoon. The most gorgeous, perfect day we’ve had in
weeks, months. Every minute, I’ve been trying to keep thoughts of the fires at bay, going through
my to-do list systematically, attacking it with a fervor. Keeping myself from thinking about the possibility
of doing that one thing I want least to do. And then, without warning, here it is – standing in front
of me, that beast who says in a voice closing down on you like an iron gate,
“I’ve come to take it all away from you. There’s nothing you can do.”

The idea of packing that bag, of seeking out the most important objects, the things that you would
save from the fire, from the storm – makes me shut down. I think I actually passed out when I started
even going there, like Tony Soprano having a panic attack. In fact, maybe that’s what’s happening
to me now, in slow motion. My joints feel like they’re full of rust. Locked up, confused between fight
or flight. Sand for blood, rabbit heart. Every nerve is shrieking, “Run, run, RUN!” and instead I curl
up into a ball and go somewhere else for a while. At this moment, it isn’t any better, but if I keep
writing, I can keep the buzzing of anxiety down slightly. It’s like I’ve been living suspended in amber
for eons, and now time is speeding up, moving backwards, becoming sludge from stone. I’m wiggling
one leg free at a time. This is what happens when you’ve already been through this. This is what I’ve
been fighting for the last six years, but it can sneak up on you. I’ve noticed for awhile that I get anxiety
for about half an hour, almost every time I leave the house. The series of questions flood my brain: Did
I lock all the doors? Put the dog in her crate? Turn the stove off? Blow out the candles? Shut the window?

The threat of imminent disaster short circuits my brain. It activates the damaged part that knows forever now
that no house is safe, that the idea of home as a fortress protecting you from the evils of the world is nothing
but a cherished illusion. I’ve lived in a half-gutted house for years now. Most of the rooms don’t have walls,
or ceilings – just bare framing strewn with fabric, fairy-lights, tree branches. This, for a person who loves the
idea of home, who falls in love with houses, who loves entertaining, and who works from home – well, let’s
just say it’s less than ideal. I’ve seen my homes now burst open, ripped apart, deconstructed down into their
base parts. I understand now how fragile an idea home is – how fallible our buildings are. Every time I hose
down an anthill and watch as the fire-ants scramble in the ruins of their earthen compound, I feel a pang.
I know what it feels like. It’s just been too much this week, really. I’ve been directly affected by a slurry of
last month’s natural disasters, and those combined the two catastrophic anniversaries has gotten me into
a state of end-times fear-fever. The media, of course, is not helping. I’m tired of thinking about it, I’m tired of
writing about it, I’m fucking tired of it always being so close to home. Is anywhere safe? Is there anywhere
in this whole goddamn world where I could go and not worry about having my life destroyed by a storm
or a fire or an earthquake? Maybe not. This planet is trying to tell us something, and our ears are still plugged.
I’m trying fervently not to indulge too much in scenarios where I run off naked to go live mud-covered in a cave,
but it ain’t easy these days. Could I find home cradled in a curve of rock, a bare ridge where there’s shade and
water? Maybe if everything were stripped back again I could walk off into the hills, forget my name, start again
like a newborn animal, a feral child who forgot her mother tongue. I’d really rather not, though. Just let it rain.

Let me say that at this moment, we’re not in any immediate danger. The fires are still miles and miles away
from us, and the air isn’t hazy here, though my throat is burning like I’ve been sleeping in a smoky club.
But it’s close enough, and it’s moving – jumping highways and rivers and nothing seems to be stopping
it. If the winds calm, and no one flicks any cigarette butts, I think we’ll be fine. I have to keep reminding
myself to let go of the fear that tracks me, to learn to evade it stealthily – lest it sniff and my heels and
catch me unawares again. I’m working on it. To just sit here breathing slowly. To let that be enough.

“The skyline was beautiful on fire
All twisted metal stretching upwards
Everything washed in a thin orange haze
I said, “Kiss me, you’re beautiful –
These are truly the last days”
You grabbed my hand
And we fell into it
Like a daydream
Or a fever
We woke up one morning and fell a little further down
For sure it’s the valley of death
I open up my wallet
And it’s full of blood “

Exquisite Corpse – Pharaonic Photobooth
by angeliska on September 1, 2011
I’m just back in from my travels, and getting ready for Exquisite Corpse tonight,
but thought I’d take a minute to post some photos from last month to amaze + inspire…
Also – holy shit, look at this:

If I ever do another Egyptian themed Exquisite Corpse again, I know what I’m wearing!
From 2004 Christian Dior Haute-Couture – thank you to Gala Darling for this one!

I cannot even handle Amelia’s next level googly eye game. She blows my mind so hard. Dang, girl! She don’t even mess around!

Iana + David

Norah

Katie

Stephana

Sassy + John

Devaki made incredible photo magic once again! This is definitely my favorite
Exquisite Corpse photo set yet! Brilliance. Plus, everyone turned it OUT!

David

So amazing. Can’t handle.

Dustin

Colin

Royal family portrait!

I want to put them in my pocket, please.

Why are all my friends so amazing? But, really!

Fiona + Jonny – copper moon children

Frannie

Charlie’s Angels got nothin’ on us…

Jen + Melissa

Chad

Antony + Cleopatra

DJ Pasht Moon

Pasht + Devi

Jen + Summer

Blue, Ashley and Matt

Lau + Justin

Jackie + Norah – this is how the night always ends…
Hot bitches rollin’ around on the floor!
6 Years On – Fragments + Wet Feathers
by angeliska on September 1, 2011
This year there’s just too much, too much to write, to say, to show –
it’s all disjointed fragments that don’t quite fit together, scrabbled here
and there over the last few days of travel. It ain’t much, but it’s what I got.

“The Water Is Rising” by Amy Earles
Amy sent this to me after the storm, because it made such a huge impression on me.
It was such an amazing thing to receive in the mail, especially from a total stranger –
and it marked the beginning of our friendship. It captured so much of what I felt then,
the ominous feeling of leaving, knowing the water would rise, and that so many would
stay behind, and be trapped in their houses. I don’t dream of tidal waves anymore –
now I dream of floods, inexorable, consuming water that just gets higher and higher.
Glory At Sea! from Court 13 on Vimeo.
A group of mourners and a man spat from the depths of Hades build a boat from
the debris of New Orleans to rescue their lost loved ones trapped beneath the sea.
Just in case you never saw this, or even if you did – it’s so beautiful, it bears
watching again. I cry and cry every time I see it. Keep an eye out for their
new film, set in the swamps: Beasts of the Southern Wild
My Katrinanniversary was spent in the following ways:
I escaped New York and the Hurricane Irene fear-fever by the skin on my teeth, at 4am
in a hail of bullets & falling corpses, our valiantly diving through the swiftly closing doors of the last
train out of Armageddon (in a rubber jumpsuit, natch.) Okay, not really – but it was pretty crazy.
I just barely made my train out of the city because of a shooting at the stop before mine & a suicide at
the one after. End times were preemptively in the air, making everyone extra crazy. The air was a sodden
fug of unease – dead still & flat, so heavy and too quiet for that big city. Having evacuation flashbacks in NYC
was surreal and unpleasant – packing hurriedly to steal away in the wee hours, remembering to breathe and
hoping that everything would be okay for all the people who were sticking around to see what the storm brought.
Every grocery store that day was crammed with people buying provisions, the check-out line vibrating with tension
and talk of taping windows. It was kind of like waiting in line for a super-scary haunted house with a bunch of first
graders rather than the juvies you’re used to. No offense meant by that at all, mind you – it’s just a matter of experience.
The day before I evacuated for Katrina, I went to the Matassa’s, the bank and out to Mona’s for Lebanese. Not one person
even mentioned it – and I had chatted with people everywhere I went. I had no idea that a massive storm was headed our
way until I went in to work the next day, and found my employers packing up the shop and getting everything low off the floor.
Usually, the storm warnings I got in New Orleans were one of the old-timer stoop-sitters in my neighborhood reminding me
to take my potted plants in off the balcony. I remember sometimes wishing that people would freak out a little more,
especially when the minor tropical storms and depressions got nasty and knocked out my power. I guess you just
got used to it after awhile – six months of hurricane season every year, constantly punctuated by threats and fizzles.
As tense and weird as Irene’s approach was making everyone around me, I also continuously stunned by the kindness
and helpfulness so many of the New Yorkers I encountered – especially the cabbie who picked me and all my bags
up and took me to the next stop so I wouldn’t miss my train, and the sweet felon who helped me haul my crap through
the turnstiles. He told me he worked in “telecommunications & debt collections”, and complimented my “Italian-girl ass”.
It was hard to leave New York this time – I felt we’d resumed our love affair that seemed so sour last time I had visited.
This time I found her brilliant and silvery, a beautiful and mercurial beast with a sharp, serendipitous kiss. Her back is
ridged with spikes of glass and metal and thronging with people like shining like stars. I can feel her grit lodged into
my tongue, and I let it stay, knowing it will one day become a pearl. I fell in love with the city again, and hope to find
myself rambling around her golden grid again sooner than later. We’ve got big things to do, she and I. Soon, soon.

(A deer wades through floodwaters in the aftermath of Hurricane Irene on August 28, 2011, in Lincoln Park, N.J. Photo by Julio Cortez/AP)
I ended up riding Irene out in Philadelphia, in the company of two very inspiring ladies, Tabatha and Nyx
of < • le MONDe Primitif •>, and a bottle of Wild Turkey. We spent two days doing nothing but eating,
sleeping, talking and cutting up old Soviet Life and Art in America magazines for collage. I needed that
sweet respite so much after a week of running and hustling non-stop. Just to sit and watch the wind and
rain out the window and breathe. I lay in bed and watched the maples thrash and prayed to Oya to be kind.

– Photo by Ted Jackson / THE TIMES-PICAYUNE
August 29th this year found me in an aisle seat on a Greyhound bus for six hours, struggling to write something about
Katrina for the Austin Chronicle, and getting frantic texts from my friends in New Orleans asking if they could come evacuate
to my house because the poisonous gasses emanating from marsh-fires were making them sick. So bizarre to be living in
the post-apocalyptic nightmare of terrible droughts, storms, fires, oh, and – earthquakes! I was riding the train to brunch
and honestly didn’t think too much about it when the subway car jolted and shook us all for a minute or two. I remember
wondering if that sort of turbulence was common, and then thinking nothing more of it until I got out onto the street.
Everyone had come out of their offices and were crowded on the sidewalk smoking and looking pensive and freaked out.
Apparently, there’s a fault line right under 14th St., which was my stop. People don’t like to talk about it being there, but
it’s there all the same. Earthquakes terrify me more than hurricanes. A hurricane you can prepare for, run away from.

A year or so before Katrina, I was given the amazing gift of a taxidermied peacock from my dear friend Ilya.
It was one of the things that I was most pained to lose after my roof blew off. That whole side of the parlor
had been destroyed – the walls had crumbled, and blackly viscous curls of moldy fiberglass insulation had
peeled down over chunks of plaster and debris. I pretty much left everything on that side of the room alone –
the kitchen table and everything on it, the dvd player and all our movies, and the poor sodden peacock,
who had fallen on the wall and was pinned by a large part of the ceiling. I was so allergic to the mold, that
I feared to take most of my taxidermy collection from the rubble, and once the trailer was totally packed with
whatever else I could salvage, sticking a wet, gross, dead bird on top of it all seemed like a bad plan.
It was the one thing that I mourned above all others – above my records and tapes, all my shoes and boots,
clothes and costumes, photos and other treasures. I couldn’t imagine ever being gifted another peacock in
my life, and had never come across one for sale that I could even begin to afford. About a year after the storm,
I heard that for a short time, my peacock had resurfaced in the briefly reincarnated ramshackle version of Z’otz
Coffeeshop that happened at the old Siam. I was told that the mighty bird had been spray-painted black, and
decorated with broken mirrors. After that, I lost track of it again – until recently. My friend Miss Angie texted me
the photos below from her phone, asking “Is this your peacock?”. There was no doubt that it was. I called up the
dealer who had brought it in, and luckily, he was willing to let me have it back, provided I paid him the $30 bucks
he had paid for it. So, things come full circle. Sometimes. I have my fucked-up, moldy-ass peacock back from the
rubble, delivered to my door by my friends who were escaping from marsh fire sickness. That fire is the size of
City Park right now, and NO ONE is even talking about it. All my friends who haven’t gotten out are sick in bed,
and the whole thing is getting whitewashed by the media. No one is talking about why a marsh would catch fire
and keep burning for days. No one is talking about BP’s oil, or how completely fucked Louisiana’s ecosystem is.
Friends who own houses there, businesses there, who’ve stuck it out all this time are finally talking about leaving,
because they’re afraid the city will kill them, one way or another. Heartbreak on top of heartbreak. Oh, New Orleans…

The other night, I got into a discussion about New Orleans in a bar in Pittsburgh.
The bartender asked me, “If I had to choose between Austin and New Orleans,
which one would I choose?” I explained to him that it didn’t really work like that,
but that my aversion for natural disasters had grown to a point where I’m no longer
willing to knowingly put up with or prepare for them. A strange drunk man at the bar
interjected to ask me if at some point I had been into natural disasters but only decided
I didn’t like them only after I had been “divested of my belongings.” I told him that seven years
of constant evacuations and fear culminating in the eventual destruction and loss of my
city, home, belongings, lover, job, community and friends, and just my whole life as I knew
it was enough to do the trick. I had to go into how I felt about all people who patted my hand
to make themselves feel better by telling me it was “just stuff”. I’m afraid I ranted a little bit in
a sazerac-induced way about people who buy everything they own at Ikea, and have no
emotional attachment to objects. I went off for a bit about how most of the things I treasure
most were passed down to me by loved ones who have died, and how those objects represent
the only tangible, physical artifacts left of them for me. I apologized, explaining that the day before
had been the six year anniversary of the storm, and that I was feeling pretty raw, as I tend to when
the end of August rolls around. He responded by saying “Happy anniversary?” and that was it.
No, dude. Not happy. Wrong answer! He tried to back pedal, but I had to shut him down, saying
that I had just taken the time to speak to him from my heart about experiences that are still very
painful for me, and that he had just taken an opportunity to connect with another human being
and instead thrown it away being drunk and dunderheaded and letting callous bullshit fall out
of his mouth. It was weird. Weird and fucked up to still be getting into it about Katrina in bars with
people who find it more comfortable to stand on the outside of a tragedy and look in on it coldly,
thinking they’re being objective, when really they’re just afraid or incapable of empathy.
Or maybe they’re just assholes. Right after the storm I ended up getting in a few near-brawls
in bars with that sort of guy. I was so, so, so fucking angry and anyone who said the wrong thing,
or just wasn’t getting it needed to be educated as far as I was concerned, and often my version of
doing at the time only ended up getting me nearly kicked out of a few watering holes. PTSD and
whiskey are a bad, bad combination. I try to stay calmer about it these days, but it’s still hard when
people don’t want to get it, don’t really want to try to understand what it was like to go through that.
I remember getting booted from the Longbranch Inn one night for giving a homeless lady money
and then freaking out on the owner when he told me I couldn’t do that. I stood on the sidewalk,
weaving with drink and trying not to cry when the old man who worked at the bar came up to me.
He wore a big cowboy hat, and was a good dancer. He had been showing me moves all night.
His face was the color of dark oiled wood, and his eyes were misty with blue cataracts.
He told me he was The Man With No Name (I found out after he died that he was known as
“Fast Black”, but his name was Carl Miller.) He took my hand, and looked deep into my eyes,
and he said, “Forgive those who do not know.” It was the one piece of wisdom that
helped me through that time – the only thing that helped soothe the rage that kept threatening
to bubble over in barrooms and kept me pacing the floors of my tiny house every night.
Forgive those who do not know. It’s a hard thing to do, but I still try. I try and keep dancing, too.
✸ Susannah Breslin nails it once again – I never really believed in or understood what PTSD was before it happened to me.
Reading about her experience with it really helped me. After Hurricane Katrina, Years of Post-Traumatic Stress
Everyone Forever Now – “Stoop Sitting” from Everynone on Vimeo.
EFN 03 – “Stoop Sitting”
By Will Hoffman & Daniel Mercadante
EVERYONE FOREVER NOW is an episodic motion-based media project.
It is an examination of the collective wisdom and expression of human actions.
✸ A LOVE LETTER TO NEW ORLEANS – written by Sarah Jaffe, illustrated by Molly Crabapple.
✸ What I’m going home to: 3 heartbreaking photos of desert-like Lake Travis during the Texas drought
✸ As Texas Withers, Gas Industry Guzzles
Drought restrictions are forcing homeowners to quit watering their gardens,
even as thirsty fracking operations help themselves to the agua.
IRMA THOMAS – “It’s Raining” – maybe if I play this over and over,
it will bring rain to where it’s needed and away from where it’s not.
If you’ve still got it in you, here’s some collected writings
about my experiences with Hurricane Katrina,
in reverse chronological order. Dig in:
✸ Storms – 5 Years
✸ Hurricane Katrina: Four Years Later
✸ New Orleans in August
✸ One Year
✸ Lower Ninth Aftermath
✸ MARDI GRAS APRÈS L’ORAGE
✸ AFTERMATH: REVELATIONS
✸ JUST WHEN YOU THINK IT CAN’T GET ANY WORSE
✸ Calamity
✸ The Triumph of Death
✸ What can you do?
✸ Katrina
Magic Windows #24
by angeliska on August 17, 2011

Post photoshoot glitter & grime – from a beautiful adventure with the marvelous Darla Teagarden.

The Tiger’s Wife, by Téa Obreht – I’m almost finished with it. It’s so good it makes me kind of sick.

Ramona, my love – won’t you be mine? I want this, I want this, I want this – but I cannot have it!

I also want every single one of these bird cigarette cards!

Mardi Gras 1983 poster. Yes, yes – I covet this, also.

Back of the taxi cab disco goth Cleopatra realness goin’ on…

Late night drawing. Sideways roots.

Moon moth cuffs. Done & nearly done. I make jewelry, y’all. For sale, soonly.

Le bain – my happiest refuge.

Bath pavilion, dusk de-glittering.
Star-crossed Troubadours
by angeliska on August 8, 2011
Today marks twenty-five years since my mother died.

This last winter solstice, I had a profound vision during a ceremony:
an old black telephone appeared before me, hunched in celluloid,
with a rotary dial. I could feel the weight of the heavy receiver in my
hand – it was that real. I realized that I could call anyone in the world
on it, and I pondered for a minute, trying to think of who I’d like most
to talk to at that moment – one phone call, to the person whose voice
I’d most want to hear – until it hit me. My mama, of course. To talk to
her again, to be able to have even just one conversation with her –
I think sometimes I’d give almost anything to be able to do that.
My vision faded, and I can’t really recall being able to actually get
through to her – but it was almost more the radical notion that such
a thing could actually be possible that was amazing. That, and the
raw beast of my longing for her, long buried, suddenly so close to
my face, breathing rough right next to me – a wild, savage desire
just to have my mother back with me, even if only for a moment.
Here’s my mom talking about her favorite country songs on the radio (KUT Austin) with her friend Dan Foster.
I hadn’t heard her voice for twenty-five long years, until the day I got this recording.
Her voice is the most beautiful sound in the whole world.
Maggie Cook Polacheck – KUT by Angeliska
To receive the gift of this recording, a few months after that experience,
was such a balm to that deep wound. Her voice is orange-blossom honey
and tabasco, it is the sudden flutter of bird wings, it is soft as owlet’s fluff,
or a mimosa blossom. Her singular country accent: those long a’s and
dropped g’s that I hear in my aunt’s voice – in my own when I get drunk
or go back where I came from. Her cadence is one I used to carry, too.

So, my mother was obsessed with Hank Williams. I mean – really, truly, deeply.
Our first and only family vacation was to go to his grave in Montgomery, Alabama.
She became penpals with his sister. I think she was in love with him, in a way –
in love with a lanky gray ghost, with a crooked smile and a voice that hits you
like bourbon on an empty belly – raw guts churning with lonely lost love.
I inherited her predilection for tall, skinny men with cruel lips and sad eyes,
for wastrels with hearts full of song, careening through life wearing the albatross
that is an incurable awesome death-wish around their scrawny necks. Luckily,
I got over all that a while back. I’m not sure if she ever did. Beautiful disasters
don’t really turn me on anymore – too much damage done, too many old scars…
But oh, those star-crossed troubadours! How compelling they can be.
In the same week that I received the gift of her voice, I also took a horrible blow:
I found out that the works of art she had spent the last months of her
life creating had been lost, irrevocably. It was about this worst news
I could imagine hearing – almost like losing her all over again.
This includes the painting of Hank Williams above, a work I consider her masterpiece,
the pinnacle of her creative life – her swan song. I remember her painting it, vividly.
The vintage print she took the background from, with the sheep in the moonlit pasture
hung in our kitchen. Those cactus flowers bloomed on our back patio – I remember her
photographing them. The tie Hank’s wearing is one of my dad’s – he has it still.
His hands are so beautifully done, so articulate and perfectly rendered – and his face,
his face… Rarely does any artist capture the sensitive angles and gaunt beauty that
was Hank William’s gorgeous sad face – and now to think of all that lost, to know
that it probably ended up in some dumpster, never to be seen again – it kills me.
Her dear friend who she sold them to moved cross country, and discovered upon
unpacking that the movers had somehow overlooked them. I mean, who knows –
they could be hanging above some dude’s ugly couch in a ratty trailer somewhere
in Utah. You never do know. I won’t give up hope that they’ll turn up one day,
and make their way back to me. I can barely begin to describe how badly this
discovery crushed me. For many years, I have been trying to put back together
the puzzle pieces of my mother’s life – to write about her, and to work through
this tangle of briars her death made of my heart. I’ve been fighting through that
thicket since I was a child – searching for clues, for shreds of her legacy.
When I listen to these old country songs, it’s like a message from beyond:
each one is so heartbroken, and totally unashamed. I think that’s what I love
about country music – it’s not self-conscious about coming off as maudlin –
it’s just genuine feeling, even if that feeling is crying down in a ditch,
or being blue because your son calls another man daddy. It’s having the gumption
to pick up a guitar and sing a song about it, through the tears, through the pain.
All this music that she loved so fervently, all her life – it feels like she knew
somehow, that I’d need this music one day, too. Just the song titles, even:
“When God Comes and Gathers His Jewels”
“Alone and Forsaken”
“Don’t Go”
and oh, “Crying Heart Blues”
Crying the blues
I’m crying because I have lost you
Blues I can’t lose
I guess it’s too late now to try
I’ve tried to chose another to love but it’s no use
Crying heart blues, there’s nothing that’s left but to cry
I’ll always remember I love you
My teardrops won’t let me forget
Each tear is a wish to be near you
They started the day that we met
A trail of tears will lead you to me if you want me
And from my fears, how hopeless, my crying heart flees
Yesterday I happened across this bit of wisdom from Dear Sugar, (who is beyond amazing)
responding to a woman who had miscarried her baby daughter, and found herself consumed
with grief. Her advice rang true for me, and came to me at the perfect time, so I’ll share it here:
This is how you get unstuck. You reach. Not so you can walk away from the daughter you loved,
but so you can live the life that is yours—the one that includes the sad loss of your daughter,
but is not arrested by it. The one that eventually leads you to a place in which you not only grieve her,
but also feel lucky to have had the privilege of loving her. That place of true healing is a fierce place.
It’s a giant place. It’s a place of monstrous beauty and endless dark and glimmering light. And you have
to work really, really, really fucking hard to get there, but you can do it, honey. You’re a woman who can
travel that far. I know it. Your ability to get there is evident to me in every word of your bright shining grief star of a letter.
So, this is me reaching.
These are too:
Foxes in the Rain
Triumvirate Lemniscate
Gustav + Mama – August 8th
Magic Windows #23
by angeliska on August 7, 2011

To christen and complete my newly cleaned and decorated studio, I got a little half-moon Siamese fighting fish
that Colin named Finnegan. He’s adorable. It’s been a long time since I had a fish. The last betta I had, Nico,
was given to me by my friend Jentz when she went to Morocco. He had traveled everywhere with her up until
then, swimming around in a big Miracle Whip jar with holes cut into the top. I remember coming to see her in
her pup-tent slung up in the neighbor boy’s backyard, and how she would hang Nico’s jar from wire in the tree
there. That morning it was raining, and there was something so strange and beautiful about seeing that fancy
fish, swimming around in his glass jar while the rain fell down all around. Water and water, separated by glass.
I loved having Nico, but when I went to New Orleans, my friends who were looking after my shack let it get too
hot in there, and I came home to fish soup. So sad! I took him to the bridge and gave him a sea burial in the lake.
We sang Nico songs mournfully, “All Tomorrow’s Parties” and “My Only Child”. I’ll make sure Finny has a better shot!

Before the Joanna Newsom concert at the Paramount. It’s so lovely to see her play there, in that big grand place.
This time and the last, I couldn’t help the tears that just popped out of my eyes and kept flowing, unwished for,
unbidden. Last time, it was “Cosmia” that did it, but that’s a given. This time, only three songs in, “Easy” unexpectedly
slew me, and then “Cosmia” kept it going. I’m trying to get better at weeping. I’m a pretty ugly crier, all red faced,
snot-strewn and crumpled. Maybe it goes easier if you don’t fight it like I’ve been doing all my life. When music moves
me, or a sad film, a book, or a painting – I give myself over as wholly as I can manage. I try and just let it come and
wash over me, run down my face and keep going, deeper into what I am being given: this art, this feeling, this moment.

It’s funny, because I never noticed the lyric from the end of “Easy” until that night – “Speak my name, and I appear.”
Perhaps Miss Newsom is some sylph that can be beckoned in this way, because she did just that once – or twice, that I can
think of… It’s a long story, but I had been saving some little treasures to gift her, in return for all the beauty she’s bestowed
on my life with her songs. I grabbed them by impulse one morning on my way out the door, late already, but still I felt the
weird sting of sight that made me run back inside for them, and then forget as soon as I got to work. By the end of the day,
I lingered over a stack of constellation cards like the one with the sea-monster on it above. I had to choose which ones to buy,
and which must be put back into circulation, and it was very hard, because they’re all so wonderful – with little holes poked in
where the stars shine through when you hold them up, aligned with their originals spangling the night sky. I chose the seamonster,
the unicorn, the lynx, and then paused over Ursa Major, thinking “Oh, this one I ought to keep to give to Joanna, for Ursala in
“Monkey and Bear.” At that moment, the bell over the door clattered and in slipped a cute fourteen year old wrapped in an old
red and black flannel, with a brooch-studded tam perched over one ear. I tried not to goggle, with those constellations shivering
in my hand when I realized it was none other! I wrote a quick note of thanks on the back of the bear, and gathered those treasures
I had unthinkingly run back in for – a silver Victorian owl buckle, a little tin of pretty bits, blue morpho butterfly wings, and went to
summon up my guts to give them to her. She was dear and kind, and even teary – but I had to hug her and run away quick before
I fell over. So that’s my story – Miss Melissa Petitchou has another one, that’s similar – it starts and ends with a bell, a thought of her
and then she appeared. Maybe she’ll share it with us if we ask very, very nicely. Oh, won’t you Miss? Oh, do!

On my letter writing desk (where very few letters ever get written, alas! Hopefully that shall change soon.)
Green frog ink bottle, fairy compact that was my Nonnie’s, tintype, Mint Humbugs tin filled with pen nibs,
ink sticks and calligraphy accessories in brocade boxes, embroidery of a wishing well by Holly Bobisuthi.

Discovering a latent love of yellow. Saffron, really. Goldenrod. Especially together with deep teal. Oh my, yes.

I re-hung all the art on the walls, scrubbed and dusted until I was sneezing black! More evidence
to come. (Of the fanciness and sparkle of my fresh studio, not of my sodden tissues or whatever.)

Book altar.

Wooden friends.

Eulalia Chrysanthemum in her winter hat.

Treasures.

My electric stereoscope and a hand-stuffed quail Sarahfina taxidermied for my birthday.

My instruments. I play the ocean harp much better than I manage the ukulele, I’m afraid.

Hey, hey – last light of day.
The Left Eye of Horus
by angeliska on August 3, 2011

Horus was the ancient Egyptian sky god who was usually depicted as a falcon.
His right eye was associated with the sun Ra. The eye symbol represents the
marking around a Peregrine Falcon’s eye that includes the “teardrop” marking
sometimes found below the eye. The mirror image, or left eye, sometimes
represented the moon and the god Djehuti (Thoth).
I’m getting excited about the theme for the upcoming Exquisite Corpse – The Left Eye of Horus.
Norah came up with it, and I’m so glad because it’s given me the opportunity to explore an aesthetic
that I’ve always found very alluring: Egyptian Goth. I call it that, but really it’s a mish-mash of traditional
and fantastical styles from a variety of Middle Eastern countries and peoples. The bleak tales of death in
the desert from The Sheltering Sky, and the wraithed, black-clad shapes, of kohl-eyed, tattooed Berber
women shimmering on the horizon planted the seed, which grew into a lush little oasis: a stark vision in
black and white, hung with hammered silver and gold. Heavy clouds of incense, sharply scented with
Sandalwood, papyrus, lotus, and sycamore. These are embalming herbs, for canning hearts in canopic jars.
Bear with me while I wax rhapsodic, won’t you? The mysteries from the fertile crescent continue to inspire, even
as in modern Egypt, at the very moment I write this, Hosni Mubarak is standing (or laying down on a bed in a
cage, actually) trial for the murders of over 850 peaceful protesters who died fighting for change from the days
of ancient Egypt – when pharoahs could hold a throne hostage for generations while amassing untold riches
If you’re interested in keeping up with what’s happening in Egypt, I can’t recommend a better source than Mona Eltahawy.
I had the pleasure of meeting her last year, and we struck up an immediate connection. We talked about writing, but at
the time, I had no idea that she was an award-winning columnist or a total information powerhouse on Arab and Muslim
issues, until January 25th. I had come across her card, and decided to start following her Twitter feed, which is pretty much
the most up to the minute source for whatever’s going down in Egypt politically at any given moment. She’s truly amazing.
Sapho – Methylene
So, in part this post is dedicated to some strong women – Mona, my friend Zahra-Jane, and also Oum Khalthoum (who I’ll get to later…)
Zahra and I were Livejournal friends from way back, and finally had the pleasure of meeting one another for real recently in Chicago.
She has an incredible aesthetic sense and has turned me on to so much awesome stuff over the years. For this post in particular, I asked
her to recommend any treasures I might be overlooking, and she sent me some wonders, indeed. I also heavily pillaged her kick-ass tumblr
The Signs in the Stars and her beautiful blog, Black Celebration – go check out both and be delighted and inspired! I can’t thank her enough for showing me Sapho, a moroccan singer who hung out with Siouxsie in the 80’s and made awesome egyptian-inspired new wave!

Siouxsie and the Banshees – Arabian Knights
I collect khamsas (or hands of Fatima) – my grandmother always wore a big silver filigree one when she traveled,
and I remember always being fascinated and drawn to it. I wear it when I fly, and treasure it immensely. Sacred hands.



Givenchy Haute Couture Fall Winter 2009/2010 Full Show
I am FEELING this show so deeply. Knockin’ ’em cold in black + gold is my permanent fashion motto,
and this just does it all for me. Now where can I get my hands on piles and piles of gold headdresses,
elaborately wrought paillettes, handfuls of massive knuckledusters, et cetera? I need it all by tomorrow.



I love these headdresses:

Dying for this one, made by my girl Miss Arielle de Pinto – her work is beyond fabulous. I desire silvery mounds of it.

Not sure where this one came from, but I sure do love it.

Sequin masks from the Givenchy show… DIY, y’all!

I love this photo of Inga & Anush Arshakyans. Watch out if you click on this link – the video is whoa.
They’re Armenian, but whatever – they look rad.



Oum, Umm, Oumme, Ümmü, OM!
From Zahra-Jane’s killer post on Oum Kalthoum
“The details of a woman. Oum Kalthoum. b. December 31st, circa 1900-1904, Egypt. the capricorn. Star of Egypt.
Queen of tarab, which is that…”this is MY JAM” feeling you get. Tarab is like a state beyond enjoyment, a state of
almost oneness and total ecstasy with the song. There is also a level of audience participation, the crowd moves the singer,
who moves the crowd, which allows an especially spiritual element which decades later, you feel listening to these recordings.
Enchantment is a popular translation, but the word seems almost too quaint for what I feel when I hear Oum Kalthoum.
It is no shock that she has inspired some of my favorite artists, from Nico, to Maria Callas.”
1938 Kodachrome film of two Ouled Nail dancers. Silent.
I recommend that you watch it while playing the track below.
Egyptian lover – Egypt Egypt

Pola Negri

From a 1970’s Playboy magazine

Nefertiti by Youssef Nabil

Shirin Neshat by Youssef Nabil
Kate performs “Egypt” on a 1979 Christmas special.
She is so bonkers. God, I love her.
Follow the Nile
Deep to much deeper.
The Pyramids sound lonely tonight.
The sands run red
In lands of the Pharoahs.
Their symmetry gets right inside me.
I cannot stop to comfort them.
I’m busy chasing up my demon.
I cannot stop to comfort them.
I’m busy chasing up my demon.
Oh, I’m in love
With Egypt.
My Pussy Queen
Knows all my secrets.
I’ll never fall in love again.
I drift with dunes.
I whisper of the tombs.
They offer me Egyptian delights.
She’s got me with that feline guise,
Got me in those desert eyes.
She’s got me with that feline guise,
Got me in those desert eyes.
Oh I’m in love
With Egypt.
I had the pleasure of meeting Maria Dahvana Headley, author of Queen of Kings,
(my own copy is tantalizing me at this very moment from my nightstand!)
recently – she is a fiercely joyous hummingbird of a woman, who I immediately adored.
We had discussed creating an event around her book-signing here in Austin to celebrate
her new work, which is all about vampires and monsters in ancient Egypt. It didn’t work
out time-wise, but the inspiration lingered – so I’ll dedicate this Exquisite Corpse to her
as well! I can’t wait to delve into this world she’s created…

Another book that comes to mind when developing this theme is an old favorite – Storm Constatine’s Wraeththu, a trilogy that shaped many of my views about style, gender, magic and provided a beautiful vision of a post-human, post-apocalypse future.
Illan Riviere is a consumate androgynous Wraeththu Har – and one of the most incredible dancers I’ve ever seen.

From ZJ’s post on Propaganda Magazine
The Sisters Of Mercy – Temple Of Love (Featuring Ofra Haza)

This was my number one favorite song throughout much of my childhood. I was (and still am) so, so into it.
During the 2011 Egyptian Revolution the song enjoyed a surge in popularity among the younger population of protesters:
All the old paintings on the tombs
They do the sand dance don’t you know
If they move too quick (oh way oh)
They’re falling down like a domino
All the bazaar men by the Nile
They got the money on a bet
Gold crocodiles (oh way oh)
They snap their teeth on your cigarette
Foreign types with the hookah pipes say
Ay oh way oh, ay oh way oh
Walk like an Egyptian
Natacha Atlas – Leysh Natarak
Dithyrambalina: Musical Architecture in New Orleans
by angeliska on July 27, 2011
So! I am very excited to announce that Colin and I will be collaborating on a piece that will be part of amazing project called Dithyrambalina:


The Brooklyn-based artist Swoon, who may know from her beautiful wheat-pasted cut-out street art (and the following flotillas: Miss Rockaway Armada, Swimming Cities of Switchback Sea, Swimming Cities of Serenissima) is bringing a landmark, permanent sculpture to the Bywater neighborhood of New Orleans. This “house” also functions as a musical instrument. A growing group of local and national sound artists are creating interactive instruments that will be built into its walls and floorboards so that visitors can bring the house to life through their touch. How does a house sing? How does it keep a beat? Can a house be played like a trumpet? These are the kind of questions will be answering this fall when we launch The Music Box – A Shantytown Sound Laboratory, which is the first incarnation of what will evolve into Dithyrambalina. Our prototypes will gather together in a musical village of singing shanties!

Swoon’s “Ice Queen”, (currently debuting at MOCA, Los Angeles’ Art in the Streets exhibition).
Screen print on paper, coffee stained and hand painted, 2’x3′, signed in an edition of ten.
Happy to say that all three of these beautiful pieces went to each of our awesome Kickstarter backers who pledged $3000 or more!
We are very excited to be collaborating with Elizabeth Shannon, a hero of the New Orleans art world since the 1970′s on the shanty that will shelter our piece TINTINNABULATION STATION. This temporary installation will run from October thru early January and will be built on the future site of the Dithyrambalina in the New Orleans Bywater neighborhood. Over the course of the exhibition we will welcome visitors, hold children’s workshops, and present a three-part series of performances featuring local and national musicians who will orchestrate original works on the devices. Check out our fellow artists, also – we’re amongst great company of some dear friends and many future friends! I’d love it if you’d take a moment to go read more about this project – the whys and wherefores, the inspirations, and the spirit behind it. I’m so proud to be a part of this beautiful thing! The Dithrambalina Kickstarter Campaign ends Thursday Jul 28, 8:49am, and not only did meet our goal, but nearly doubled it! However – any and all additional pledges are appreciated and needed! Additional funding will go towards build costs for the Dithyrambalina house, developing more instrumentation, and paying our artists and musicians for all their hard work. We would all be so grateful for any donations, and for any help spreading the word about this project! Thank you, thank you, thank you!
Swoon and Sound Collaborator Taylor Shepherd Discuss the Project

P.S. Have you been wondering why Swoon calls the musical house Dithyrambalina? The root of the name comes from the ancient Greek work dithyramb. A dithyramb was the chant of wild abandon sung by the devotees of Dionysus to call for their God.

Dionysus was the god of the grape harvest and wine, and he connotes ritual madness and ecstasy in Greek mythology. He is generally depicted as an enchantingly beautiful man attended by a debauched procession of animals, dancers, and music makers. Suffice it to say that Dionysus has never missed a Mardi Gras in New Orleans! – from the Dithyrambalina blog, which is chockablock with good stuff – go see!

